Showing posts with label Paul Newman. Show all posts
Showing posts with label Paul Newman. Show all posts

Saturday, October 20, 2018

Richard Skipper Celebrates Mary Elizabeth Micari...and More!

Next to ingratitude, the most painful thing to bear is gratitude.
Mary Elizabeth Micari

-Henry Ward Beecher, American Clergyman ((1813-1887)

Happy Saturday!
It is an overcast morning here in New York. October 20 is the 293rd day of the year. There are 72 days remaining until the end of the year.
Happy Birth of the Bab Day! As the name implies, Birth of the Bab celebrates the birth of the Bab, a prophet and forerunner of the Bahá'í faith. It is a Bahá'í holy day, and one of three dedicated to the Bab, along with the Declaration of the Bab and Martyrdom of the Bab.
Siyyid Ali Muhammad was born in Shiraz, Persia (now Iran), on October 20, 1819, and became known as the Bab, which means "gate" in Arabic. He is believed to be from the line of the Prophet Muhammed. His father died when he was young, and he was raised by his maternal uncle, Haji Mirza Siyyid. Possessing a great depth of knowledge of the Qur'an and spirituality, he began his ministry in 1844. He traveled to Mecca, eventually was imprisoned in a mountain, and was executed by a firing squad in Tabriz in 1850.
Jamie Brickhouse
As I sit down to write today's blog, I have limited time before heading into the city this afternoon to see Jamie Brickhouse in his one-man show, I Favor My Daddy. I interviewed him earlier this week. Then, tonight, we will be seeing Mary Elizabeth Micari. Rev. Mary is the Lady in Black!
Rev. Mary (a.k.a. singing artist Mary Elizabeth Micari) takes a break from her bawdy tunes to serenade her audience with vintage songs from the heart made famous between 1910-1950. Some tunes are familiar, some haven’t been heard in a century. Mary is a singer who specializes in Jazz and Blues.
In addition to Don’t Tell Mama, Mary has also appeared at
Rev. Mary is “The Lady in Black,” Saturday, October 20th, 2018 at 7 PM at Don't Tell Mama
The Duplex, Pianos, Freddy’s, Otto’s, and even The Augusta Music Festival “Blues Week” in West Virginia.
She enjoys making her own healing music (including original compositions) using traditional instruments like harp, drums, bowls, and tuning forks as well as her voice. She is a co-founder of Genesis Repertory

Ensemble, a classically-based non- profit arts and education organization designed to make quality theatre – including Shakespeare and his contemporaries as well as the Greeks –
accessible to new audiences. She currently serves as its artistic director and has directed and performed in numerous works.

For a long time, her “day job” was doing makeup and hair in live theater and film. Her credentials in that area include nearly a dozen Broadway shows, independent films, as well as events at Lincoln Center, Carnegie Hall, and the Roundabout Theater.
Mary also has a rich spiritual life as well. She is a healer and an ordained Minister utilizing Reiki, Herbalism, Homeopathy, Acupressure, Sound Healing and more. Her nickname, “the singing sorceress,” comes from her roots in the Pagan community and the work she does with cool things like Tarot, Astrology, and Magickal work. “The Magic Apothecary” is her line of magickly-infusedproducts for health and healing.

You can visit her website HERE to learn more about her but I had some questions of my own.
I hope you'll enjoy this interview and that you will join me tonight at Don't Tell Mama as I continue to celebrate her.

Where are you from originally? 
I am from Brooklyn, New York. Bensonhurst to be exact!

When you first arrived in New York, what were your aspirations?
To Grow up!

What was the most memorable moment in your career?  
I have so many memorable moments! Each time I perform, it’s a sacred thing!
I’d have to maybe go back to my very first show when I was a child.
Being on the stage as one of the kids in The King and I.

It was the first time I discovered my true home. Everything was special, as though I had been transformed and moved into space the Gods inhabit.  I was only 10 and it was a tiny show but to me, it was the beginning of my life’s work.
Seen here with publicist extraordinaire, Jay Michaels


Who is your Musical Director? Can you please say something about working with them?  
Musical Director is Dan Furman
I have been working with him for over 5 years now. 

He’s worked with me in my vocal studio, recordings and now live Cabaret shows.  
He’s amazingly talented. He can play anything and because he is also a composer he knows how to really work with harmony, orchestration and he’s got a great eye for a stage picture and is very good at finding and using songs I’d never hear of to add to the work. 
I am entirely comfortable on stage with him.
He is really the most adept and supportive pianist I have ever know, not to mention is jazz work on stage and the beauty of the solos I am sure to make sure he gets in every show!

What were a few of your first jobs before you got into entertaining?
I have had many day jobs WHILE entertaining.
I worked in bars, strip joint bars, waitressing and for 10 years in Veterinary Hospitals.
I also did a 7-year stint working backstage on Broadway and in Films and TV doing wigs, hair, makeup and FX Make Up.
Now I am a full-time Voice Teacher and Acting Coach.

In the scheme of things, How important is what you do? 
It's not going to save the world…or is it? I think that giving people a place to relax, laugh and
remove themselves from the ordinary is kin to being a Priestess!

I am there as a healer or souls and minds. So, in the vein that is important.

As you are continuing to move forward, what is something that might inspire the next generation of artists?
I teach …a lot.  I have a full studio at the moment and do classes and lectures as well.  I find the most important thing to say to them is that they CAN do this and that the world wants them.
I also believe that fame in the large scale is for a select few and that being a working artist is the best thing there is. We are here to be a light in the dark. That is the job of a performer.

How successful have you been in getting yourself “out there” and into the clubs and on the stages beyond your comfort zone? 
'Out there' is where I live!  I love to try anything new…at least once.  I have really no fear on the stage.
Just did a Burlesque class and yes…got naked in front of a huge audience of screaming people I loved it.

Tell me about your experience with the next
generation of entertainers and what your legacy to them will be? 
As I said, I teach so I am with the next generation of entertainers much.  I have worked with many young actors as well. I think it's about what I learned listening to an interview with Paul Newman many years ago, Tenacity.  I also say, never ever give up. Always move forward.
Never stay still. Be there and ready for anything. Never be fearful and always know that the audience, for the most part, loves you.
That is what I hope I can impart.

What’s a Bette Davis movie you can watch over and over again and never tire of? 
All About Eve

What do you do to keep fit? 
I do water aerobics, walk and try to bike!

A favorite indoor game? 
Aside from sex? Backgammon or Monopoly.

Name one person you would like to see profiled in my blog 
Becca Kidwell or anyone new to the world of Cabaret…. (Here is the blog I've already done on Becca Kidwell!)

Anything else you wish included? 
We are good!

Aside from these talents, Mary is a trained opera singer, having performed with some of NYC’s most respected opera companies for more than 14 years. Ironic, since she began her singing career in a
band doing Jefferson Starship as well as many years doing musicals. I hope that you'll join me this evening at Don't Tell Mama as I continue to celebrate Mary Elizabeth Micari!

Also Recommended...
If you are in Germantown, Maryland this eve, Please check out Jeff Harnar and Sally Mayes in Double Take (with Alex Rybeck). I saw this show at The Laurie Beechman Theatre and I highly recommend it.
REX REED--
"Two powerhouse performers giving it all they've got is more than anyone has a right to hope for in the world of entertainment. 'DOUBLE TAKE' is a double dose of wit, sparkle, savvy and music, stirred with love, laughter and a lifetime of dedication to show business sensationalism! I absolutely loved every enchanting minute of it!" Rex Reed

Sally Mayes & I bring DOUBLE TAKE to The BlackRock Center For The Arts in Germantown MD this Sat Oct 20th with our amazing trio Music Director Alex Rybeck, Bob Renino (Bass) and Dan Gross (Drums).

Tickets:
https://boxoffice.diamondticketing.com/blackrock/events/double

I FAVOR MY DADDY, FOLLOW UP TO DANGEROUS WHEN WET, PREMIERES AT FRINGE NYC THIS OCTOBER
Buy Tix to Fringe NYC Performances of I FAVOR MY DADDY
When: Sat., Oct. 20, 2:30pm; Thurs., Oct. 25, 6:30pm: Sat., Oct. 27, 2:45pm
Where: FringeHUB, 685 Washington Street at Charles, NYC
Why: Because it's gonna be good.
New Circle Theatre Company in midtown Manhattan will present 5 performances of IT'S A BEAUTIFUL WOUND.  Performance times are:

Thu Oct 25 at 7 pm
Fri Oct 26 at 7 pm
Sat Oct 27 at 3 pm and 7 pm
Sun Oct 28 at 3 pm

You can make a reservation by using the password SANDBOX HERE


IT'S A BEAUTIFUL WOUND is the true story of Rich Orloff's adventures in underground therapy using MDMA (a.k.a. Ecstasy) and psilocybin mushrooms, based on cutting-edge experiments designed to help people heal from deep emotional wounds.  Rich describes the piece as one person's journey towards reconciliation with the soul... with a short detour for an appendectomy.

Inspired by the autobiographical monologues of Spalding Gray and Mike Daisey, my goal with IT'S A BEAUTIFUL WOUND is to take the audience through the experience with me, in a vivid, compelling and honest way.

Please observe this courtesy:  If you make a reservation and later realize you can't attend, PLEASE CANCEL THE RESERVATION.  This will allow others to see the show.  Thanks!
Feel free to share this blog with friends.

Coming up:
IT'S A BEAUTIFUL WOUND
written and performed by Rich Orloff
Oct 25 - 28 at New Circle Theatre Company in NYC
For information and tickets, visit beautifulwound.com


We are made up of the people we've met and the places we've been. Join Kenneth Gartman on a musical journey to some of his favorite places as he shares his passion for culture, language and people.

Lennie Watts, Director
Troy Fannin, Music Director/Guitar
Marcel Hamel, Bass
Mike Shapiro, Drums

KENNETH GARTMAN - Kenneth performed in the National Tour of THE MUSIC MAN. He has also performed internationally on a Live BBC Broadcast of Simply Sondheim and throughout Ireland in A New York Songbook: Way Off Broadway. Kenneth has appeared as both a singer and a pianist in the country's finest concert halls. Gartman’s work in cabaret garnered nominations for Best Music Director and Best Male Debut in the 2012 Broadway World New York Cabaret Awards. 


If you’re trying to use Instagram to advance your acting career, you’ll love this! 
Heidi Dean has created a new free web class to help you build your audience and make an impact on Instagram.  
In this free online training, you’ll discover…
The 6 BIG mistakes most actors make on Instagram (and why they’re keeping you stuck).
What's working on Instagram RIGHT NOW (and why most Insta-advice is either outdated or wrong).
How you can get bigger results in less time!
The secret to getting more followers for your acting career.
The (totally free) webclass expires soon, so make sure to watch it right away.
Click here to reserve your spot now. 
WHAT: FREE Instagram Class for Actors
WHERE: On your computer, phone or tablet 
COST: Free!
HOW: Grab your seat here before it's gone→ www.freeclassforactors.com

"CHURCH WITH A 2 DRINK MINIMUM"
Mercedes Herman at Church With A 2 Drink Minimum
-Its Church-Its Trans-tastic Church Lady Realness-Its Brunch-Its, not a parody! Sunday, Oct 21, 3-5pm at Sidewalk Cafe 94 Ave A East Village NYC. www.yolanda.net/church

Another FUN afternoon tomorrow!
This month, they are fresh on the heels of Reverand Yolanda's autobiographical musical "The Passion of Rev. Yolanda"... so their theme is PASSION!
Freddy Freeman aka Goldenheart and his wonderful husband Jay Freeman are the musical guests this month. Goldenheart is an amazing singer-songwriter, CDs Country Gospel Kirtan vols 1 and 2, and creator of Bearapalooza and Bear Your Soul!

Also their regulars Doreen Younglove on vocals, Mercedes Herman Woman of Wisdom/Storyteller, Lady D*D* hostess with the mostess, and Rev. Glen Ganaway with the message.
The love offering this month will go to Bearded Lady Productions LLC. Bearded Lady Productions produces all of Rev. Yolanda's events and services. They provide Wednesday night Miracles study group, as well as workshops, speaking and singing engagements, events, weddings, funerals, baby blessings, and more. See details: www.BeardedLadyProductionsLLC.com 

Sunday, Oct 21, 3-5pm no reservations, no cover, 2 food or drink minimum, love offering taken, 94 Ave. A , East Village NYC at the Sidewalk Cafe.

Now, go and do something nice for someone without expecting anything in return! 
********
A Few Audience Testimonials of Richard Skipper Celebrates
Richard and Russ, your show this past Sunday, Oct 14, was spectacular. I have enjoyed many a
Sunday in your theatrical care, and the two of you understand the point of putting together a show -- it is to ENTERTAIN!!!!!!!! It was on the one hand so well produced and directed that an audience immediately feels taken care of, but then the consummate mastery of Richard's hosting skills to embrace the audience and the moment(s) and harvest such humor and pleasure from the unexpected.  
Do I really have to wait until February for another one?  LOVE this series, and so grateful for the laughs and the heart. Thank you.
With grateful XOXOXs,
-Ann Kittredge, NY

RichardSkipper was born to this mantle. What a spot-on splendid job he does. Always a treat to hear those glorious pipes when he sings AND now add to that this charming, spontaneous yet thoroughly primped, delightfully funny role as Host. What a gem of an entertainment he has concocted ... I was honored to be a part of the festivities
(He had me from the “Opening Credits!” Abundantly BRILLIANT) 
Jeff Harnar, NYC





Please LIKE (if you do!) and SHARE!

NO COPYRIGHT INFRINGEMENT INTENDED.  FOR ENTERTAINMENT PURPOSES ONLY!

Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!  
  Keeping America great through Art!     

Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
Please leave a comment and share on Twitter and Facebook
Keeping Entertainment LIVE!

TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY

Richard Skipper, Richard@RichardSkipper.com






Friday, April 13, 2012

Judy Blazer!

All You Need Is Love
-John Lennon

Happy Friday the 13th!
What a week! Liliane Montevecchi at Feinstein's, The Best Man on Broadway last night, and a conversation with Judy Blazer who is about to open as Vera Charles in Mame at The Goodspeed Opera House in East Haddam, Connecticut opposite Louise Pitre ( I interviewed Louise in January shortly after it was announced that she would be playing Mame). Mame has a very special place in my heart. It is the first show I ever appeared in. Jerry Herman also happens to be my favorite composer and lyracist.
Judy Blazer and Louise Pitre
In the midst of preparations for the show, Judy and I sat down and talked Monday morning. This is the result of that conversation. Today, I am celebrating Judy Blazer! I always begin my interviews by asking for my subject's favorite philosophy or a personal quote. Judy says it is so hard to pin it down to one Oscar Wilde is always living in her head. If she had to pick ONE, it would have to be John Lennon's "All you need is love". Judy tells me that rather than her brain operating melodically, it operates harmonically. So rather than hearing the melody line, she hears the entire score all the time...""which is enough to make anybody nuts." 

Judy was born into this business. She only made a metamorphosis into musical theatre from classical music.  
 I asked Judy who the most iconic person she ever met and if they lived up to her expectations. She says there are two and interestingly enough, they will always be joined cinematically. The first is Robert Redford, who Judy worked with. She worked for him as part of the Sundance Festival.

She was starring in Funny Girl. He was a gentleman to Judy. 
Still sexy at that age, kind, rugged, an outdoorsman. Generous as he could be. 
He gave Judy a huge hug after her performance. 
Most of all, he was really kind to Judy's parents and she will never forget that. 

The other iconic figure, ironically, was Paul Newman. 
Judy has been very lucky in her career path in terms of who she has met. Olympia Dukakis is someone Judy knows personally. When she met Paul Newman, it was in her dressing room. He came backstage after Judy had done an Encores! production. She said it was the funniest thing on earth because she knelt in his presence. She told him she was now going to be like Marian Seldes and she knelt! 
Then he knelt before Judy!! 
Judy told him that she could go lower and she got flat on the ground. He laughed and said, "I think you won this round." She said looking into those blue eyes, she felt weak in the knees. It's not like her to do that. She has a pretty set of blue "flashlights" herself. In the eye department, it is rare that she is blown away by someone else's eyes. She tells me that the blueness of his eyes was something you could only fabricate electronically. "He was stunningly beautiful". He had a charm, a charisma that should be bottled. It wasn't because he was Paul Newman. Judy wonders did he become Paul Newman because of his talent and charm or did his charm and talent come out of the fact that he was Paul Newman. She doesn't know which came first but he knocked her socks off. 
Again, it's oronic that these two men whom Judy grew up loving in Butch Cassidy and The Sundance Kid and The Sting are two men that she had the pleasure of hugging and they were everything she ever dreamed they would be. Of course, she met them both when they were both much older. 

I asked Judy if she ever lost her concentration on stage and if so, what she did to get back on track. She says it HAS happened to her once or twice. It happens to every single actor. She tends to be hyper-focused when she works. A bomb could fall on her head and it would not change her focus. When you get older, things change. It has happened maybe twice in her career. You first have a panic attack. It can fold into almost blacking out. It is a horrible feeling. In that case, Judy tends to just make up words. She doesn't drop a stitch. But she has found that she has embraced a lace doily of a new scene into that moment. 

To ignore the slurs of injurious people is the one lesson Judy has learned in this business about making relationships lasting and resourceful. The lasting relationships will come as a result of how strongly you feel about your own convictions, your own ethics, and hanging on to the people who really influence you in a positive way, not a negative way. 

Judy grew up with people who were performing artists and who devoted much of their later life to teaching. She studied with them. They were her parents, her mentors, her teachers, her best friends. This influenced Judy tremendously. She taught at NYU for a while and then found that she is so rebellious against traditional education. She started her own school! She has a little company and school which is not in its prime right now because Judy is split in her focus. It's called The Artist's Crossing.". Judy will continue to be dedicated to it for the rest of her life. Teaching is very much a part of her life. It's appropriate for Judy at this stage in her life. She just watched the film version of the play, The History Boys. The line that she extracts from it is from the professor who dies at the end. He says to his students, "Pass it on..." 

The advice that Judy would give to anyone contemplating a career in the arts is to follow your passion. If you feel yourself falling into a state of neutrality, keep looking for where your passion lies. 

Since all my blogs touch upon Carol Channing, I asked Judy for her thoughts on Carol. She says she really does not know Carol that well outside of impersonators. When Judy was playing Fanny Brice, someone gave her a book on vaudeville. There is a page on Carol. Although Carol missed that era, her early cabaret work evoked that era.

"Judith Blazer was a comic whirlwind as the transsexual medium with dead-boyfriend problems."  - "Talking Points from a Year Onstage", New York Times.
Many factors played into Judy's upcoming role as Vera Charles. Judy was looking for the kind of role she could do regionally that would not take her too far from her mother who is 94. She was looking for something that would not be too long of a run. 
Judy's mother needs her very much right now. 
She has not been able to take long term jobs.
Judy's dad has passed and her mother has been alone and Judy's brother has been the primary care giver. She is from Italy. She is now a fish out of water in the woods of Tennessee. Judy asked her agent about some regional theatres that she had previously worked in in years past like Paper Mill and Goodspeed. And she asked her agent why she wasn't being considered for  projects that were coming up in those theatres. He replied by telling her that he didn't think she would be interested  in playing "Mame", for example, in a regional theatre. Judy stopped and took a beat and said, " Perhaps not Mame, but why not Vera?" The reason she thought of Vera is that it is a wonderful, peppery, racy role. She is an operetta star. Judy also did operetta when she was younger. She loves making jokes about it. She considers herself to be very much a type of that period...the 20s and 30s, over the top. The silent screen "look". She heard that Ray Roderick was directing it. Ray is someone that Judy loves and has known since they were both young in the business. A friend of Judy's, Kathy Morath, had just worked with Ray. As a matter of fact, Kathy is a co-teacher at Judy's school. Kathy had just done Bikinis with Ray and loved working with him. This was done at The Revision Theatre in Asbury Park, where I did Hello, Dolly!  
Interestingly enough, Judy has not been to the Goodspeed in 30 years! 30 years ago, Judy did Bloomer Girl at Goodspeed. She was looking for something and, quite frankly, she needs her "health weeks". She needs her health insurance. She looked at all of this and thought very genuinely for her at this point in her life, and her mom, and other areas of her life, she can't take on a role like Mame but she can certainly take on a role like Vera which is fun and gang busters and joyous and in a production so she went for it. She tells me that it is the first time in her life that she ever wrote an e-mail saying "please consider me for this part.". Her agent also submitted her. The people at Goodspeed are so dear and were happy that Judy desired to come back. It all worked out so beautifully. 
 
When I asked Judy what she considers to be HER biggest success in this business, she thought long and hard and said, "I have too many answers for that." She feels like she has already had four different careers. She started as an instrumentalist. She went into opera. Then she went into musical theatre and then into television and then back to theatre. There are so many times that, in its moment, where that moment was it. Performing at Carnegie and Avery Fisher Halls in oratorio, she felt as if she had arrived. Being on television every day, she didn't expect that. Her Broadway debut in Me And My Girl was thrilling. First night opening on Broadway on the Fourth of July. 
Michael Tilson Thomas
Last week, she was on television with Michael Tilson Thomas on PBS on  Boris and Bessie Thomashefsky, Yiddish theater pioneers, and she thought, "Wow! This is rally different and wonderful." Maybe it hasn't even happened yet. Maybe it's Mame! There are so many! It's like those oasis' on the road, a big pool of water. A mirage. You get there and there's no pool of water.You aspire to great things like being on Broadway or being in a film, then you get to it and it's such a process than when you've done it, you feel like I've arrived. Then you realize there's a whole other vista you need to reach. 

Judy openly admits that she has battled with depression in her life. She has battled with very low self-esteem issues. 
The book that changed her life was The Artist's Way by Julia Cameron. 
Julia Cameron
Judy was able to meet Julia Cameron when she once went to a book signing for another book that she had written at Barnes and Noble and Judy was able to thank her. She asked Julia to write the dedication for her book. She was able to say thank you to Julia for saving her life at a very low point in her life. In 1997, Titantic was the most injurious to her ego of any job that she ever did. Her entire role was cut and she stayed in the ensemble. She stayed with the show for one year and three months. The only thing she could do was keep showing up and drawing from the love and dedication from her fellow colleagues in the cast who were so good to her. She learned that you can get bruised in life but it doesn't make it disappear. 

Judy wishes that the arts would go back to the art and less about status. 

Gregg Barnes
I asked Judy if what she wears on stage is considered clothing or costuming. She said when it comes to a character like Vera, the character is very much shaped by what she is wearing. She adores Gregg Barnes, the costumer for Mame. He did the costuming for Judy's My Fair Lady at The Paper Mill Playhouse years ago. They built the production around Judy, which very seldom happens in one's life. Gregg Barnes, at that point, had not yet become a Broadway designer. Judy says half of her character is what he had created. She feels that that is the case here once again for Vera. Vera is so over the top and what she wears so informs the way she moves. The costumes have to support the theatricality of her movements. Yes, they are costumes. However, these things have to become THEIR clothes on stage. For Vera, THAT'S what she wears. Those are Vera's clothes. For Judy, they are costumes. 

Judy is happy at this point in her career. 
What makes her unhappy? Financial struggle makes her unhappy.  Having to struggle to make a living and have health insurance makes her extremely unhappy. What makes her unhappy on a larger scheme is seeing people suffer. Social injustice. Friends not being able to get married because they are not making the rules. Judy needs to see equality for ALL people. Nature can make people suffer, we have no control over that. Someone being ill from a dis-ease. What really gets under her skin, however, is seeing someone suffer because of social injustice, because of some "big shot" calling the shots because he is a bully. 

I asked Judy how the business has changed since she made her debut. She said the recession has hurt "us". There is a trickle effect. Theatres are closing. Judy loves equality and is a socialist at heart. She would love to think that anyone has the opportunity to "have their say" on stage, to step into a "costume" or a pair of shoes that is right for them. Judy feels that right now everything is about "stardom" and celebrity. It has turned into a very materialistic world. Women bragging and boasting about how "free" they are since they can vote, and own property, and work. She feels that women today are bigger slaves than they were 100 years ago. However, if women aren't getting facelifts, and suction, and whatever, they feel they are not going to be a viable asset to this society. That pisses her off! Me, too!
Michael John LaChiusa's Bernarda Alba, a musical based on Garcia Lorca's The House of Bernarda Alba

How on earth does Judy reach theatregoers now that newspapers are obsolete and there are so many channels on TV you can’t pick the right ones to advertise on and with the web being so hit and miss...
Judy says that in some ways, she is like a child. She shows up and hopes all the work is going to be done for her. She has always been that way because her parents provided a platform for her from the time she was a child. She says her friends and fans get angry for her because she is not one to get out and advertise and tell people when she is doing something. She did not get a computer until 2008. She then reacquainted herself with the love of her life through the internet, Will Kaufman, someone she knew from the age of 12. It is because of the computer that they are re-united and she has this incredible partner in her life. She has the internet to thank for a lot of things. She just in January joined Facebook. Will who is a scholar in England and a folk musician. He made a website for Judy and she realizes the power of a website and creating your information and packaging it and putting it out electronically is really the way to do it now. 

A genie pops out of a bottle and grants Judy three wishes...Judy wishes for her mom a peaceful passing, hopefully in Judy's arms.
That she and Will will stay well, and physically strong, and spend ripe old age together in their lives. 
And that she can continue in the theatre, and with her teaching, and an involvement in the arts. That she can be inspired by it, inspire others, make a living at it, and not starve to death. 

I asked Judy to pick her favorite song. She was limited to one. She could not do it. If she could only carry one song in her heart, it would be the lullaby her mother used to sing to her as a small child. 

The last stage show that Judy saw that made a huge impact on her was Once just before it moved to Broadway. Her friend, Martin Lowe, is the musical supervisor for that. It changed Judy. It was one of those shows where she said, "Thank God for the theatre." 

I asked Judy what she does to prepare for a performance. She said she makes sure she has eaten that day. Show up on time. Slap on the paint and spackle. Slap on her clothes and her hair. Do the old Spencer Tracy, "Show up, know your lines, and don't bump into the furniture." Once you step on that conveyer belt, you're on it.  

From Marilynn Wick at Costume World, You do an iconic role. Do you think you should on to an iconic costume piece as a memento OR donate it to a museum for others to enjoy?

Judy told me that her entire closet was, at one time, from As The World Turns.  They let her take items home...for a small fee. 
 She gave a lot of it to her mom, some items to a few friends throughout the years, and some items that she has held on to. She has given some items to Broadway Cares/Equity Fights Aids. What a great way to pay it forward...She has some clothes from a Neil Simon play that she did that she still wears. If she had a really incredibly designed costume piece that was designed for her, she doesn't feel that it would do any good just hanging in her closet.
Patricia Bruder DeBrovner, Judith Blazer, who starred in “As the World Turns,” and Dr. Charles DeBrovner
























She would love to see it on display somewhere saying "Judy Blazer wore this" for others to enjoy. The truth is it really belongs to the designer more than it belongs to us. IF she kept it for a while, it would be donated in her will. 

Judy is one of the lucky few to make a living at this. She, again, also teaches. She was asked to teach several years ago. She came to realize that teaching is one of her callings. It is her way of parenting since she doesn't have biological children of her own. She feels like the old woman who lived in a shoe. She has millions of children that call her around the clock seeking her advice. She loves that and she is devoted to it. The stage, however, is home to her. 
She has never had to do another profession and has had to no other "survival" job to make a living. She says that although people consider her a success in this business, the last few years have been a dreadful struggle. It has been that way for so many, even big name performers. She tells me she doesn't have any other skills. She has managed by the "hair of her chinny chin chin" to make ends meet, but, again, it has been a struggle, especially now because she is divided between her art and taking care of her beloved mother and her sweetheart in England and trying to keep all of her "life" stuff up. She has never worked at anything else.

Judy has received a lot of compliments over the years on her craft, her talent, her abilities to morph into various characters. When people tell her that she touches their hearts, that means the world to her. 

Judy you have touched my heart on so many levels! I cannot wait to see you in Mame next Friday night! 
Order your tickets here

Thank you, to Judy, for the gifts you have given and continue to give to the world.

Your devoted fan,


NO COPYRIGHT INFRINGEMENT INTENDED.  FOR ENTERTAINMENT PURPOSES ONLY!
Reserve today for Peggy Herman. Click on the above banner and be part of our star studded audience!


Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
                    
Tomorrow's blog will be..Lorraine Ford DeMann's Memories of Hello, Dolly!



Thank you, to all the mentioned in this blog!






  Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!







  
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
Richard Skipper, Richard@RichardSkipper.com                            

This Blog is dedicated to Al Koenig! THANK YOU! THANK YOU!! THANK YOU!!!