Friday, August 5, 2011

The Day That Changed My Life...Forever!

Every time you don't follow your inner guidance, you feel a loss of energy, loss of power, a sense of spiritual deadness.
-Shakti Gawain

I'M STILL HERE!
This is a very special day for me. Today's blog is VERY PERSONAL to me.
It was 32 years ago today that I came to New York. Some may say "so what"? But those that know the circumstances that led to my coming here know that I beat insurmountable odds to not only get here but to survive here. The day that I came to New York, I had never flown before, I had NEVER been to New York before, I had never been away from home before, I had never slept in another bed except my own (except for when I stayed at my grandparents), I could count the "friends" I had on one hand...and I did this WITHOUT any support of my family. I was a joke. This entire "thing I was doing" was ridiculous and my father felt I would be home within three weeks.

From the time that I had announced 5 years to the day (August 5th, 1973) that I would be going to New York on August 5th, 1979 (when I was 18), my family and almost everyone else who I told, laughed at me. Sometimes I just wanted to cry that no one had any faith in me.

I want to take you on that journey. Fasten your seat belts. Sometimes it gets rather bumpy!

I've written about my humble beginnings many times before, I'll reiterate for those who don't know. I was born in Conway, South Carolina. Conway is a small town just outside of Myrtle Beach.

Conway is a city in Horry County, South Carolina, United States. The population was 16,317 at the 2010 census.

It is the county seat of Horry County
and is part of the Myrtle Beach metropolitan area.
It is the home of Coastal Carolina University.

I truly do not want to offend anyone, but from what I could see, most people that lived in Conway (at least when I was growing up there) are born there, exist there, and die there. Most never reach beyond their own borders. I wanted and needed a little bit more than that.

The tobacco industry was big business when I was growing up there. I come from a farming background.
On both sides of my family tree. My Grandfather Skipper had one of the largest tobacco farms in the state.

My Dad was one of 10 children to Emory and Getha Skipper.

My Mom was the oldest of 16! I'm not kidding!! My parents opted for 4. I was born in 1961 (2/11), my sister 13 months later.


A brother in 1965, and my baby brother in 1971.



When I was 13, I started working on my Grandfather's Skipper's tobacco farm in the summer. I made $36.00 a week.

I truly was a television baby. My mom once said that when she was pregnant with me, she got hooked on AS THE WORLD TURNS. I also used to watch, yes, AS THE WORLD TURNS with my Granmother Skipper. Years later, I would become friends with Eileen Fulton!
(Seen here with Julie Budd)

I grew up watching LOTS of variety shows and specials. Boy do I miss those! Of course in 1973, every Saturday night was spent with The Carol Burnett Show.
I just wanted to be in show business! I HAD to be in show business. I was driven to be an entertainer. My excitement of being in front of an audience is just as intense today as the first time I stepped on a stage in front of an audience.

I had often heard Carol tell the story of how she got to New York. She was going to UCLA. A boyfriend of hers and she performed at a party one night.

In 1954, during her junior year, a professor invited Burnett and some other students to perform at a black-tie party. A man and his wife approached her afterward, as she was putting hors d'oeuvres in her purse to take home to her grandmother.

Instead of reprimanding her, the man complimented Burnett's performance and asked about her future plans. When he discovered that she wanted to go try her luck with musical comedy in New York, but did not have enough money, he offered her and her boyfriend Don Saroyan each a $1000 interest-free loan on the spot.

The conditions were that it was to be paid back in five years, his name was never to be revealed, and if she became a success, she would help others attain their dreams.
Burnett took him up on his offer. She and Saroyan left college and moved to New York to pursue acting careers. That same year, Burnett's father died of causes related to his alcoholism.

I felt that I had SO MUCH in common with Carol Burnett and I used to fantasize that the same thing would happen to me! Where was my benefactor? Alas, it would never happen!

Well, when I was 13, I got hooked on "self-help" books and around that time I was reading one of these books. I don't remember the author or the book, but I read to set your mind on a goal like a homing pigeon and go after it. I closed the book and walked into our living room and announced that 5 years from that day, I was moving to New York. It landed on deaf ears. Everything I said and did always did. Still does! But my mind was made up...and there would be no turning back. Every year on August 5th, I would announce 4 years to go, 3 years to go, 2 years to go...etc. And I told EVERYONE within earshot. I felt that if everyone knew, I would HAVE to go! It was my magnificent obsession. I lived, breathed, dreamed New York. I read every book about New York and the theatre. I would have the upper hand when I got here. Trust me, you don't learn NEW YORK from a book!
Everybody around me knew I SAID I was going to New York. The trouble was that almost no one supported me in that.


Christmas 1978, I was at The Conway Christmas Parade. I ran into my third grade teacher, Miss Ray. She asked me what I was going to do when I graduated in May. I told her I was moving to New York on August 5th. She wanted to know where I was staying. I told her I didn't know but that I was going. She suggested I get in touch with David Johnson (from Conway) who had moved to New York. She felt that it would be nice just for me to be in touch with someone from "home". I really didn't know David. But I did know his father, Dr. Johnson, the Superintendent of the Conway School system. I called Dr. Johnson, explained my situation, and that Miss Ray suggested I get in touch with him. He told me he thought David would love to hear from me. I got David's address and wrote him a letter. I explained that I would be moving to New York on August 5th and that I was writing to him, not to stay with him, but for advice. Did he know of any reasonably priced places, someone who needed a room mate, perhaps local YMCA's that I could stay at until I really got on my feet. Now, of course, this was before e-mail, cell phones, we didn;t even have an answering machine.

The letter or phone call never came. That should have been my first clue! On my 18th birthday (February 11th, 1979). I called David. He told me that he had gotten my letter but had lost it and, therefore, had no way of contacting me. He also went on to tell me that I could stay with him, that he had his own place and business, and perhaps I could work for him! What a birthday present! I couldn't believe it! I was jumping up and down like it was Christmas Day!
The gates were open! My official entree into New York. I grabbed a calendar and immediately started the count down. It was no longer years, but now it was months, then weeks, then days...eventually hours! Every month on the 5th, I sent a postcard reminder!!

It was all I talked about and thought about. I graduated from Conway High School in May of 1979. On June 10th of 1979, I called Piedmont Airlines. The only airline that flew out of Myrtle Beach airport at the time. I wanted to purchase a one way ticket to New York. It was $86.75! (That included tax!!) I had saved up the money (I was working at Grand Strand Amusement park at this time). My father was getting a commission off of the kiddie section of the park, my mom was working in the ticket booth, my sister was working in the concession stand, and I ran the Junior Hot Rods! I HATED IT! I couldn't wait to get out. On June 10th, I told my parents that I needed to get my ticket that day. They laughed at me. So I waled to the airport. About an hour's walk. I walked up to the counter and bought my ticket! I remember holding that ticket in my hand, not unlike The Golden Ticket in Willy Wonka, tears welling up in my eyes. I was so proud of myself! I practically flew, pun intended, back to Grand Strand Amusement Park to share the excitement with my family. I was told that I was stupid and that this was a whim! Again, I started counting down the days. It would now be two months!

As the days got closer, my friend Beth Mahar, who was then and still is now, my biggest supporter, threw me a going away party. And then my Aunt Janice, with a few friends from church, threw me a going away party two weeks before I left. All through this process, my parents were in total denial that I would leave.

I think my heart raced three times it's usual rate that entire last week I was in South Carolina. My bags were packed, I was ready to go, I was leaving on a jet plane, didn't know when I'd be back again! LOL!

The night before, my dad asked me what made me think I could "make it" in New York. Without missing a beat, I said, "You. If I can live through what I have lived through over the past 18 years, I can live through anything." I don't write this for sympathy but as a matter of fact. I think of it as a gift now. If I had come from a nurturing environment, I really don't think I would have stayed in New York. But I NEVER felt I had anything to back to. I ALWAYS had to forge ahead...no matter how tough it got. And, trust me, I had NIGHTMARE episodes those first five weeks in New York!

August 5th, 1979! It was a Sunday. One of the hottest days I think I had ever experienced! BAD GIRLS by Donna Summer was playing on the radio as I was getting ready to leave my "home" for the last time. Jimmy Carter was on the cover of Time Magazine. I don't think I slept the night before. Our next door neighbors, Mr Mike and Mrs. Marian Cocchiaro. They lived right next door to us and were summer neighbors. Miss Marian had bought the house next door from her Uncle Floyd many years before. We LOVED Miss Marian. I always got excited when she came down. She treated me as an equal. She never looked down on me. And she supported my dreams!

So the plan was that we would all go to The Holland Pancake House in Myrtle Beach before heading to the airport. Mr. Mike and Miss Marian would meet us at the airport. They felt that that breakfast should just be family. I called David before we left to confirm that he would be picking me up at LaGuardia airport at 2PM. He said he was so glad I called because he had lost my number and that he apologized but he would NOT be able to pick me up at the airport (CLUE TWO!)and told me to take a taxi to the apartment at 86th and 2nd.

When Mr. Mike and Miss Marian heard this, their first thought was bright eyed green kid from the sticks gets ripped off by taxi driver first day in NY! Mr. Mike had somewhat of a handle on this, him being a cab driver from DC! They suggested I take an airport limo, a shuttle bus that would take me to directly to my destination in NY. They gave me specific instructions as to what to do.

Well, there we were at the airport, my mom crying (was reality finally settling in), my baby brother who was 8 (he is now 40) begging me not to go. A lot of that is still a blur. It was pre 9/11 flying. I was told at the counter that my parents and family (including Mr. Mike and Miss Marian) could just wait with me until the final boarding was announced. The last thing I remember is "LAST BOARDING FOR FLIGHT 86 NOW FOR LAGUARDIA AIRPORT." Like a bat out of hell (literally!), I shouted my goodbyes and ran to get on the plane! I didn't even look back.
Miss Marian later said my eyes looked like saucers. I got on board, got to my seat, and proceeded to cry. I was scared to death. It dawned on me. I had no idea what I was doing. What did I know about being on my own. I had never had that opportunity before!But I had a lot of determination and I was determined that I WOULD SUCCEED! I cried all the way to LaGuardia. When i first saw the skyline of New York, my heart started doing the loop de loops!

I got off the plane probably looking like Dorothy Gale when color appears in her life for the first time!

I was really here and it was not a dream! I got my suitcase and searched for "airport limo". I saw a sign for Limos and got in line. I was told to wait out on the curb and I would be picked up in about 5 or 10 minutes. Boy, was I shocked when a black stretch limousine pulled up to take me to my destination. I arrive in New York in STYLE! We got to 86th and 2nd and I rang the buzzer. When David came down to get me, boy, was he surprised to see a limo. We walked up five flights to his railroad flat apartment. We had a little chit chat. He told me that he loved to get high and he was hoping I wouldn't be offended by that. I told him I didn't care what he did as long as he didn't involve me in it. He was fine with that and he offered to show me a little bit of Central Park. We walked over to Central Park on this incredibly hot day! And boy did I get an education like Patrick Dennis in MAME! First stop Bethesda Fountain. In 1979, this was a BIG drug hangout. David made a deal and we were on our way. Next stop, The Rambles. Now for those of you who do not know, The Rambles was a huge gay cruising area in 1979.

Since at least the early 20th century, the seclusion of the Ramble has been used for private homosexual encounters. In the 1920s, the lawn at the north end was referred to as the "fruited plain" and in the 1950s and 1960s the Ramble was feared by many as a haven for "anti-social persons".
In the early 1960s, under Mayor Robert F. Wagner, Jr., the parks department proposed building a senior center in the ramble with the hope of curbing gay encounters and anti-gay assaults.

Today, the Ramble's strong reputation for cruising for sex has given way somewhat to nature walks and environmentalism. However, some in the gay community still consider the Ramble to be "ground zero for outdoor gay sex", enjoying the "retro feel" of sneaking off into the woods.
A tradition much older than Christopher Street and Fire Island, the Ramble continues to be a gay icon even in the more open environment of modern New York.

And for a wide-eyed innocent kid from South Carolina, this was a little too much...especially on my first day in NYC. We walked back to the apartment and David informed me that he was going to be "staying with a friend" that night and that I would have the place to myself! This was more than I was expecting! He also informed me that I would be meeting his room-mates Brad and Lisa the next morning(THAT is a blog in itself!). At no point had he even mentioned Brad and Lisa. I asked him how they felt about me being there. He said they will meet you tomorrow morning. He had not even mentioned my coming there! When he left, I was alone in a space I did not know, in a city I did not know, and I did not know anyone else in New York! There was a jar of honey and a half loaf of wheat bread in the refrigerator. I didn't even know how to order a pizza, and if I did order a pizza, how to tell anyone where I was. I cried myself to sleep that night! And that, my folks, is HOW I got to New York and my first day! Do you think I have a memoir in me. I have forged out a wonderful life for myself, with wonderful friends who support me, and a wonderful husband. I thank EVERYONE I have encountered, both positively...and negatively. You have ALL had a hand in shaping who I am today. I also feel that as much as I was running towards something, I was also running away from a very confining past. But it's ALL been worth it!
Here's to the next 32 years!


"If I have offended one person, I have offended one person too many"
-Richard Skipper

Here's to an INCREDIBLE day for ALL!


GO SEE A LIVE SHOW TONIGHT!

Become A Facebook friend of mine!
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Tomorrow's blog will be about 100 years of Lucille Ball! Hope you'll all join me in celebrating that.


Please contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS:
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And help us get Carol Channing the 2011 Kennedy Center Honor!
Contact me for details!
TILL TOMORROW...HERE'S TO AN ARTS FILLED AUGUST!
Richard Skipper, Richard@RichardSkipper.com

Thursday, August 4, 2011

What A Wonderful World! Happy Birthday, Louis Armstrong!


I see trees of green, red roses too
I see them bloom, for me and you
And I think to myself
What a wonderful world
-Bob Thiele (as George Douglas) and George David Weiss

Happy August 4th!

Every year around this time, I get VERY nostalgic. This time of year is just as important to me as my birthday. Maybe more important, because it was 32 years ago tomorrow that I came to New York.
Tomorrow's blog will be all about that.
This was the day that Richard Skipper was really born.
I do know that 32 years ago today was a Saturday.
Read all about it tomorrow!

Something else happened on this date...American singer, bandleader, and trumpeter player Louis Armstrong was born on this day in 1901. Check out The Louis Armstrong House in Queens, NY.
Coming to prominence in the 1920s as an "inventive" cornet and trumpet player, Armstrong was a foundational influence in jazz, shifting the music's focus from collective improvisation to solo performance.
With dazzling virtuosity on the trumpet and an innovative singing style, Satchmo was the fountainhead of a thoroughly original American sound
STANLEY CROUCH



What a Wonderful World", one of my ALL time favorite songs, iwritten by Bob Thiele (as George Douglas) and George David Weiss. It was first recorded by Louis Armstrong and released as a single in 1968. Thiele and Weiss were both prominent in the music world (Thiele as a producer and Weiss as a composer/performer). Armstrong's recording was inducted in the Grammy Hall of Fame in 1999. The publishing for this song is controlled by Memory Lane Music Group, Carlin Music. Corp., and Bug Music, Inc..

Intended as an antidote for the increasingly racially and politically charged climate of everyday life in the United States, the song also has a hopeful, optimistic tone with regard to the future, with reference to babies being born into the world and having much to look forward to. The song was initially offered to Tony Bennett, who turned it down.
Thereafter, it was offered to Louis Armstrong. The song was not initially a hit in the United States, where it sold fewer than 1,000 copies because the head of ABC Records did not like the song and so did not promote it, but was a major success in the United Kingdom, reaching number one on the UK Singles Chart. In the U.S. the song hit #116 on the Bubbling Under Charts. It was also the biggest-selling single of 1968 in the UK where it was among the last pop singles issued by HMV Records before becoming an exclusive classical music label.
The song made Louis Armstrong the oldest male to top the charts, at sixty-six years and ten months old. Armstrong's record was broken in 2009 when the cover of Islands in the Stream recorded for Comic Relief - which included 68-year-old Tom Jones - reached number one.

ABC Records' European distributor EMI forced ABC to issue a What A Wonderful World album in 1968 (catalogue number ABCS-650) which did not chart in the US due to ABC's non-promotion of it,but did chart in the UK where it was issued by Stateside Records with catalogue number SSL 10247 and peaked on the British chart at #37.

The sounds of Louis Armstrong’s trumpet and signature voice will ring throughout the French Quarter this weekend at the Satchmo SummerFest, but some renditions might not sound so familiar. Tonight, Opera on Tap, the barhopping opera group, is taking Armstrong’s music where it has never been before – into the world of opera!

The question is how to take Armstrong’s world of jazz and create opera pieces that are worthwhile while honoring the New Orleans icon. Todd Simmons, Executive Director of the New Orleans Opera Association, believes that isolating the music from the man is the best way to pay tribute. “We’re not trying to re-do it in any manner, not at all, because you can’t do that,” Simmons says. “We’re trying to do it in our own unique way.”

He points out that by taking the songs made famous by Armstrong and transforming them to fit the opera group’s style is actually mimicking the philosophy displayed by Satchmo himself. “What’s interesting is most of the music of Louis Armstrong wasn’t his to begin with. ‘Basin Street Blues’ was a Spencer Williams song; ‘St. Louis Blues’ was a W.C. Handy song.”

By the time of his death in 1971, the man known around the world as Satchmo was widely recognized as a founding father of jazz—a uniquely American art form. His influence, as an artist and cultural icon, is universal, unmatched, and very much alive today.

Pops. Sweet Papa Dip. Satchmo. He had perfect pitch and perfect rhythm. His improvised melodies and singing could be as lofty as a moon flight or as low-down as the blood drops of a street thug dying in the gutter. Like most of the great innovators in jazz, he was a small man. But the extent of his influence across jazz, across American music and around the world has such continuing stature that he is one of the few who can easily be mentioned with Stravinsky, Picasso and Joyce. His life was the embodiment of one who moves from rags to riches, from anonymity to internationally imitated innovator. Louis Daniel Armstrong supplied revolutionary language that took on such pervasiveness that it became commonplace, like the light bulb, the airplane, the telephone.

Louis Armstrong’s achievements are remarkable. During his career, he developed a way of playing jazz, as an instrumentalist and a vocalist, which has had an impact on all musicians to follow.

Armstrong recorded hit songs for five decades, and his music is still heard today on television and radio and in films.

Take Louis Armstrong home with you! Essential Louis Armstrong [Original recording remastered]

Even at two discs and 37 tracks, it's difficult to say that this set contains everything that is truly essential from Louis Armstrong's monumental five-decade career. It does, however, do a great job of touching down at key points, and nicely balances Armstrong's various guises as a groundbreaking sideman, soloist, bandleader, singer, and ultimately, American legend, icon, and the very embodiment of the face of jazz. Opening with Armstrong blowing accomplished blues choruses on 1925's "Sugar Foot Stomp" while a member of the Fletcher Henderson Orchestra, moving through his revolutionary Hot Five and Seven sessions and his years fronting and leading the Armstrong All-Stars, and concluding with 1968's poignant summation "What a Wonderful World," this lovingly assembled overview sketches a broad outline of perhaps the most important American musician of the 20th century. Armstrong's genius on the trumpet is aptly documented here, but so too is his equally innovative vocal style, which raised scat singing to the level of art, and brought the fluid, bending flow of the horn line into pop vocal phrasing, resulting in definitive versions of "Ain't Misbehavin'," "Black and Blue" (one of the most subtly important vocal performances in the history of Western pop), "Lazy River," "Georgia On My Mind," "Stardust," "Blueberry Hill" (before Fats Domino), "Mack the Knife" (before Bobby Darin), and "What a Wonderful World."
Serious Armstrong fans and collectors will already have everything here, but if you only have room in your collection for a single Armstrong set, and you want something that touches on the full sweep of his jazz and pop contributions, then this is the one to get. ~ Steve Leggett, Rovi

Armstrong remains a deep force in our American expression. Not only do we hear him in those trumpet players who represent the present renaissance in jazz — Wynton Marsalis, Wallace Roney, Terence Blanchard, Roy Hargrove, Nicholas Payton — we can also detect his influence in certain rhythms that sweep from country-and-western music all the way over to the chanted doggerel of rap.

Read more aboyt Louis Armstrong by buying Louis Armstrong: Musician [Mass Market Paperback]

Armstrong wrote two autobiographies, more than ten magazine articles, hundreds of pages of memoirs, and thousands of letters.


SOURCES: TIME: 100 by Stanley Crouch

YOUTUBE

THE ARMSTRONG ARIA by Eli Gay, Off Beat Magazine

AMAZON.COM


Happy Birthday to a wonderful man who continues to entertain beyond his physical lifetime! Thank you Louis!!

"If I have offended one person, I have offended one person too many"
-Richard Skipper

Here's to an INCREDIBLE day for ALL!


GO SEE A LIVE SHOW TONIGHT!

Become A Facebook friend of mine!
Follow me on Twitter
If you've seen one of my appearances/shows, add your thoughts to my guestbook at www.RichardSkipper.com



Tomorrow's blog will be about a very special day in my life. Hope you'll all join me in celebrating that.


Please contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS:
http://www.carolchanning.org/foundation.htm


And help us get Carol Channing the 2011 Kennedy Center Honor!
Contact me for details!
TILL TOMORROW...HERE'S TO AN ARTS FILLED AUGUST!
Richard Skipper, Richard@RichardSkipper.com

Wednesday, August 3, 2011

Happy Birthday, Tony Bennett and Richard Adler!

I have a simple life. I mean, you just give me a drum roll, they announce my name, and I come out and sing. In my job I have a contract that says I'm a singer. So I sing.
Tony Bennett


Happy Birthday, Tony Bennett and Richard Adler!

Today we celebrate two icons, legendary icons, in music! One is VERY well known...the other is known for his music, particularly two hit musicals. The lyricist, composer who's birthday we are celebrating also wrote one of our celebrated singer's biggest hit songs. Read on and enjoy what I have to share with you today!

Can you believe Tony Bennett is 85 years old today? Tony has always been a part of my life. At least musically!


I found a great blog this morning celebrating Tony Bennett.
It begins: I've been in a really Tony Bennett kind of a mood so I'm posting this- born Anthony Dominick Benedetto on August 3, 1926 in Queens, New York, Tony Bennett is among the greatest singers of all time. Last May I asked my mom to bring me to a Don Rickles show or Tony Bennett concert..luckily Tony was playing at Harrahs, and needless to say my sister and me were the youngest people there. There was a middle aged couple next to us who thought they'd be the youngest then they asked my age...A guy at the concession booth thing asked me if I really liked him "...yea, I do alot..", get this he goes Name Two of his songs LOL Ooook...


I don't know how young this person is who wrote this blog, but obviously it proves that Tony Bennett crosses many generations.
Thank you, Mr. Bennett! Your gifts have made ALL of our lives a little better!

Raised in New York City, Bennett began singing at an early age. He fought in the final stages of World War II as an infantryman with the U.S. Army in the European Theatre. Afterwards, he developed his singing technique, signed with Columbia Records, and had his first number one popular song with "Because of You" in 1951. Several top hits such as "Rags to Riches" followed in the early 1950s.

Bennett then further refined his approach to encompass jazz singing.
He reached an artistic peak in the late 1950s with albums such as The Beat of My Heart and Basie Swings, Bennett Sings.
In 1962, Bennett recorded his signature song, "I Left My Heart in San Francisco".
His career and his personal life then suffered an extended downturn during the height of the rock music era.

Bennett staged a remarkable comeback in the late 1980s and 1990s, putting out gold record albums again and expanding his audience to the MTV Generation while keeping his musical style intact. He remains a popular and critically praised recording artist and concert performer in the 2000s. Bennett has won fifteen Grammy Awards, two Emmy Awards, been named an NEA Jazz Master and a Kennedy Center Honoree. He has sold over 50 million records worldwide. Bennett is also a serious and accomplished painter, creating works under the name Benedetto that are on permanent public display in several institutions.
He is also the founder of Frank Sinatra School of the Arts in Astoria, Queens.



Tony Bennett - The Ultimate Tony Bennett [Audio CD] by Tony Bennett

THE GOOD LIFE

Tony Bennett Reveals Track Listing for ‘Duets’ Album





Christina Aguilera & Tony Bennett - Steppin Out by babymilkiss
By Tony Bennett, Will Friedwald

Today is also the birthday of Richard Adler! (born August 3, 1921) an American lyricist, composer and producer of several Broadway shows.

Born in New York City, Adler had a musical upbringing, his father being a concert pianist. After serving in the Navy he began his career as a lyricist, teaming up with Jerry Ross in 1950. As a duo they worked in tandem, both taking credit for lyrics and music.

After establishing their partnership, Adler and Ross quickly became proteges of composer/lyricist/publisher Frank Loesser. Their first notable composition was the song Rags to Riches, which was recorded by Tony Bennett and reached number 1 on the charts in late 1953.
The Pajama Game is a musical based on the novel 7½ Cents by Richard Bissell. It features a score by Richard Adler and Jerry Ross. The story deals with labor troubles in a pajama factory, where worker demands for a seven-and-a-half cents raise are going unheeded. In the midst of this ordeal, love blossoms between Babe, the grievance committee head, and Sid, the new factory superintendent.
Adler and Ross's The Pajama Game, opened in May 1954 and was a popular as well as a critical success, winning Tony Awards as well as the Donaldson Award and the Variety Drama Critics Award. Three songs from the show were covered by popular artists and made the upper reaches of the US Hit Parade: Patti Page's version of "Steam Heat" reached #9; Archie Bleyer took "Hernando's Hideaway" to #2; and Rosemary Clooney's recording of "Hey There" made it to #1. But here is my favorite version:


The principal cast of the Broadway musical repeated their roles for the movie, with the exception of Janis Paige, who was replaced by Doris Day.


Sid (John Raitt) has just been hired as superintendent of the Sleeptite Pajama Factory in Cedar Rapids, Iowa. He soon falls for Babe (Doris Day), a worker in the factory and member of the employee union's leadership. At the company picnic they become a couple, but Babe worries that their roles in management and labor will drive them apart. She is correct. The union is pushing for a raise of seven-and-one-half cents per hour to bring them in line with the industry standard, but the factory's manager is giving them a runaround. In retaliation, the workers pull a slow-down and deliberately foul up the pajamas, but when Babe actually sabotages some machinery, Sid fires her.



Damn Yankees is a musical comedy with a book by George Abbott and Douglass Wallop and music and lyrics by Richard Adler and Jerry Ross. The story is a modern retelling of the Faust legend set during the 1950s in Washington, D.C., during a time when the New York Yankees dominated Major League Baseball. The musical is based on Wallop's novel The Year the Yankees Lost the Pennant.

Happy Birthday to Two wonderful men who will be entertaining beyond their physical lifetimes! Thank you both!!

"If I have offended one person, I have offended one person too many" Here's to an INCREDIBLE weekend for ALL!


GO SEE A LIVE SHOW TONIGHT!

Become A Facebook friend of mine!
Follow me on Twitter
If you've seen one of my appearances/shows, add your thoughts to my guestbook at www.RichardSkipper.com



Tomorrow's blog will be a YOU TELL ME...I'm open to suggestions!


Please contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS:
http://www.carolchanning.org/foundation.htm


And help us get Carol Channing the 2011 Kennedy Center Honor!
Contact me for details!
TILL TOMORROW...HERE'S TO AN ARTS FILLED AUGUST!
Richard Skipper, Richard@RichardSkipper.com

Tuesday, August 2, 2011

Opposites Attract...GO party at The Salon, Tudor City Greens, and Wednesday Night At The Iguana!

Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine.
Ray Charles

Happy Tuesday!

It is August 2nd! August 2 is the 214th day of the year (215th in leap years) in the Gregorian calendar. There are 151 days remaining until the end of the year. There are also only 5 days till Elaine St. George hosts The Salon at Etc. Etc. The theme this week is Opposites Attract! I picked the above quote of Ray Charles because earlier this year, Elaine did a critically acclaimed tribute to Ray Charles called SWEET INSPI"RAY"TION! What an inspired title! Elaine has been singing "cross-gender" songs since her cabaret debut in "All I Need is the Girl" back in 1996 which I saw and first fell in Love with her.
For more information: www.elainestgeorge.com.

The word "opposite" also appears in my horoscope today and speaks loud and clear to me. Pay attention fellow Aquarians...and a lesson for others, as well:
You must expect a certain amount of resistance from those you deal with on a one-to-one basis. The Sun in your opposite sign means you must learn to co-operate openly and honestly. It's the only way you will get things done.

Carol Channing once said that in order for a show to be successful, you need people that are accountants and auditors, baggage porters and bellhops, cabinetmakers and bench carpenters, dancers, earth drillers, etc. In other words you need people from ALL walks of life. When entertainers are JUST entertaining each other, it becomes a self-masturbatory exercise in futility. I implore ALL artists who go to open mics to try and bring AT LEAST 5 people who have never experienced this before. Not only will you be building a bigger fan base for yourself (Beyond the three "f"s...friends, family, and fans) but you will also expand the audiences for those performing as well. In other words, I implore you to cast a wider net.


(This is at Duplex and you can see how much fun Lisa Woodward Lamm was having. This is when they were singing the songs from RENT. Heaven!)


When I first started going to piano bars and open mics in the early 80s, there was a great mix of both artists (professional and non) AND those that were there just to be entertained! For some reason, you don't see much of that anymore. The audiences are made up mostly of fellow "artists". Note that I don't refer to them as entertainers or performers...you will see why later in this blog!









I wrote about the Salon earlier this past month when I went there for dinner (on July 10th...the food is actually very good!) And so was everyone on the bill. I had a blast. I regret that I don't get there more often, but then, again, that may be a blessing! It makes me appreciate it all the more! I sang a mini medley in honor of Jerry Herman's birthday which was that night. It was hosted by Adam Shapiro who did a superb job.


Pardon me if I'm repeating myself, but I feel this is important.. If you are reading my thoughts for the first time, I hope that you will take something positive away with you. If you are reading my thoughts again, I hope it appears to you with new insight.
When I first came to New York, there were open mic nights EVERYWHERE! They were advertised in the Daily News and The Post, they were advertised in BACK STAGE and SHOW BUSINESS, the trade papers. They were very easy to find. Piano bars were abundant in New York (I actually miss those!.)
Karen Miller WAS the Queen Bee as far as conducting an incredible evening from start to finish. First at The ORIGINAL DUPLEX and then at EIGHTY-EIGHTS. Stanley Keeler IN DRAG at The Monster

Marie Blake at The Five Oaks, Whoever was playing at Marie's Crisis, Dick Gallagher at DON'T TELL MAMA's...there were many others, but these were the ones I frequented. I would start my Friday night at The Monster at 10PM, then depending on how much fun I was having would gauge when I would leave for Marie's Crisis, THEN to The Original Duplex, The Five Oaks, Eighty-Eights, and if I was REALLY ambitious...up to DON'T TELL MAMA!

From Age 21 till 29, that was essentially my world!
(Marie Blake at The Five Oaks)



It ALL started for me at The Piano Bar at 67th Street and Broadway! The Piano Bar was part of Beefsteak Charlie's and every Thursday night, Houston Alred, held court. It was a party and NO ONE has been able to recapture the magic of those nights. There was a free buffet (which was great for THIS struggling artist). Not only did everyone sing along together going through entire scores of musicals, but periodically Houston would pull people out of the crowd for solos. It was here that I first sang in public as Carol Channing. It was also during these nights that I learned how to ENTERTAIN! How to play off of an audience, microphone technique, etc. It was rare that I wasn't asked to get up and do a number. On those rare occasions when I wasn't asked, it didn't matter! I was learning, I was with friends, and I was having the time of my life!
I guess what I loved about these evenings was it felt like I was with family when I walked into those rooms and I was welcomed for being who and what I was ALL about. Something I NEVER experienced in 18 years of my life in South Carolina.

And none of it EVER felt competitive! At least THEN.
But something happened. The paradigm shifted. One night, Danny and I went into DON'T TELL MAMA after a show, there was no "sing along". The evening was now about the person at the piano and the wait staff. They were not entertaining; they were performing.It was no longer about the audience. It didn't matter whether Danny and I were there or not...or anyone else for that matter.

According to Wikipedia, a piano bar (also known as a piano lounge) consists of a piano or electronic keyboard played by a professional musician, located in a cocktail lounge, bar, hotel lobby, office building lobby, restaurant, or on a cruise ship. Usually the pianist receives a small salary plus tips in a jar or basket on or near the piano, especially from patrons requesting a song. Some piano bars feature a baby grand or grand piano surrounded by stools for patrons (or, somewhat humorously, an upright piano covered by a counter that makes it appear to be a grand piano). Others have a bar surrounding the piano or keyboard.

I separate those I see on stage into two categories: Those that are focused on the audience are entertainers! Those that are focused on themselves are PERFORMERS! This question is for my "artist" friends: Which category are you in?

Remember a trained seal is only interested in one thing, to get a fish! Think about it...especially next time you walk on stage.

When I co-hosted WEDNESDAY NIGHT AT THE IGUANA (with Dana Lorge), which I miss by the way, I felt at the end that I could no longer deal with some of the EGOS!
(In some cases, the egos were larger than the talent!)I have never written about my departure from the Iguana out of respect for Dana. I still have the utmost respect for her and what she continues to do EVERY week successfully!



Producing WEDNESDAY NIGHT AT THE IGUANA became a full time job! What was different as far as The Salon and Tudor City Greens and all the other similar nights at that time (I don't know if Dana maintains the same format) was that we had 24 "artists" on stage EVERY WEEK! AND we were very successful at it...winning Two MAC Awards in the process (for Outstanding Hosts and Outstanding Variety Shows/Series)We started Wednesday nights at 8:05 on the dot! Had an intermission and came down always on time. I was once told that I ran the evening like a drill sergeant. You have to when dealing with that many people! We did not have a sign-up. We had a formatted pre-set show...along with Barry Levitt and Saadi Zain (and from time to time equally talented subs.)
In order to give you a sense of a typical week...

On Thursday morning, I would begin my day between 5 and 6 AM, AFTER doing a show the night before. I would send thank you notes to those that appeared in that show while formatting the following Wednesday night's show. Lining up the talent and finding out what they were singing in order to avoid duplication. Because so many people would be upset about their placement in the show, I started to put all the names on index cards and drawing them out of a hat so that everyone was on an equal playing field. If those that appeared week after week were left off, I was chastised for it. Relentless e-mails and phone calls!!
I would receive e-mails begging to go on when they weren't in the line up...and when they were in the line-up, they complained about their placement in the show! In other words, they were never interested in the evening as a whole...or satisfied...but rather where THEY would fit into the evening. At no point during my 18 months at The Iguana, did ANYONE ever say, "What can I do to help" but rather "When do I go on"? and "Why am I following that person"? OR "Why did you put me in Act One" or "Why Am I in Act Two"...This, of course, was not true of everyone. And, for the most part, everyone else made this an incredible uplifting experience. But then there were a hand full, and especially TWO that made it unbearable week after week to continue to go on. So I CHOSE to move on, leaving WEDNESDAY NIGHT AT THE IGUANA to Dana, with my blessing! I am sure that I am not alone in my experience of hosting and producing this type of show. I am sure that ALL that produce shows where many are asked to participate deal with the same challenges. I guess in hindsight that it is all part of the process. My hat is off to Dana for keeping this show a fun night! Check it out!!




Everyone that attends these evenings, PLEASE show the utmost respect for Dana Lorge, Raissa Katona Bennett, Mark Janas, Tanya Moberly, Jenna Esposito,Jim Caruso...and any others who do this. They have a lot on their plates when they do these evenings.
AND they ALL have a lot to offer whether YOU appear on stage...or not!

Check your egos at the door and please note that nine times out of ten, it has NOTHING TO DO with YOU as to whether or not you are selected to go on or not. I have learned from ALL of you. I continue to learn...and, for that, I am grateful.

What I write about in my blogs is how I experience things. The way I have experienced these things may not necessarily be YOUR experience. I respect that. Please respect where I come from, as well.


I wrote to several people in cabaret this morning with the following: "I am writing about open mics and piano bars in my blog this morning, Do you have anything you can share with me? Pics, photos, thoughts? What is your favorite and WHY?
What you like most about them, least, and what you would like to see more of or less of?"


Here are the results of what I received: "Someone once said to me " You want to be a singer- sing any time anywhere you can. " Good advice
Piano bars and open mics help any performer practice their skills with a live audience. Always a good thing to do."

"I've had my share of open mics. Love doing them but don't like being slapped in the face with a minimum or a cover charge. I remember doing open Mics at Judy's Chelsea and after the singer was finished they actually gave the singer a free drink.
Unfortunately open mics have become a means of club owners bringing in business at the singers expense. I still love doing them and they can be a lot of fun, I only wish that club owners would value the performers more."



"Unfortunately because i live in never-never land (Long Island) i don't get much of a chance to enjoy piano bars. So my one wish would be that there were more outside of the city!"

"Open mike nights were GREAT because they gave me a sense of the "Vaudeville" that is missing in today's show biz world. It was an opportunity to be bad. To make a mistake. To hone ones craft. You feel less intimidated to perform at an open mike. I guess the closest thing to it today is Karaoke."

The Cabaret Community has its own array of stars! But take a look at these!


This is from Mark Janas' Email blast: Salon is an ongoing open entertainment event in which singers, writers and musicians share their talent with each other and audience members.
There is a $10 cash cover collected at the door and a $15 food/drink minimum (cash or credit) per person. (For more information about Etcetera, Etcetera's delicious menu: www.etcrestaurant.com.) There are no reservations; seating is on a first come/first served basis, Doors open and sign up begins at 6:15pm. The evening runs 7-10:30, with one intermission. If you would like to sign up to perform, see one the evening's 'Etceterettes' to fill out a card with your name, the name of your song, whether or not Mark will be playing for you and any upcoming events you'd like to promote. We do not present performers in order of sign-up, however, indicating requests as clearly and as early as possible as far as time restraints are concerned always makes everything much more possible. ALWAYS BRING SEVERAL SONG SELECTIONS to avoid duplication. All types of material, on or off theme are always welcome at Salon. We enthusiastically welcome instrumentalists, poets, playwrights, essayists, comics, illusionists and performance artists. Please limit your selections to three or four minutes in length (including introductions). Please also bring clear, complete charts for Mark to read. Sitting on the piano is not allowed, nor is flash photography. Please turn off all noise making devices and give performers your undivided attention.


Salon continues every Sunday (except September 4th & September 11th):
August 14th:
Theme: Black & White
Co-Host: Marianne Challis

August 21st:
Theme: Friends & Lovers
Co-Host: Carole Demas

August 28th:
Theme: The Marvelous 50's & 60's
Co-Hosts: The Wonderettes - Brittney Morello, Danielle Erin Rhodes, Lara Seibert & Morgan Smith


Visit their website at www.markjanasthesalon.com and look for us on Face Book!

Thank you to their sponsors Dr. Garrett Bennett & Father Jeffrey Hamblin, MD! Everyone else should be so lucky!

And don't forget to check out The Free Concert at Tudor City Greens this Wednesday, August 3rd (rain date August 4th) at 6:30pm. (41st St / East of Second Avenue) For more information: www.raissakatonabennett.com.



And then afterwords, keep the party going by going over to The Iguana to celebrate WEDNESDAY NIGHT AT THE IGUANA with Dana Lorge.




"If I have offended one person, I have offended one person too many" Here's to an INCREDIBLE weekend for ALL!


GO SEE A LIVE SHOW TONIGHT!

Become A Facebook friend of mine!
Follow me on Twitter
If you've seen one of my appearances/shows, add your thoughts to my guestbook at www.RichardSkipper.com



Tomorrow's blog will be a YOU TELL ME...I'm open to suggestions!


Please contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS:
http://www.carolchanning.org/foundation.htm


And help us get Carol Channing the 2011 Kennedy Center Honor!
Contact me for details!
TILL TOMORROW...HERE'S TO AN ARTS FILLED AUGUST!
Richard Skipper, Richard@RichardSkipper.com

Monday, August 1, 2011

Happy Birthday, Six Flags Over Texas and Geoffrey Holder!

I paint a slice of life, whatever it is that day.
Geoffrey Holder



Happy August 1st!

Oy! Just to say that gives me the willies! Time is fleeting! August 1 is the 213th day of the year (214th in leap years) in the Gregorian calendar. There are 152 days remaining until the end of the year.



On this day in 1993 - Reggie Jackson admitted into Baseball Hall of Fame.
On this day in 1774, dissenting British minister Joseph Priestly, author of Observations on Civil Liberty and the Nature and Justice of the War with America, discovers oxygen while serving as a tutor to the sons of American sympathizer William Petty, 2nd Earl of Shelburne, at Bowood House in Wiltshire, England.

On this day in history, in 1860, at Oxford University, for the first time ever the forces of clashed, or more accurately, debated on The Theory of Evolution . By the end of the 1800s, most of Europe accepted the validity of the theory. Someday, the United States will catch up.

Ready to feel OLD? Actress Tempestt Bledsoe is 38 today.
(Born 1973) She's best known for her work on the sitcom "The Cosby Show."


Happy Birthday, Garry Novikoff!





On this day in 1961, amusement park lovers "head for the thrills" as Six Flags Over Texas, the first park in the Six Flags chain, opens. Located on 212 acres in Arlington, Texas, the park was the first to feature log flume and mine train rides and later, the first 360-degree looping roller coaster, modern parachute drop and man-made river rapids ride. The park also pioneered the concept of all-inclusive admission price; until then, separate entrance fees and individual ride tickets were the standard. During its opening year, a day at Six Flags cost $2.75 for an adult and $2.25 for a child. A hamburger sold for 50 cents and a soda set the buyer back a dime.
The park, which took a year and $10 million to build, was the brainchild of Texas real estate developer and oilman Angus Wynne Jr., who viewed it as a short-term way to make a buck from some vacant land before turning it into an industrial complex. Wynne reportedly recouped his personal investment of $3.5 million within 18 months and changed his mind about the park's temporary status.

With 17.5 million visitors in its first 10 years, the park became the Lone Star State's top for-profit tourist attraction. Today, average annual attendance at the park is over 3 million.

One of Six Flags' unique aspects was that it wasn't just a random collection of rides; it was developed around a theme: the history of Texas. The park's name was a nod to the six flags that had flown over the state at various times--France, Spain, Mexico, the Confederacy, Texas and the United States. The park's rides and attractions were grouped into six themed sections that represented the cultures of these governments and enabled visitors to experience everything from cowboy culture to Southern belles and pirates.
Originally, the park was to be called Texas Under Six Flags, before it was decided that Texas should never be under anything.

Angus Wynne sold Six Flags in 1969 and in the coming years, the company expanded and was resold. Today, Six Flags, Inc. is the world's largest regional theme park company and owns and operates 30 theme, water and zoological parks in North America. In 2005, almost 34 million people spent a combined 250 million hours at Six Flags parks.

Today is also the birthday of Geoffrey Holder! One of the nicest men I have ever met in this business! Geoffrey Richard Holder (born 1 August 1930) is a Trinidadian actor, choreographer, director, dancer, painter, costume designer, singer and voice-over artist.

Born in Port of Spain, Trinidad of African descent, Holder is known for his towering 200-centimeter (6'6") height, heavily accented deep basso voice and hearty laugh.
With that and his appearance in the 1970s 7 Up soft drink "uncola" advertising campaign, Holder's image quickly became recognizable. He was also in the 1967 movie Dr. Dolittle as William Shakespeare X, and played Baron Samedi, one of the villain's main henchmen, in the 1973 James Bond film, Live and Let Die.

Though the 7 Up advertising campaign lasted only a short while in the early 1970s, the company revived the campaign in the early 1980s after Holder achieved a spike in popularity in the 1982 movie version of the musical Annie, in which he played the role of Punjab. He recreated his role as the 7 Up Spokesman in the finale of the 2011 season of "The Celebrity Apprentice, " where he appeared as himself in a commercial for "7 Up Retro" for Marlee Matlin's team.

He is a prolific painter, ardent art collector, and performer who has also authored books and composed music. As a choreographer, he has created dance pieces for many companies, including the Alvin Ailey American Dance Theater and The Dance Theatre of Harlem.
Holder is married to dancer Carmen De Lavallade, (pictured here) whom he met when both were in the cast of Truman Capote's House of Flowers. They live in New York City and have one son, Leo Anthony Lamont. Holder's brother was the London-based artist Boscoe Holder.



Look at Geoffrey's Broadway credits!
Broadway

The Boys' Choir of Harlem and Friends, Staged Concert, 1993 - Staging

The Wiz, 1984 Revival - Direction, Costume Design (Tony Award for Best Costume Design and Best Direction of a Musical, 1975)
Timbuktu! - Original Musical, 1978 - Direction, Choreography, Costume Design, Playbill Cover Illustration
The Wiz - Original Musical, 1975 - Direction, Costume Design
Josephine Baker - Musical Review, 1964 - Performer
Waiting for Godot - Revival (all black cast), 1957 - Performer
House of Flowers, Original Musical, 1964 - Banda dance choreography, performer

And Film!

Charlie and the Chocolate Factory, 2005 - narration

Goosed, 1999
Hasard ou Coincidence, 1998, a Claude Lelouch Moovie
Boomerang - 1992
Annie, 1982
Doctor J. Kanye, 1978
Swashbuckler 1976
The Noah, 1975 (voice)
Live and Let Die, 1973 - also choreography
Everything You Always Wanted to Know About Sex * But Were Afraid to Ask, 1972
Doctor Dolittle, 1967

AND TELEVISION!

Television

Geoffrey Holder in "Joséphine Baker. Black Diva in a White Man's World", Director: Annette von Wangenheim, http://www.annettevonwangenheim.de/e_film03.htm

Celebrity Apprentice, 2011
Cyberchase as Master Pi in "Secrets of Symmetria" (episode 118), 2002 and "Double Trouble" (episode 209), 2003
Bear in the Big Blue House, 1997
The 62nd Annual Academy Awards, 1990 - performing
The Cosby Show, 1988 - choreography
John Grin's Christmas, 1985 - Ghost of Christmas Future
Alice in Wonderland, 1983 - the Cheshire Cat
7-Up commercials (The Un-cola), from early 1970s to mid 1980s
What's My Line, circa 1972
Isle of Capri Casino (commercials), late 1980s
Aladdin, 1958 - the Genie

Happy Birthday, Geoffrey!

Today is also the birthday of Cartoonist Tom Wilson who created Ziggy:

He may be small in stature, but Tom Wilson’s comic classic, Ziggy, is as big on heart as ever.

Since 1971, Ziggy has appeared in over 600 newspapers, cultivated more than 75 million readers, and earned $150 million in retail sales each year.


I like to go back in history starting with the year I was born. August 1st, 1961 was a Tuesday.
Number-one song in the charts today?
In the USA:
"Tossin' and Turnin'" by Bobby Lewis


In the UK:
"Temptation" by The Everly Brothers



WIKIPEDIA WAS A MAJOR SOURCE OF THIS BLOG!


"If I have offended one person, I have offended one person too many" Here's to an INCREDIBLE weekend for ALL!


GO SEE A LIVE SHOW TONIGHT!

Become A Facebook friend of mine!
Follow me on Twitter
If you've seen one of my appearances/shows, add your thoughts to my guestbook at www.RichardSkipper.com



Tomorrow's blog will be a YOU TELL ME...I'm open to suggestions!


Please contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS:
http://www.carolchanning.org/foundation.htm


And help us get Carol Channing the 2011 Kennedy Center Honor!
Contact me for details!
TILL TOMORROW...HERE'S TO AN ARTS FILLED AUGUST!
Richard Skipper, Richard@RichardSkipper.com