Showing posts with label Lincoln Center. Show all posts
Showing posts with label Lincoln Center. Show all posts

Saturday, October 20, 2018

Richard Skipper Celebrates Mary Elizabeth Micari...and More!

Next to ingratitude, the most painful thing to bear is gratitude.
Mary Elizabeth Micari

-Henry Ward Beecher, American Clergyman ((1813-1887)

Happy Saturday!
It is an overcast morning here in New York. October 20 is the 293rd day of the year. There are 72 days remaining until the end of the year.
Happy Birth of the Bab Day! As the name implies, Birth of the Bab celebrates the birth of the Bab, a prophet and forerunner of the Bahá'í faith. It is a Bahá'í holy day, and one of three dedicated to the Bab, along with the Declaration of the Bab and Martyrdom of the Bab.
Siyyid Ali Muhammad was born in Shiraz, Persia (now Iran), on October 20, 1819, and became known as the Bab, which means "gate" in Arabic. He is believed to be from the line of the Prophet Muhammed. His father died when he was young, and he was raised by his maternal uncle, Haji Mirza Siyyid. Possessing a great depth of knowledge of the Qur'an and spirituality, he began his ministry in 1844. He traveled to Mecca, eventually was imprisoned in a mountain, and was executed by a firing squad in Tabriz in 1850.
Jamie Brickhouse
As I sit down to write today's blog, I have limited time before heading into the city this afternoon to see Jamie Brickhouse in his one-man show, I Favor My Daddy. I interviewed him earlier this week. Then, tonight, we will be seeing Mary Elizabeth Micari. Rev. Mary is the Lady in Black!
Rev. Mary (a.k.a. singing artist Mary Elizabeth Micari) takes a break from her bawdy tunes to serenade her audience with vintage songs from the heart made famous between 1910-1950. Some tunes are familiar, some haven’t been heard in a century. Mary is a singer who specializes in Jazz and Blues.
In addition to Don’t Tell Mama, Mary has also appeared at
Rev. Mary is “The Lady in Black,” Saturday, October 20th, 2018 at 7 PM at Don't Tell Mama
The Duplex, Pianos, Freddy’s, Otto’s, and even The Augusta Music Festival “Blues Week” in West Virginia.
She enjoys making her own healing music (including original compositions) using traditional instruments like harp, drums, bowls, and tuning forks as well as her voice. She is a co-founder of Genesis Repertory

Ensemble, a classically-based non- profit arts and education organization designed to make quality theatre – including Shakespeare and his contemporaries as well as the Greeks –
accessible to new audiences. She currently serves as its artistic director and has directed and performed in numerous works.

For a long time, her “day job” was doing makeup and hair in live theater and film. Her credentials in that area include nearly a dozen Broadway shows, independent films, as well as events at Lincoln Center, Carnegie Hall, and the Roundabout Theater.
Mary also has a rich spiritual life as well. She is a healer and an ordained Minister utilizing Reiki, Herbalism, Homeopathy, Acupressure, Sound Healing and more. Her nickname, “the singing sorceress,” comes from her roots in the Pagan community and the work she does with cool things like Tarot, Astrology, and Magickal work. “The Magic Apothecary” is her line of magickly-infusedproducts for health and healing.

You can visit her website HERE to learn more about her but I had some questions of my own.
I hope you'll enjoy this interview and that you will join me tonight at Don't Tell Mama as I continue to celebrate her.

Where are you from originally? 
I am from Brooklyn, New York. Bensonhurst to be exact!

When you first arrived in New York, what were your aspirations?
To Grow up!

What was the most memorable moment in your career?  
I have so many memorable moments! Each time I perform, it’s a sacred thing!
I’d have to maybe go back to my very first show when I was a child.
Being on the stage as one of the kids in The King and I.

It was the first time I discovered my true home. Everything was special, as though I had been transformed and moved into space the Gods inhabit.  I was only 10 and it was a tiny show but to me, it was the beginning of my life’s work.
Seen here with publicist extraordinaire, Jay Michaels


Who is your Musical Director? Can you please say something about working with them?  
Musical Director is Dan Furman
I have been working with him for over 5 years now. 

He’s worked with me in my vocal studio, recordings and now live Cabaret shows.  
He’s amazingly talented. He can play anything and because he is also a composer he knows how to really work with harmony, orchestration and he’s got a great eye for a stage picture and is very good at finding and using songs I’d never hear of to add to the work. 
I am entirely comfortable on stage with him.
He is really the most adept and supportive pianist I have ever know, not to mention is jazz work on stage and the beauty of the solos I am sure to make sure he gets in every show!

What were a few of your first jobs before you got into entertaining?
I have had many day jobs WHILE entertaining.
I worked in bars, strip joint bars, waitressing and for 10 years in Veterinary Hospitals.
I also did a 7-year stint working backstage on Broadway and in Films and TV doing wigs, hair, makeup and FX Make Up.
Now I am a full-time Voice Teacher and Acting Coach.

In the scheme of things, How important is what you do? 
It's not going to save the world…or is it? I think that giving people a place to relax, laugh and
remove themselves from the ordinary is kin to being a Priestess!

I am there as a healer or souls and minds. So, in the vein that is important.

As you are continuing to move forward, what is something that might inspire the next generation of artists?
I teach …a lot.  I have a full studio at the moment and do classes and lectures as well.  I find the most important thing to say to them is that they CAN do this and that the world wants them.
I also believe that fame in the large scale is for a select few and that being a working artist is the best thing there is. We are here to be a light in the dark. That is the job of a performer.

How successful have you been in getting yourself “out there” and into the clubs and on the stages beyond your comfort zone? 
'Out there' is where I live!  I love to try anything new…at least once.  I have really no fear on the stage.
Just did a Burlesque class and yes…got naked in front of a huge audience of screaming people I loved it.

Tell me about your experience with the next
generation of entertainers and what your legacy to them will be? 
As I said, I teach so I am with the next generation of entertainers much.  I have worked with many young actors as well. I think it's about what I learned listening to an interview with Paul Newman many years ago, Tenacity.  I also say, never ever give up. Always move forward.
Never stay still. Be there and ready for anything. Never be fearful and always know that the audience, for the most part, loves you.
That is what I hope I can impart.

What’s a Bette Davis movie you can watch over and over again and never tire of? 
All About Eve

What do you do to keep fit? 
I do water aerobics, walk and try to bike!

A favorite indoor game? 
Aside from sex? Backgammon or Monopoly.

Name one person you would like to see profiled in my blog 
Becca Kidwell or anyone new to the world of Cabaret…. (Here is the blog I've already done on Becca Kidwell!)

Anything else you wish included? 
We are good!

Aside from these talents, Mary is a trained opera singer, having performed with some of NYC’s most respected opera companies for more than 14 years. Ironic, since she began her singing career in a
band doing Jefferson Starship as well as many years doing musicals. I hope that you'll join me this evening at Don't Tell Mama as I continue to celebrate Mary Elizabeth Micari!

Also Recommended...
If you are in Germantown, Maryland this eve, Please check out Jeff Harnar and Sally Mayes in Double Take (with Alex Rybeck). I saw this show at The Laurie Beechman Theatre and I highly recommend it.
REX REED--
"Two powerhouse performers giving it all they've got is more than anyone has a right to hope for in the world of entertainment. 'DOUBLE TAKE' is a double dose of wit, sparkle, savvy and music, stirred with love, laughter and a lifetime of dedication to show business sensationalism! I absolutely loved every enchanting minute of it!" Rex Reed

Sally Mayes & I bring DOUBLE TAKE to The BlackRock Center For The Arts in Germantown MD this Sat Oct 20th with our amazing trio Music Director Alex Rybeck, Bob Renino (Bass) and Dan Gross (Drums).

Tickets:
https://boxoffice.diamondticketing.com/blackrock/events/double

I FAVOR MY DADDY, FOLLOW UP TO DANGEROUS WHEN WET, PREMIERES AT FRINGE NYC THIS OCTOBER
Buy Tix to Fringe NYC Performances of I FAVOR MY DADDY
When: Sat., Oct. 20, 2:30pm; Thurs., Oct. 25, 6:30pm: Sat., Oct. 27, 2:45pm
Where: FringeHUB, 685 Washington Street at Charles, NYC
Why: Because it's gonna be good.
New Circle Theatre Company in midtown Manhattan will present 5 performances of IT'S A BEAUTIFUL WOUND.  Performance times are:

Thu Oct 25 at 7 pm
Fri Oct 26 at 7 pm
Sat Oct 27 at 3 pm and 7 pm
Sun Oct 28 at 3 pm

You can make a reservation by using the password SANDBOX HERE


IT'S A BEAUTIFUL WOUND is the true story of Rich Orloff's adventures in underground therapy using MDMA (a.k.a. Ecstasy) and psilocybin mushrooms, based on cutting-edge experiments designed to help people heal from deep emotional wounds.  Rich describes the piece as one person's journey towards reconciliation with the soul... with a short detour for an appendectomy.

Inspired by the autobiographical monologues of Spalding Gray and Mike Daisey, my goal with IT'S A BEAUTIFUL WOUND is to take the audience through the experience with me, in a vivid, compelling and honest way.

Please observe this courtesy:  If you make a reservation and later realize you can't attend, PLEASE CANCEL THE RESERVATION.  This will allow others to see the show.  Thanks!
Feel free to share this blog with friends.

Coming up:
IT'S A BEAUTIFUL WOUND
written and performed by Rich Orloff
Oct 25 - 28 at New Circle Theatre Company in NYC
For information and tickets, visit beautifulwound.com


We are made up of the people we've met and the places we've been. Join Kenneth Gartman on a musical journey to some of his favorite places as he shares his passion for culture, language and people.

Lennie Watts, Director
Troy Fannin, Music Director/Guitar
Marcel Hamel, Bass
Mike Shapiro, Drums

KENNETH GARTMAN - Kenneth performed in the National Tour of THE MUSIC MAN. He has also performed internationally on a Live BBC Broadcast of Simply Sondheim and throughout Ireland in A New York Songbook: Way Off Broadway. Kenneth has appeared as both a singer and a pianist in the country's finest concert halls. Gartman’s work in cabaret garnered nominations for Best Music Director and Best Male Debut in the 2012 Broadway World New York Cabaret Awards. 


If you’re trying to use Instagram to advance your acting career, you’ll love this! 
Heidi Dean has created a new free web class to help you build your audience and make an impact on Instagram.  
In this free online training, you’ll discover…
The 6 BIG mistakes most actors make on Instagram (and why they’re keeping you stuck).
What's working on Instagram RIGHT NOW (and why most Insta-advice is either outdated or wrong).
How you can get bigger results in less time!
The secret to getting more followers for your acting career.
The (totally free) webclass expires soon, so make sure to watch it right away.
Click here to reserve your spot now. 
WHAT: FREE Instagram Class for Actors
WHERE: On your computer, phone or tablet 
COST: Free!
HOW: Grab your seat here before it's gone→ www.freeclassforactors.com

"CHURCH WITH A 2 DRINK MINIMUM"
Mercedes Herman at Church With A 2 Drink Minimum
-Its Church-Its Trans-tastic Church Lady Realness-Its Brunch-Its, not a parody! Sunday, Oct 21, 3-5pm at Sidewalk Cafe 94 Ave A East Village NYC. www.yolanda.net/church

Another FUN afternoon tomorrow!
This month, they are fresh on the heels of Reverand Yolanda's autobiographical musical "The Passion of Rev. Yolanda"... so their theme is PASSION!
Freddy Freeman aka Goldenheart and his wonderful husband Jay Freeman are the musical guests this month. Goldenheart is an amazing singer-songwriter, CDs Country Gospel Kirtan vols 1 and 2, and creator of Bearapalooza and Bear Your Soul!

Also their regulars Doreen Younglove on vocals, Mercedes Herman Woman of Wisdom/Storyteller, Lady D*D* hostess with the mostess, and Rev. Glen Ganaway with the message.
The love offering this month will go to Bearded Lady Productions LLC. Bearded Lady Productions produces all of Rev. Yolanda's events and services. They provide Wednesday night Miracles study group, as well as workshops, speaking and singing engagements, events, weddings, funerals, baby blessings, and more. See details: www.BeardedLadyProductionsLLC.com 

Sunday, Oct 21, 3-5pm no reservations, no cover, 2 food or drink minimum, love offering taken, 94 Ave. A , East Village NYC at the Sidewalk Cafe.

Now, go and do something nice for someone without expecting anything in return! 
********
A Few Audience Testimonials of Richard Skipper Celebrates
Richard and Russ, your show this past Sunday, Oct 14, was spectacular. I have enjoyed many a
Sunday in your theatrical care, and the two of you understand the point of putting together a show -- it is to ENTERTAIN!!!!!!!! It was on the one hand so well produced and directed that an audience immediately feels taken care of, but then the consummate mastery of Richard's hosting skills to embrace the audience and the moment(s) and harvest such humor and pleasure from the unexpected.  
Do I really have to wait until February for another one?  LOVE this series, and so grateful for the laughs and the heart. Thank you.
With grateful XOXOXs,
-Ann Kittredge, NY

RichardSkipper was born to this mantle. What a spot-on splendid job he does. Always a treat to hear those glorious pipes when he sings AND now add to that this charming, spontaneous yet thoroughly primped, delightfully funny role as Host. What a gem of an entertainment he has concocted ... I was honored to be a part of the festivities
(He had me from the “Opening Credits!” Abundantly BRILLIANT) 
Jeff Harnar, NYC





Please LIKE (if you do!) and SHARE!

NO COPYRIGHT INFRINGEMENT INTENDED.  FOR ENTERTAINMENT PURPOSES ONLY!

Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!  
  Keeping America great through Art!     

Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
Please leave a comment and share on Twitter and Facebook
Keeping Entertainment LIVE!

TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY

Richard Skipper, Richard@RichardSkipper.com






Saturday, March 29, 2014

Goodbye, Cabaret Month...Hello, April!


"There is a secret garden where miracle and magic abound, and it's available to anyone who makes the choice to visit there." ~ Dr. Wayne Dwyer

Dear Friends,
On Thursday Night, the 28th Annual MAC Awards took place at BB King's here in New York City.
I would like to applaud ALL the winners, the nominees, and ALL that have ever graced a cabaret stage whether they have been nominated or not.
2014 MAC Award Winner Marissa Mulder





MAC was founded in 1983 as an organization of businesspeople in the cabaret industry, comprising club owners, booking agents, managers, journalists and publicists. Its ORIGINAL intent was “to heighten the public’s awareness of cabaret as an art form”* and to unify and empower the various cabarets around NYC.

MAC’s purpose was primarily about improving the climate in which the business of owning and running those clubs was conducted and, when necessary, to serve as an advocate for those in the cabaret business.(Source: MAC website).

MAC's original founder was Erv Raible who passed away earlier this year.

Somewhere along the line, the organization expanded to include artists. Although it is still the Manhattan Association of Cabarets and Clubs , artists are left out of the name of the very organization they are supporting.

Cynthia Crane
I was not part of the cabaret community and/or MAC at the time of it's inception. I spoke with Cynthia Crane this morning regarding the early days of MAC. She was a very early board member. I interviewed Cynthia two years ago to celebrate her birthday (which is today). At that time, I wrote: Someone that deserves to be honored today, not only because it's her birthday, but because of her enormous contributions to cabaret is Cynthia Crane.
Penny Landeau was a founding member of MAC, when she left the board, Cynthia took over as secretary. She served on the MAC board for many years. As a matter of fact, when I served on the board (as vice president), our meetings took place at the home of Cynthia and Ted Story, her husband of 48 years. 
In the 25 plus years of my involvement in the cabaret community, I have seen many people come and go.  I've seen clubs come and go. Cynthia knows what it takes to maintain a career. She is still at the top of her game.
She is one of those people that I can't, for the life of me, know how, when, and how we met.
I know she has not always been a part of my life.
However the years that she has been a part of me have been enhanced by our friendship and generosity of spirit.

One week from tonight, I will be bringing 6 great entertainers to celebrate cabaret here in Piermont, New
New York as it looked in 1985
York where I live.
I am also bringing a great musical director.

Bryon Sommers, our musical director, lives primarily in Virginia these days, but maintains a residence here in New York. It was our lucky day when he agreed to do our show next Saturday.
I met Bryon YEARS ago at an outdoor concert at
Lincoln Center. We were out with friends and we all happened to be seated in the same section. We just started talking and it was as if we were long lost friends.
We discovered in a matter of minutes that we both were in the business AND that we knew many of the same people. 
Bryon and Richard


Now, please note that I was in my early thirties and just starting to put my feet into the waters of cabaret.

Bryon ended up inviting us to a party at his home.
When we walked in, Bryon was seated at the piano playing, surrounded by some of the greatest voices to grace a Broadway and/or cabaret stage.
When we stepped into that apartment, it was like stepping into an MGM musical.

This would be the first of many such parties at Bryon's. Sadly, some of those that were there, then and through the years, have passed on.
Mark-Alan will be joining us in Piermont next Sunday night

I still have very solid friends from those days. The feeling that I want to bring to Pier 701 Bar and Restaurant next week is the feeling that I remember from those parties. I desire that our audience feels that they are at a party where a few friends stand around the piano and sing.
I have asked all of our entertainers to do upbeat material. This will NOT be an evening of angst and/or experimental material.

I'll even encourage the audience to be as involved as possible. After all, they have invested their time and money to spend a few hours with us.
Ellen Bullinger will also be joining us next week
The cabaret "community" is a very tight community here in New York. However, I currently see very  little effort to cast a wider net beyond the "community" itself.
I have been saying for years that the lines are blurred between who the audiences are, who the critics are,who the press is, etc. I don't care what level any of us have achieved in cabaret, we are all swimming in the same fish bowl fighting for our very survival. I want to bring more awareness to this great art form.


It didn't feel so isolated from the general public when I first discovered this world. Why did it all change? I know some will be offended by these comments and I truly don't desire to offend anyone.
I desire to raise the bar. I hope that all that love this art form will desire to do the same. I am not sure how many cabaret rooms are currently in existence.

I can honestly and say that on most of those stages tonight, that the artists entertaining run their entire parade. In other words, EVERY detail is resting on
their shoulders. It saddens me AND angers me that the very venues that are booking these acts, for the most part, have no vested interest in the acts that have been booked. It saddens me that these artists will not be paid, for the most part.
It saddens me that many who are deserving of an audience are struggling to get that audience. It saddens me that MANY will never get the exposure they so richly deserve.
Here in New York, "cabaret month" is coming to a close. Years ago, the Mayor of New York declared March cabaret month. Two years ago, cabaret entertainer Craig Pomranz worked diligently to get this reinstated and succeeded. Believe it or not, he received flack from some in the cabaret community! No good dead...
At that time, traditionally, the Bistro Awards (at one time, the Back Stage Bistro Award) would kick off the month and the month would end with the MAC (Manhattan Association of Cabarets and Clubs). Sherry Eaker does all she can to keep this tradition going year after year. The Bistro Awards are about recognizing, encouraging, nurturing, and educating cabaret, jazz, and comedy artists for over 28 years through our insightful reviews and our annual awards — the oldest awards of its kind in the industry.

Did you know that from prohibition until 1967, a permit called the New York City Cabaret Identification
Card was required of all workers, including performers, in New York City nightclubs? Their administration was fraught with politics, and some artists' cards were revoked on specious grounds. For many performers, the revocation of their cabaret card resulted in the loss of their livelihood.

Those of Chet Baker, Charlie Parker, Thelonious Monk,Jackie McLean, Elmo Hope, Billy Higgins and Billie
Billie Holiday
Holiday were suspended because of drug charges, and that of Lenny Bruce for his reputed obscenity.
 In 1983, I was 22 and living in the Bronx having come to New York just four years prior. It was also at this time that I was truly beginning to discover myself. I think it was 1984 when I stepped into Don't Tell Mama for the first time. In 1985, I moved to 47th Street. For those of you who don't know, Don't Tell Mama is a cabaret room on 46th Street in NYC in a section called Restaurant Row because of the number of restaurants there.

Dick Gallagher
I remember at that time of walking that block and feeling like it was Carnival in Provincetown, regardless of the time of year.
Walking into Don't Tell Mama on any given night, you would find the late great Dick Gallagher at the piano. There was NEVER a time that I walked in that I was not asked to sing. I felt safe and comfortable being me. I felt like  was going to see family members when I walked in.
At that time, there was ONE cabaret room. I remember LATE shows on Friday and Saturday nights.
About half an hour before the show, an announcement was made that the cabaret room was now open and that if we wanted to see the show, to let our wait person know so that whatever we were drinking could go towards our two drink minimum! When was the last time an announcement was made about a show going on in the cabaret rooms? Now there are two cabaret rooms at Don't Tell Mama. For a short period, there were three! But now, there is a disconnect between the bar and the cabaret rooms and that is a huge shame. In those days, I saw for the first time Karen Mason, Nancy Lamott, Jenifer Lewis, Lina Koutrakos(who would eventually become my first director in cabaret), and Julie Sheppard as Judy Garland (which I saw five times!).
Karen Mason

That was the world that I desperately wanted to be a part of. It would be ten years before I would put my toes in those waters.

The former Grove Street Playhouse 39 Grove Street
In the 1980s, I had an acting career that included stock, tours, and showcases in New York. I went from show to show.
 One of the theatres I appeared in was the Grove Street Playhouse at 39 Grove Street (now a laundry).
I was cast as "Broomhandle", Cinderella's stepfather, who dies at the top of the play!, in their Children's Theatre production of Cinderella. Our first rehearsal was on April 1st, 1980...the day that the New York Transit system went on STRIKE! AND, I was living  on the last stop on the D train in the Bronx!
I was living on the corner of Hull Avenue. It was a trek but I made it into town for rehearsals. This strike went on till April 14th. I actually remember it like it was yesterday. I had a nice long run performing every Saturday and Sunday in that play for five months.With  volunteer actors prancing before flimsy sets of utopian forests and kingdoms, the Grove Street Playhouse kept children laughing for years.
Offstage for the last 15 years of its existence, the nonprofit Greenwich Village theater waged a battle with the
TL Reiley and Stephen Liebhouser, Men of Manhattan
city just to stay open.
 Marilyn Majeskiwas the artistic director of the Grove Street Playhouse.
In the spring of 1990, I was cast in a show called Men of Manhattan by John Glines.We opened at the Grove Street Playhouse at 39 Grove Street in Manhattan.Directed by Charlie Cantanese, this play is made up of eleven scenes of New York City gay life.

I still remember the night that John Glines came into Marie's Crisis to tell me that he wanted me for a reading of a new play that he had just written.

He said he had written a part for me but that he didn't want me to have a script prior to the reading. He didn't want me to prepare for the character at all. He wanted my reaction to be as fresh as the audiences. The night of the reading in a packed theatre (also at the Grove Street Playhouse), we were doing the last scene of Act One, my scene.
In the scene, the lights come up to reveal a couple,  played by Cy Orfield and Steve Liebhouser,  who are having marital issues. Also lying behind the sofa, you see two feet almost like the Wicked Witch of the East in The Wizard of Oz.

As the scene progresses and Cy's character leaves the room, the character (played by ME) jumps up from behind the sofa. There is definitely something "off" about him. He immediately begins to seduce Steve's character. When Steve's character asks who "I" am, I announce that I'm Carl Channing! When I uttered that line, the entire audience fell apart. I now knew why John did not want me to prepare anything for this
Steven Liebhauser (left), me as Ian (center) and T. L. Reilly in Scene 8: At Sardi's-II
character. John wrote it for me.
At this point, the extent of my appearing as Carol Channing was relegated to Halloween and doing her voice at piano bars and open mics which were a major part of my life at that time.
As stated before, this show consisted of eleven vignettes. The cast would be comprised of seven actors who would double and sometimes triple on various roles.
T. L. Reilly talking to Steven Liebhauser as the bartender
Because of the impact of my portrayal as Carl, John and Charlie were concerned as to whether or not the audience would be able to accept me as another character. I had to audition several times and opposite a lot of actors before I could convince them that I could make this happen. This is a series of 11 vignettes in which 6 or more actors play 25 various characters, including yuppy lawyers, bodybuilders, a fragrance model, a stripper, and a political activist in drag. The other role that I would be playing would be this hyperactive blind date of Terence's (T.L.) character.
It was a running gag in which Terence's character always ends up with the "fuzzy end of the lollipop" in the love department. I did convince John Glines and Charlie Catanese to cast me and that led me on to the path for all that followed and I will be eternally grateful.    

Let's start celebrating artists again rather than tearing them down.

Thank you ALL of the artists mentioned in this blog for the gifts you have given to the world and continue to give!



 With grateful XOXOXs ,





Check out my site celebrating the FIRST Fifty years of  Hello, Dolly!

Me as Carol Channing as Dolly Levi in Hello, Dolly! Revision Theatre, Asbury Park (director: Thomas Morrisey)

I desire this to be a definitive account of Hello, Dolly!  If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!
If you have anything to add or share, please contact me at Richard@RichardSkipper.com.

NO COPYRIGHT INFRINGEMENT INTENDED.  FOR ENTERTAINMENT PURPOSES ONLY!



Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!    
               Thank you, to all the mentioned in this blog!




Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
with Raquel Welch



                                                                  Keeping Entertainment ALIVE!
                                                                   Richard Skipper Celebrates

TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY