"She was the First Lady of the USO. They didn't come any more patriotic, caring or talented than Dolores." - Carol Channing (Dolly Levi/Hello Dolly!)
Happy Tuesday, Everyone!
It's Tuesday, September 20th, 2011.
It has been over a week since my last blog.
I've been in busy preparations for my wedding!
Yesterday afternoon, a great lady passed on...but wow, what a beautiful long life she had. She was Dolores Hope, the widow of Bob Hope (who lived to be 100!).
When I received the email from Harlan yesterday that Dolores had passed on, strangely, I wasn't saddened.
I felt that we should all be so lucky to have such a long life.
I also felt that she was rejoining Bob Hope.
I can picture him as plain as day with golf club in hand and strains of THANKS FOR THE MEMORIES underscoring their reunion. Here is the legendary Bob Hope at the age of 91, making his final appearance in the land of his birth in June 1994. He returned to England for a final show to commemorate the 50th anniversary of the Normandy D Day landings which took place on June 6th 1944. An added bonus is to hear his talented wife Delores who appears with him.
On Dolores'100th birthday, I got a group together that included Michael Austin, Maria Ottavia, Georgia Osborn, Dezar Kenna and many others and we met at CBS for the morning show in the pouring rain to sing Happy Birthday to Dolores only to be told that we could not sing Happy Birthday because of copy write laws! But we had a great time nonetheless!
So today's a CELEBRATION of Dolores Hope!
"Bob passed at 100 and Dolores at 102. Dolores once said that their longevity could be credited to laughter and they certainly had a lot of that in their lives" - Alison Arngrim (Nellie Oleson/Little House On The Prairie)
Dolores and Bob Hope had one of the most enduring marriages in Hollywood.
They remained devoted to each other until the legendary performer's death in 2003 aged 100.
"I had such a huge admiration for both of them. The quality it takes to get just one year older, says a lot about that fact that she lived to 102. What a glorious woman and life!" - Julie Newmar (Batman)
Born Dolores DeFina in the Bronx, the pretty brunette was singing in a Manhattan's Vogue nightclub under the professional name Dolores Reade when she met newcomer Bob Hope in 1933.
"Ill never forget what a wonderful singer she was. In fact, that's how Bob and Dolores met. It seems to me that they were always laughing" - Rip Taylor (Comedian)
Mrs. Dolores Hope (1909 - 2011)
Born Dolores DeFina on May 27, 1909, New York, New York, USA
Died on September 19, 2011 - Toluca Lake, California, USA
Dolores DeFina Hope, singer, philanthropist and wife of comedian Bob Hope, died today at the age of 102 of natural causes.
She was born in Harlem New York in 1909 and died at her home in Toluca Lake California of natural causes. Dolores Reade was singing at the Vogue Club in Manhattan when she was introduced to rising Broadway star Bob Hope. As he described it, it was “love at first song”. They were married for nearly seventy years. The Hopes moved to California in the late thirties so that Bob could pursue his film and radio careers. They built a home in Toluca Lake where she lived until her death. Bob and Dolores adopted four children and Dolores became an advocate for adoption, serving on the board of Holy Family Adoption Services in Los Angeles. She was a lifelong Catholic and a proud member of St. Charles Borreomeo Church in North Hollywood, where she gave much time and financial help over the years to various parish causes including the building of the Lady of Hope chapel and the Holy Family Social Service Center. Throughout her life Dolores was devoted to Catholic causes especially those directly benefiting the poor.
She and Bob were members of Lakeside Golf Course where she was runner up to the women's club champion for several years. The Hopes also had a home in the Palm Springs area since the mid forties; Dolores worked with renowned architect John Lautner designing their most recent home in the Southridge Estates. The house quickly became a showplace and a venue for their various desert social and charitable events including parties in conjunction with the annual “Bob Hope Chrysler Classic.” Dolores was founding president of the Eisenhower Medical center in Palm Desert and was intensely involved in the building and décor of the hospital. From 1968 to 1976 she served as President of its board and since 1977, its Chairman becoming Chairman Emeritus in the nineteen nineties.Though she accompanied her husband on many of his USO trips to entertain the troops usually closing the show with a touching rendition of “Silent Night” she really had put her singing career on hold to be at his side and to raise their children. But at the age of eighty-three she revisited a long postponed singing career, recording several albums and performing with Rosemary Clooney in New York at “RAINBOW AND STARS” for several weeks and receiving rave reviews. Throughout her life Dolores was a gracious hostess and great asset to her world famous husband. She made her last visit to the servicemen and women during “Operation Desert Storm” Performing “White Christmas” from the back of a truck in the middle of the Saudi desert. She was eighty-four at the time.
Dolores Hope was feted with six honorary degrees and many awards for her humanitarian efforts, including: The Lifetime Achievement Award for Humanitarian Services by the National Italian American Foundation; the Ellis Island Medal of Honor (for her contributions Irish heritage); the Magnificat Medal (1987) from Mundelein College, Chicago, for her outstanding family, social, philanthropic and religious leadership; the Big Shoulders Humanitarian Award; the St. Martin de Porres Award from the Southern Dominican Foundation, New Orleans (1990); “Bob Hope 5 Star Civilian Award,” at Valley Forge Military Academy; “Sprit of America Award” from the Institute for the Study of Americans, for community service and commitment to her country; “Living Legacy Award” for humanitarian efforts in San Diego; she participated in the dedication of the Dolores Hope All Faiths Chapel in Ft. Walton Beach, Florida, at the Air Force Enlisted Widow's Home in Bob Hope Village. In 2001 she was honored by the American Ireland Fund for a lifetime of work benefiting Humanity and presented with a beautiful Waterford Harp.Dolores Hope has been the Honorary Mayor of Palm Springs five times and named “Woman of the Year” by the Los Angeles Times. In 2008, she was honored in by the Ladies Professional Golf Association with its Patty Berg Award for her contributions to women's golf. Like her husband she was an avid golfer.
Dolores May Philomena Veronica DeFina Hope is survived by her children Linda Hope of Toluca Lake, California, William Kelly Hope of Oakland, California, and her grandchildren, Zachary Hope, Miranda Hope, Andrew Hope Lande and great-grandson Kai Smith.
Services are private and burial will be at the Bob Hope Memorial Garden, San Fernando Mission - next to Bob.
According to legend, Hope decided he'd marry Reade after hearing her sing It's Only a Paper Moon, and did just that a year later on Feb. 19, 1934.
When huge fame came calling for Bob, he gave something back by entertaining American servicemen overseas for the USO – frequently joined by his capable wife.
She began accompanying Hope on his Christmas trips to entertain U.S. troops.
In 1966 she sang Silent Night to hushed thousands of GIs who then rose and gave her a thunderous ovation, many with tears in their eyes.
In 1990, Mrs. Hope accompanied Bob on his last Christmas visit to American forces, visiting troops who were in Saudi Arabia for Operation Desert Storm. Marie Osmond, Ann Jillian and the Pointer Sisters did not perform, to avoid offending Saudi sensibilities about women entertainers.Recognition: Dolores beams as Bob receives a gold medal for service to his country in the pursuit of world peace at the White House in 1963
She only cut back on her travels to raise their adopted children Tony, Linda, Kelly and Nora, and soon became immersed in charity work.
Bob still traveled regularly, while she worked on their home in L.A and their estate in Palm Springs, where the couple indulged their passion for golf and helped fund local medical centers.
Indefatigable as always, Dolores resurrected her career in her late 80s, releasing Dolores Hope: Now and Then, she followed this with three additional albums and also recorded a Christmas CD with Bob entitled Hopes for the Holidays.
She even joined her friend Rosemary Clooney, aunt of George, on stage at the Rockefeller Center.
Dolores remained in good health until very recently.
Last year as she approached her 101st birthday, she joked: 'I’m still recovering from my 100th birthday bash, so I’m going to keep this year’s celebration much quieter.'
On May 27, 2011, she celebrated her 102nd birthday at her California residence.
Her beloved Bob died in 2003 and is buried in the San Fernando Mission Cemetery, Dolores already has the plot beside him inscribed for herself.
By the time of her death, Dolores from the Bronx had seven honorary degrees, a street named after her and a star on the walk of fame.
SOURCE: Amelia Proud, Daily Mail
"Thanks for the memories, Dolores. Eternal happiness with Bob in Heaven."
Roxanne Rivera Labato Bailey
Dolores Hope's Canadian Cheese Soup
4 tablespoons butter
4 tablespoons flour
1 tablespoon paprika
1/8 teaspoon pepper
2 cups milk
1 cans condensed consommé
2 cups grated sharp cheddar cheese
½ teaspoon Worcestershire sauce
Dash Tabasco
¼ cup minced pimientos
Melt butter or margarine; blend in flour, paprika and pepper. Add milk; cook over low heat, stirring constantly until thickened. Add consommé, just as it comes from the can. Add cheese; stir until melted. Add remaining ingredients, salting to taste. Serve at once. Yield: 8 to 10 servings.
Hope Family Contact:
B. Harlan Boll
BHBPR
626-296-3757
Check out Tommy Garrett's tribute to Dolores in Canyon News
Thank YOU, Dolores, for the memories!
Here's to an INCREDIBLE day for ALL...with NO challenges!
Now, GO OUT AND DO SOMETHING FOR SOMEONE ELSE TODAY!
Thank you Harlan Boll for many of the details of this blog.
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TILL TOMORROW...HERE'S TO AN ARTS FILLED WEEK!
Richard Skipper, Richard@RichardSkipper.com
Tuesday, September 20, 2011
Celebrating Dolores Hope
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Tuesday, September 13, 2011
Honoring Lucille Ball and Jerry Herman through the talents of Suzanne LaRusch and Jason Graae
Ability is of little account without opportunity.
Lucille Ball
Happy Tuesday!
I hope this finds you well. Today, I'm writing about two ARTISTS that honor two very special icons. If you follow my blogs, you already know that I am a huge fan of Lucille Ball and Jerry Herman. I also am a huge fan of Suzanne LaRusch who appears as Lucille Ball. Also, there is Jason Graae who has a critically acclaimed show celebrating the music of Jerry Herman. There are also many six degrees of separation happening with all of these entertainers!
As you know, Lucille Ball starred in the movie version of MAME,which of course had a score by Jerry Herman.
Jason Graae's show is directed by Lee Tannen who was very good friends with Lucille Ball. As I've written in previous blogs, Lee's memories of Lucy were told in a very successful and highly entertaining book entitled, I LOVED LUCY. That book has been transferred to stage, also by Lee Tannen, and starring my dear friend Diane J. Findlay as Lucille Ball.
As far as Suzanne is concerned, two of her producers are Larry Luckinbill and Lucie Arnaz Luckinbill.
For Larry and Lucie to get involved, Suzanne would have to be sensational.
The same can be said of Jason Graae's tribute to Jerry Herman.
Jerry is a huge fan of Jason's, as am I.
Jason just embodies Jerry Herman's music.
Those of us in the New York region are lucky because they both are coming to the east coast. Suzanne will be doing AN EVENING WITH LUCILLE BALL at Surflight Theatre in Beach Haven, New Jersey next month. I will be making a trek out to see Suzanne. If you would like to join me, please let me know. And also in October, Jason will be doing a series of shows at The Laurie Beechman.
I will be attending Jason's show on October 25th if you would like to join us.
Also, I have some Jerry Herman news of my own that I will tell you about a little later in this blog.
I have never seen Suzanne perform LIVE although I have seen clips on YouTube and I have been following her career for years thanks to my dear friend Glen Charlow who has one of the largest Lucille Ball collections of memorabilia around.
"You're tremendous! It's a little eerie. We'll talk soon, Mom."
- Lucie Arnaz
"Suzanne's likeness to Lucille is uncanny. She has caught all her mannerisms, her voice, and even her appearance.
It's sort of spooky!"
- Madelyn Pugh Davis
(Original I LOVE LUCY Co-creator and Writer)
AN EVENING WITH LUCILLE BALL - Schedule at Surflight Theatre
DATE DAY Mainstage 2pm 8pm
Oct-3 Mon
Oct-4 Tue An Evening With Lucille Ball
Oct-5 Wed An Evening With Lucille Ball
Oct-6 Thu An Evening With Lucille Ball
Oct-7 Fri An Evening With Lucille Ball
Oct-8 Sat An Evening With Lucille Ball
Oct-9 Sun An Evening With Lucille Ball
Oct-10 Mon (NO SHOW)
Oct-11 Tue An Evening With Lucille Ball
Oct-12 Wed An Evening With Lucille Ball
Oct-13 Thu An Evening With Lucille Ball
Oct-14 Fri An Evening With Lucille Ball
Oct-15 Sat An Evening With Lucille Ball
Oct-16 Sun An Evening With Lucille Ball
A celebration of the first lady of television, An Evening with Lucille Ball: Thank You for Asking,is a touching, funny and uplifting one-woman play written by Suzanne LaRusch & Lucie Arnaz. Crafted in the spirit of the amusing lectures Lucy enjoyed giving throughout her career, the evening recreates the comic genius and the magic behind the Queen of Comedy.Arnaz also directs the piece with her award winning knowledge of the theatre and of her mother!
"I have seen Lucille Ball saluted in many ways over the years, but no one has ever captured the essence of the lady the way Suzanne has."
- Tom Watson
(Lucille's Business Affairs Manager & friend)
"We couldn't stop staring at Suzanne when we first met her. Where did they find her? I almost had a heart attack! Well maybe we can have a reunion after all."
- Original I Love Lucy Cast Members
Doris Singleton (Carolyn Applebee)
Shirley Mitchell (Marion Strong)
Mary Jane Croft (Betty Ramsey)
Traversing the bridge between Lucy Ricardo and Lucille Ball, the production welcomes audiences into the never-before-published backstage stories that catapulted Ball to unprecedented fame, as well as into the tumultuous marriage that would eventually endure public scrutiny.
Lucy guides us through the lifetime of personal memories inspiring her timeless sketches on I Love Lucy, her 30-year television career and never-before heard personal recollections about her tempestuous and complicated marriage to Cuban bandleader turned impresario, Desi Arnaz. It's the Lucy the whole world loved from "Ricardo" to "Mame" but, more importantly, it's an evening with the REAL Lucy, as you've never seen her before.
AN EVENING WITH LUCILLE BALL; "Thank You For Asking!", evolved from two other shows Suzanne wrote and performed as the famous Redhead, LUCY THROUGH THE YEARS and THANK YOU FOR ASKING.
This incarnation is based on a series of lectures, Q & A and television interviews done by the late, great Lucille Ball.
Suzanne had difficulty finding a director who knew "Lucy" AND knew theater, (a combination not so easy to find believe it or not).
Friends with the Arnaz family for many years; Suzanne asked Lucie Arnaz,MIGHT she consider being "my dream director"?
After seeing an early version of the show; Lucie not only offered to direct but co-author a new script and produce the show with her husband, Laurence Luckinbill. Much of the material in this show was gathered firsthand from stories told to Suzanne by Lucille Ball's personal staff, friends, family and from information contained in "A BOOK", by Desi Arnaz (Wiliam Morrow) and "LOVE, LUCY", by Lucille Ball (Putnam).
Suzanne LaRusch: I view comedy and impressionism as two different things.
I started my impressionist career at Universal Studios Hollywood but I’ve been an actress, if you will, since I was about eighteen months old when I did my first television commercial.
I was a child actor and just kind of worked by way through getting the leads in community productions.
I always had an emphasis in comedy, I always had a knack and love for that.
I did a great deal of musical comedy in theatre during my journey before working for Universal in 1989.
In 1990, they had opened a tribute to Lucille Ball which was a museum there.
At that point I was doing different characters like Mae West and Marilyn Monroe and had been fascinated by that time, by that artistry.
I proposed the idea for the character for the museum and the rest was history.
I gravitated to her even as a child because she was just so much fun to watch on television. We almost shared the same birthday, she’s August 6 and I’m August 7. So when I was growing up, they would do an “I Love Lucy” marathon on her birthday. I always thought they did that for my birthday [laughs]. I was quite small, I think. So I always looked forward to those marathons in August, they became regular events. I always loved her and found her comedic timing just incredible. I would begin to study her as an actress, not realizing or having an ambition at that time to emulate her.
Well it became quite a process. When I started out I did my homework as any actor would, watching many of her tapes, interviews, and episodes of the “I Love Lucy” show that I began to know backwards and forwards. I studied her make-up and mannerisms. My mother was born and raised in Buffalo, New York and Lucille was born and raised about sixteen miles south of there in Jamestown, and I realized that my mother had very similar mannerisms to Lucille. It may be regional, and I caught that early on. So when I would exaggerate my mother’s mannerisms and voice inflections, people thought it was dead-on Lucy. So I found learning points like that along the way.
I have always considered myself an actress more than an impersonator, but I fell into that category working at Universal. But from the beginning I wanted to more than that because I found this woman’s life fascinating and I wanted to tell her story onstage. In 1997 I did my first rendition of what would later become the stage show, and did a presentation of her life story onstage. It was an ambitious presentation. I began to refine that and to find the right formula for that kind of storytelling. I always loved watching her interviews, like on the Merv Griffin Show, and she also did lectures and seminars which she loved.
I got my hands on some of those tapes and was fascinated by watching the older Lucille talking about her career and her responses to the audience. And then I realized- that’s the formula, to tell her life story through one of these question-and-answer seminars.
That was eventually called “Thank You for Asking”.
A few years later I reached out to Lucie Arnaz because we had been friends for years because of my previous work. I respected her opinion as an actress, and entertainer, and most importantly as Lucille’s daughter. One I wanted her blessing, but two I also wanted her notes so I could be sure I was telling the story correctly. She had been pursuing directing work at the time and the first thing she asked me was, “Who is directing your show?” And I said “Well, me?” Long story short, she came on board as a director and we re-worked the script together as collaborators.The process of both writing and curating the piece with Lucille’s daughter, Lucie Arnaz was an interesting dynamic. I had to get used to her style very quickly, which I did. She and her husband who is a Broadway star as well and who produces our show had a different approach to acting than I did initially. So ultimately it was like going to school again, which was very fun. I worked and expanded my craft in that way with her. For the writing we literally sat on couches with pads in hand and went back and forth, putting in different bits and information.
It really has been years of accumulating information from the different mediums. But the deciding factors were really picking the subjects that I and ultimately Lucie, Jr. knew were topics people typically asked about it. Let’s talk about the chocolate factory, the grape-stomping, and of course Desi Arnaz. In between you throw in things people are not familiar with, such as she was the person to introduce the song“Hey Look Me Over” to the public. Lucie Arnaz sprinkled in some family secrets that had never been published before that gave insights into the soul of her mother. It is well-rounded now, I believe.
Source: HollywoodChicago.com
Lucie Arnaz sent me the following: How nice that you want to write about Suzanne. In our book, nobody can do what she does. No one even comes close to understanding how Mom thought and how that translated into her comedic physicalities. People tell me after they have seen Suzanne in her one woman show, (An Evening With Lucille Ball: "Thank you for asking") they feel as if they have been with "the REAL Lucy". And the best thing is that, because of all the years she spent as a "Lucy Stroller" at Universal, she can think on her feet and come up with some terrific "Lucy-isms" when the need arises. You can only ad lib as a character when you know them so well that you can begin to THINK as they would. Desi and I have said that sometimes it's so close that it's eerie.
Best of luck.
Lucie Arnaz
Have Suzanne, as Lucy, host or perform your next event!
Please call for availability and prices.
818-842-7713
I for one CANNOT WAIT TO SEE THIS SHOW! And now, for a man after my own heart, Jason Graae!
The New York Times recently said, "Nowadays, probably no other performer could infuse a song with the manic mischief that Jason Graae, a frisky clown with a real tenor, pumped into it..."Jason Graae has starred on Broadway in "A Grand Night For Singing", "Falsettos", "Stardust", "Snoopy!", "Do Black Patent Leather Shows Really Reflect Up?".
Off- Broadway shows include "Forever Plaid", "Olympus on My Mind", "All in the Timing", "Hello Muddah, Hello Fadduh (Drama Desk Nomination- Best Actor in a Musical)" and many more.
Jason made his Metropolitan Opera House debut as featured vocalist in Twyla Tharp's "Everlast" with American Ballet Theatre.
Jason has performed his one-man show all over the country, including Rainbow and Stars, Birdland, and the Metropolitan Room in NYC, Caramoor Music Festival, Wolf Trap, Feinstein's in L.A., the Fairmont Hotels in New Orleans and Dallas, and The Plush Room in San Francisco, to name a few. He has received the New York Nightlife Award, 4 Bistros and was listed in TimeOut NY's Top 10 Cabaret shows of 2006.
Jason Graae has guest starred on "Friends," "Frasier," "Providence" and "Sabrina the Teenage Witch," among many others; appeared in several films; and recorded on more than 25 albums, primarily musical theater sound tracks.
He was even the voice of Lucky the Leprechaun for Lucky Charms cereal, five years running. Graae will showcase his full range of extraordinary performing abilities at the The Laurie Beechman Theatre in West Bank Cafe, 407 West 42nd Street, on October 18-25, 2011. Performances will be October 18, 19 and 24th at 7 PM and October 25 at 9:30 PM. There is a $20 cover and two drink minimum. Reservations (212) 695-6909.
Graae grew up around the theater; his mother was a nightclub entertainer and his father worked the stage door at Ben Marden's Riviera, a 1930s New Jersey club overlooking the newly constructed George Washington Bridge and the Hudson River. Graae remembers watching his mother perform in a community production of Wonderful Town when he was just three years old, and from that point on he was hooked.
Despite the fact that his parents tried to steer him toward a career in music instead of musical theater, Graae was soon appearing alongside his mother on stage, playing one of the newsboys to her Gypsy.
He eventually studied the oboe as a music major all the while singing and performing on stage and today he happily combines his love of music, musical theater, and comedy by playing chamber music occasionally, singing with orchestras, appearing on Broadway, and delighting audiences with his unique solo performances.
In Los Angeles, he won his second L.A. Drama Critics Circle Award - the 2008 Joel Hirschorn Award for Outstanding Achievement in Musical Theatre.
He won an Ovation Award for "Forbidden Broadway Y2KLA!", an Artistic Director's Achievement Award for "Fully Committed" and a Santa Barbara Indie Award for "High Button Shoes".
Jason originated the role of "Houdini" in the L.A. production of "Ragtime" at the Shubert Theatre.
At the Hollywood Bowl, he was Benny Southstreet in "Guys and Dolls" and Marcellus in "The Music Man".
He has appeared in many shows with Reprise!, The Colony, The El Portal,The Falcon and The Rubicon. THe was seen as Panch in "The 25th Annual Putnam County Spelling Bee" at La Mirada and as Janitor/Priest in "See What I Wanna See" at the Blank.
Graae attended the University of Tulsa and the Cincinnati Conservatory of Music, and then headed for New York City, where he immediately landed a role in an Equity Library production of Godspell.
"...Mr. Graae emerges as an irresistible cut-up whose splendid voice is matched by mischievous charisma...." -- Stephen Holden, New York Times
"Graae hurrah! Simply put, Jason Graae is one of the best entertainers I have ever seen in my life...a prodigiously talented impish dynamo who can be wildly, wickedly funny one moment and then leave you emotionally stunned the next with the beauty of compelling ballads sung in the purest tenor/baritone imaginable..." -- David Cuthbert, New Orleans Times-Picayune
"I hated it. But the audience laughed and laughed." -- Washington Post
"Graae is a Cabaret dynamo -- commit the name to memory!" -- Hap Erstein, Palm Beach Post
Read more!
I am hosting a tribute to Jerry Herman on Saturday November 12th for The Sheet Music Society. Donald Pippin, Lee Roy Reams, Amber Edwards, and Miles Phillips are scheduled to appear.
Thank you for joining me on these nostalgic journeys! I've added a new aspect to my blog.. Every five days, I answer a question on video that YOU send to me. You can ask me ANYTHING and I will answer your question on video within my blog. Send your questions to
Richard@RichardSkipper.com
Next question will be answered Thursday.
"Richard, for supporting the ARTS and calling attention to the STARS of yesterday. You are a STAR in your own right!! With admiration and friendship"
Arlene Dahl
Thank you to all who have encouraged me! Thanks to all who have tried to stifle my art. I have learned from ALL of you!
Here's to an INCREDIBLE day for ALL!
GO SEE A LIVE SHOW TONIGHT
Become A Facebook friend of mine!
Follow me on Twitter
If you've seen one of my appearances/shows, add your thoughts to my guestbook at www.RichardSkipper.com
Tomorrow's blog will be Bick Moss and Musical Mondays
Please contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS
TILL TOMORROW...HERE'S TO AN ARTS FILLED WEEK!
Richard Skipper, Richard@RichardSkipper.com
Lucille Ball
Happy Tuesday!
I hope this finds you well. Today, I'm writing about two ARTISTS that honor two very special icons. If you follow my blogs, you already know that I am a huge fan of Lucille Ball and Jerry Herman. I also am a huge fan of Suzanne LaRusch who appears as Lucille Ball. Also, there is Jason Graae who has a critically acclaimed show celebrating the music of Jerry Herman. There are also many six degrees of separation happening with all of these entertainers!
As you know, Lucille Ball starred in the movie version of MAME,which of course had a score by Jerry Herman.
Jason Graae's show is directed by Lee Tannen who was very good friends with Lucille Ball. As I've written in previous blogs, Lee's memories of Lucy were told in a very successful and highly entertaining book entitled, I LOVED LUCY. That book has been transferred to stage, also by Lee Tannen, and starring my dear friend Diane J. Findlay as Lucille Ball.
As far as Suzanne is concerned, two of her producers are Larry Luckinbill and Lucie Arnaz Luckinbill.
For Larry and Lucie to get involved, Suzanne would have to be sensational.
The same can be said of Jason Graae's tribute to Jerry Herman.
Jerry is a huge fan of Jason's, as am I.
Jason just embodies Jerry Herman's music.
Those of us in the New York region are lucky because they both are coming to the east coast. Suzanne will be doing AN EVENING WITH LUCILLE BALL at Surflight Theatre in Beach Haven, New Jersey next month. I will be making a trek out to see Suzanne. If you would like to join me, please let me know. And also in October, Jason will be doing a series of shows at The Laurie Beechman.
I will be attending Jason's show on October 25th if you would like to join us.
Also, I have some Jerry Herman news of my own that I will tell you about a little later in this blog.
I have never seen Suzanne perform LIVE although I have seen clips on YouTube and I have been following her career for years thanks to my dear friend Glen Charlow who has one of the largest Lucille Ball collections of memorabilia around.
"You're tremendous! It's a little eerie. We'll talk soon, Mom."
- Lucie Arnaz
"Suzanne's likeness to Lucille is uncanny. She has caught all her mannerisms, her voice, and even her appearance.
It's sort of spooky!"
- Madelyn Pugh Davis
(Original I LOVE LUCY Co-creator and Writer)
AN EVENING WITH LUCILLE BALL - Schedule at Surflight Theatre
DATE DAY Mainstage 2pm 8pm
Oct-3 Mon
Oct-4 Tue An Evening With Lucille Ball
Oct-5 Wed An Evening With Lucille Ball
Oct-6 Thu An Evening With Lucille Ball
Oct-7 Fri An Evening With Lucille Ball
Oct-8 Sat An Evening With Lucille Ball
Oct-9 Sun An Evening With Lucille Ball
Oct-10 Mon (NO SHOW)
Oct-11 Tue An Evening With Lucille Ball
Oct-12 Wed An Evening With Lucille Ball
Oct-13 Thu An Evening With Lucille Ball
Oct-14 Fri An Evening With Lucille Ball
Oct-15 Sat An Evening With Lucille Ball
Oct-16 Sun An Evening With Lucille Ball
A celebration of the first lady of television, An Evening with Lucille Ball: Thank You for Asking,is a touching, funny and uplifting one-woman play written by Suzanne LaRusch & Lucie Arnaz. Crafted in the spirit of the amusing lectures Lucy enjoyed giving throughout her career, the evening recreates the comic genius and the magic behind the Queen of Comedy.Arnaz also directs the piece with her award winning knowledge of the theatre and of her mother!
"I have seen Lucille Ball saluted in many ways over the years, but no one has ever captured the essence of the lady the way Suzanne has."
- Tom Watson
(Lucille's Business Affairs Manager & friend)
"We couldn't stop staring at Suzanne when we first met her. Where did they find her? I almost had a heart attack! Well maybe we can have a reunion after all."
- Original I Love Lucy Cast Members
Doris Singleton (Carolyn Applebee)
Shirley Mitchell (Marion Strong)
Mary Jane Croft (Betty Ramsey)
Traversing the bridge between Lucy Ricardo and Lucille Ball, the production welcomes audiences into the never-before-published backstage stories that catapulted Ball to unprecedented fame, as well as into the tumultuous marriage that would eventually endure public scrutiny.
Lucy guides us through the lifetime of personal memories inspiring her timeless sketches on I Love Lucy, her 30-year television career and never-before heard personal recollections about her tempestuous and complicated marriage to Cuban bandleader turned impresario, Desi Arnaz. It's the Lucy the whole world loved from "Ricardo" to "Mame" but, more importantly, it's an evening with the REAL Lucy, as you've never seen her before.
AN EVENING WITH LUCILLE BALL; "Thank You For Asking!", evolved from two other shows Suzanne wrote and performed as the famous Redhead, LUCY THROUGH THE YEARS and THANK YOU FOR ASKING.
This incarnation is based on a series of lectures, Q & A and television interviews done by the late, great Lucille Ball.
Suzanne had difficulty finding a director who knew "Lucy" AND knew theater, (a combination not so easy to find believe it or not).
Friends with the Arnaz family for many years; Suzanne asked Lucie Arnaz,MIGHT she consider being "my dream director"?
After seeing an early version of the show; Lucie not only offered to direct but co-author a new script and produce the show with her husband, Laurence Luckinbill. Much of the material in this show was gathered firsthand from stories told to Suzanne by Lucille Ball's personal staff, friends, family and from information contained in "A BOOK", by Desi Arnaz (Wiliam Morrow) and "LOVE, LUCY", by Lucille Ball (Putnam).
Suzanne LaRusch: I view comedy and impressionism as two different things.
I started my impressionist career at Universal Studios Hollywood but I’ve been an actress, if you will, since I was about eighteen months old when I did my first television commercial.
I was a child actor and just kind of worked by way through getting the leads in community productions.
I always had an emphasis in comedy, I always had a knack and love for that.
I did a great deal of musical comedy in theatre during my journey before working for Universal in 1989.
In 1990, they had opened a tribute to Lucille Ball which was a museum there.
At that point I was doing different characters like Mae West and Marilyn Monroe and had been fascinated by that time, by that artistry.
I proposed the idea for the character for the museum and the rest was history.
I gravitated to her even as a child because she was just so much fun to watch on television. We almost shared the same birthday, she’s August 6 and I’m August 7. So when I was growing up, they would do an “I Love Lucy” marathon on her birthday. I always thought they did that for my birthday [laughs]. I was quite small, I think. So I always looked forward to those marathons in August, they became regular events. I always loved her and found her comedic timing just incredible. I would begin to study her as an actress, not realizing or having an ambition at that time to emulate her.
Well it became quite a process. When I started out I did my homework as any actor would, watching many of her tapes, interviews, and episodes of the “I Love Lucy” show that I began to know backwards and forwards. I studied her make-up and mannerisms. My mother was born and raised in Buffalo, New York and Lucille was born and raised about sixteen miles south of there in Jamestown, and I realized that my mother had very similar mannerisms to Lucille. It may be regional, and I caught that early on. So when I would exaggerate my mother’s mannerisms and voice inflections, people thought it was dead-on Lucy. So I found learning points like that along the way.
I have always considered myself an actress more than an impersonator, but I fell into that category working at Universal. But from the beginning I wanted to more than that because I found this woman’s life fascinating and I wanted to tell her story onstage. In 1997 I did my first rendition of what would later become the stage show, and did a presentation of her life story onstage. It was an ambitious presentation. I began to refine that and to find the right formula for that kind of storytelling. I always loved watching her interviews, like on the Merv Griffin Show, and she also did lectures and seminars which she loved.
I got my hands on some of those tapes and was fascinated by watching the older Lucille talking about her career and her responses to the audience. And then I realized- that’s the formula, to tell her life story through one of these question-and-answer seminars.
That was eventually called “Thank You for Asking”.
A few years later I reached out to Lucie Arnaz because we had been friends for years because of my previous work. I respected her opinion as an actress, and entertainer, and most importantly as Lucille’s daughter. One I wanted her blessing, but two I also wanted her notes so I could be sure I was telling the story correctly. She had been pursuing directing work at the time and the first thing she asked me was, “Who is directing your show?” And I said “Well, me?” Long story short, she came on board as a director and we re-worked the script together as collaborators.The process of both writing and curating the piece with Lucille’s daughter, Lucie Arnaz was an interesting dynamic. I had to get used to her style very quickly, which I did. She and her husband who is a Broadway star as well and who produces our show had a different approach to acting than I did initially. So ultimately it was like going to school again, which was very fun. I worked and expanded my craft in that way with her. For the writing we literally sat on couches with pads in hand and went back and forth, putting in different bits and information.
It really has been years of accumulating information from the different mediums. But the deciding factors were really picking the subjects that I and ultimately Lucie, Jr. knew were topics people typically asked about it. Let’s talk about the chocolate factory, the grape-stomping, and of course Desi Arnaz. In between you throw in things people are not familiar with, such as she was the person to introduce the song“Hey Look Me Over” to the public. Lucie Arnaz sprinkled in some family secrets that had never been published before that gave insights into the soul of her mother. It is well-rounded now, I believe.
Source: HollywoodChicago.com
Lucie Arnaz sent me the following: How nice that you want to write about Suzanne. In our book, nobody can do what she does. No one even comes close to understanding how Mom thought and how that translated into her comedic physicalities. People tell me after they have seen Suzanne in her one woman show, (An Evening With Lucille Ball: "Thank you for asking") they feel as if they have been with "the REAL Lucy". And the best thing is that, because of all the years she spent as a "Lucy Stroller" at Universal, she can think on her feet and come up with some terrific "Lucy-isms" when the need arises. You can only ad lib as a character when you know them so well that you can begin to THINK as they would. Desi and I have said that sometimes it's so close that it's eerie.
Best of luck.
Lucie Arnaz
Have Suzanne, as Lucy, host or perform your next event!
Please call for availability and prices.
818-842-7713
I for one CANNOT WAIT TO SEE THIS SHOW! And now, for a man after my own heart, Jason Graae!
The New York Times recently said, "Nowadays, probably no other performer could infuse a song with the manic mischief that Jason Graae, a frisky clown with a real tenor, pumped into it..."Jason Graae has starred on Broadway in "A Grand Night For Singing", "Falsettos", "Stardust", "Snoopy!", "Do Black Patent Leather Shows Really Reflect Up?".
Off- Broadway shows include "Forever Plaid", "Olympus on My Mind", "All in the Timing", "Hello Muddah, Hello Fadduh (Drama Desk Nomination- Best Actor in a Musical)" and many more.
Jason made his Metropolitan Opera House debut as featured vocalist in Twyla Tharp's "Everlast" with American Ballet Theatre.
Jason has performed his one-man show all over the country, including Rainbow and Stars, Birdland, and the Metropolitan Room in NYC, Caramoor Music Festival, Wolf Trap, Feinstein's in L.A., the Fairmont Hotels in New Orleans and Dallas, and The Plush Room in San Francisco, to name a few. He has received the New York Nightlife Award, 4 Bistros and was listed in TimeOut NY's Top 10 Cabaret shows of 2006.
Jason Graae has guest starred on "Friends," "Frasier," "Providence" and "Sabrina the Teenage Witch," among many others; appeared in several films; and recorded on more than 25 albums, primarily musical theater sound tracks.
He was even the voice of Lucky the Leprechaun for Lucky Charms cereal, five years running. Graae will showcase his full range of extraordinary performing abilities at the The Laurie Beechman Theatre in West Bank Cafe, 407 West 42nd Street, on October 18-25, 2011. Performances will be October 18, 19 and 24th at 7 PM and October 25 at 9:30 PM. There is a $20 cover and two drink minimum. Reservations (212) 695-6909.
Graae grew up around the theater; his mother was a nightclub entertainer and his father worked the stage door at Ben Marden's Riviera, a 1930s New Jersey club overlooking the newly constructed George Washington Bridge and the Hudson River. Graae remembers watching his mother perform in a community production of Wonderful Town when he was just three years old, and from that point on he was hooked.
Despite the fact that his parents tried to steer him toward a career in music instead of musical theater, Graae was soon appearing alongside his mother on stage, playing one of the newsboys to her Gypsy.
He eventually studied the oboe as a music major all the while singing and performing on stage and today he happily combines his love of music, musical theater, and comedy by playing chamber music occasionally, singing with orchestras, appearing on Broadway, and delighting audiences with his unique solo performances.
In Los Angeles, he won his second L.A. Drama Critics Circle Award - the 2008 Joel Hirschorn Award for Outstanding Achievement in Musical Theatre.
He won an Ovation Award for "Forbidden Broadway Y2KLA!", an Artistic Director's Achievement Award for "Fully Committed" and a Santa Barbara Indie Award for "High Button Shoes".
Jason originated the role of "Houdini" in the L.A. production of "Ragtime" at the Shubert Theatre.
At the Hollywood Bowl, he was Benny Southstreet in "Guys and Dolls" and Marcellus in "The Music Man".
He has appeared in many shows with Reprise!, The Colony, The El Portal,The Falcon and The Rubicon. THe was seen as Panch in "The 25th Annual Putnam County Spelling Bee" at La Mirada and as Janitor/Priest in "See What I Wanna See" at the Blank.
Graae attended the University of Tulsa and the Cincinnati Conservatory of Music, and then headed for New York City, where he immediately landed a role in an Equity Library production of Godspell.
"...Mr. Graae emerges as an irresistible cut-up whose splendid voice is matched by mischievous charisma...." -- Stephen Holden, New York Times
"Graae hurrah! Simply put, Jason Graae is one of the best entertainers I have ever seen in my life...a prodigiously talented impish dynamo who can be wildly, wickedly funny one moment and then leave you emotionally stunned the next with the beauty of compelling ballads sung in the purest tenor/baritone imaginable..." -- David Cuthbert, New Orleans Times-Picayune
"I hated it. But the audience laughed and laughed." -- Washington Post
"Graae is a Cabaret dynamo -- commit the name to memory!" -- Hap Erstein, Palm Beach Post
Read more!
I am hosting a tribute to Jerry Herman on Saturday November 12th for The Sheet Music Society. Donald Pippin, Lee Roy Reams, Amber Edwards, and Miles Phillips are scheduled to appear.
Thank you for joining me on these nostalgic journeys! I've added a new aspect to my blog.. Every five days, I answer a question on video that YOU send to me. You can ask me ANYTHING and I will answer your question on video within my blog. Send your questions to
Richard@RichardSkipper.com
Next question will be answered Thursday.
"Richard, for supporting the ARTS and calling attention to the STARS of yesterday. You are a STAR in your own right!! With admiration and friendship"
Arlene Dahl
Thank you to all who have encouraged me! Thanks to all who have tried to stifle my art. I have learned from ALL of you!
Here's to an INCREDIBLE day for ALL!
GO SEE A LIVE SHOW TONIGHT
Become A Facebook friend of mine!
Follow me on Twitter
If you've seen one of my appearances/shows, add your thoughts to my guestbook at www.RichardSkipper.com
Tomorrow's blog will be Bick Moss and Musical Mondays
Please contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS
TILL TOMORROW...HERE'S TO AN ARTS FILLED WEEK!
Richard Skipper, Richard@RichardSkipper.com
Monday, September 12, 2011
Remembering 9/11 and a Happy Birthday to Dickie Moore! The Kinsey Sicks...and more!
"Hope, like faith, is nothing if is not contagious; it is nothing if not ridiculous."
-Thornton Wilder, American playwright (1897-1975)
Hello, Everybody!
It is so good to be back! And it's a full moon to boot! I'm ready to howl!
I had a wonderful time away for the past 11 days, but as the saying goes, There's no place like home! I had every intention of writing my daily blog on the road but the wi-fi service both in Oklahoma City and Malibu was precarious at best so I gave up on that idea.
It also gave me a chance to recharge my batteries and give you a break from me. I hope the old adage holds true, Absence makes the heart grow fonder! I've certainly missed all of you!
First of all, ALL of my traveling was a breeze...no issues coming or going! And all of my shows were successful, thank God!
But I have to say how blessed we are in New York AND California that these are essentially smoke free states. It seems as if EVERYONE smokes in Oklahoma City. I requested that I get a smoke free room in the hotel (which I got) but it became an issue when I requested that my show be smoke free (which I got eventually) as well. I arrived on Friday, September 1st, and went immediately into rehearsal for the show the next night. When I got to the hotel, people were smoking EVERYWHERE. I went into my room and stayed there until my rehearsal the next day in the club room that I was performing in.
Even though my show was smoke free, the smoke is in the carpets, the drapes, everywhere. As soon as the air started circulating (and it was 105 degrees outside!), I thought I was going to choke to death! One of the waiters was smoking as he was setting up; I asked him very politely to refrain from smoking and he snapped back, "One cigarette is not going to kill you", took a deep puff and blew the smoke in my direction! So much for a guest in his venue! After words, I went back to my room and stayed there till show time.
I even got dressed in my hotel room. The show was a huge success with a great audience. I left EARLY the next morning for Malibu! What a great time there. Decompressing, relaxing, and deep reflection. This was my 9th year there and I was told by the organizers of the event that I have a lifetime invitation to attend every year whether I perform or not.
I hosted two talent shows as Richard and performed my Carol Channing show Friday night.
All successful with GREAT audiences.
I have always said that I am only as good as my audience and I truly believe that.
Having not performed, for the most part, since February, this trip was very cathartic. Thanks to ALL involved for making this trip so wonderful!
Yesterday, I had huge trepidation about flying on the 10th anniversary of the tragedy of 9/11/01. Thank God, there were no issues here. Although Afghanistan had a terrorist situation yesterday. We are reminded daily how precious LIFE is. I flew JetBlue yesterday.
Almost every channel was covering 9/11.
I cried from Los Angeles to New York.
My eyes are red and puffy today.
Know I love you all and am ready to start a new series of blogs!
This is from my friend, Adrienne Haan
Remembering 9/11:
Today, my heart goes out to all those who lost their lives during 9/11. I usually don't express personal feelings nor do I see the necessity to share political points of views on social networks, but I lived in NYC when it happened and New York is my second home, as you know. From my building we saw the towers go down, saw firemen gather in front of Roosevelt Hospital covered in ...dirt and ashes crying from exhaustion and having lost their friends, we gave blood to people who never needed it. How ironic that during that time I was in rehearsal for "The Passion Play" of all plays and I was working as a waitress at a restaurant on the Upper East Side. Of all restaurants to pick we were the very one which hosted all funerals of one particular Fire Department and I simply can't express my emotions, even 10 years later.
So I am with all of you New Yorkers today, all of you who lost family and friends, my friend Tom who worked on Wall Street and barely made it out, my ex-neighbor Jeff who worked at One World Trade Center and had a dental appointment that day so never made it to work! He was one of the lucky ones.
Do I still wish the government and president at the time had made different choices afterwards? - You bet!
Nevertheless, all I can say now: United we stand!
From Wikipedia: The September 11 attacks (also referred to as September 11, September 11th or 9/11 were a series of four coordinated suicide attacks upon the United States in New York City and the Washington, D.C., area on September 11, 2001. On that Tuesday morning, 19 terrorists from the Islamist militant group al-Qaeda hijacked four passenger jets. The hijackers intentionally crashed two planes, American Airlines Flight 11 and United Airlines Flight 175, into the Twin Towers of the World Trade Center in New York City; both towers collapsed within two hours. Hijackers crashed American Airlines Flight 77 into the Pentagon in Arlington, Virginia. The fourth jet, United Airlines Flight 93, crashed into a field near Shanksville, Pennsylvania, after passengers attempted to take control before it could reach the hijacker's intended target in Washington, D.C. Nearly 3,000 died in the attacks.
We will NEVER forget!
On a more positive note...
Today is the 86th birthday of Dickie Moore known mostly for his appearances in the OUR GANG comedies. I have been lucky enough to meet Dickie Moore on more than one occasion. ALWAYS a true gentleman! Happy Birthday, Dickie!
Dickie Moore (born John Richard Moore, Jr.; September 12, 1925) is a former American child actor. Besides appearing in a number of major feature films, he was featured as a regular in the Our Gang series during the 1932–1933 season.
In addition to his Our Gang work, Moore is most remembered for his portrayal of the title character in the 1933 adaptation of Charles Dickens' Oliver Twist and as Marlene Dietrich's son in Blonde Venus (1932).
He is also famous for giving Shirley Temple her first onscreen kiss, in the film Miss Annie Rooney.
He was less successful as a teenage actor and young adult, and he retired from the screen in the early '50s. He went on to teach and write books about acting, edit Equity magazine, perform on Broadway, in stock, and on TV, write and direct for TV, produce an Oscar-nominated short film (The Boy and the Eagle), and produce industrial films.
Winnie Kinsey Sicks in my new Facebook Friend!
If you've never seen The Kinsey Sicks, you have no idea what you are missing! We were booked at The Crown And Anchor at the same time 9 years ago! Wow! Hard to believe it has been that long! They were more than supportive!
Look at the schedule they have! UPCOMING HIGHLIGHTS!
There's lots ahead. So pay attention.
Smith College - Thursday, September 22
The Kinseys return to Smith with their critically acclaimed touring show, Each Hit & I. Showtime is 8 PM at John M. Greene Hall.
This show is open to the public.
Harvard University - Friday, September 23
The Kinseys take reunion weekend by storm with their show, Each Hit & I.
Tampa, FL - Friday, December 2
The Kinseys launch Oy Vey in a Manger at the David A. Straz, Jr. Center for the Performing Arts in Tampa.
Showtime is 7:30 pm. For tickets, visit the Straz Center.
Ft. Lauderdale, FL - Saturday, December 3
The Kinseys return to the Broward Center with two performances of Oy Vey in a Manger, at 6 and 9 pm. For tickets, visit Kinseys at Broward.
Pittsburgh - December 8-11
Four nights of Oy Vey fun on the mainstage at City Theatre, 1300 Bingham St. Get tickets by going to Citystage.
Baltimore - Friday, December 16
Oy Vey in a Manger continues with 2 shows at the Creative Alliance at the Patterson, 3134 Eastern Avenue. Get tickets by going to Creative Alliance.
San Francisco - Saturday, December 17
Oy Vey comes home for the holidays to San Francisco's Herbst Theatre. Tickets already onsale at City Box Office.
New York City - Friday, December 23
Oy Vey comes to the fabulous Highline Ballroom, 431 West 16th at 8 pm. Get tickets at Highline.
Puerto Vallarta - Jan. 11-27, 2012
The Kinseys return to their very first PV home: the inimitable Palm on Olas Altas. Watch this spot for shows, showtimes, ticket info.
And to make sure never to miss them, just sign for their mailing list!
The Kinsey Sicks are continuing to rewrite their past. Go to their website for details, as soon as they've manufactured them.
Watch a Kinsey Sicks music video, like "Bedroom Ants," below.
And now, you can take The Kinsey Sicks home with you!
Are you on Richard Skipper Events? If not, please sign up today on Facebook to get announcements of what I am doing and to get my blog brought to you every day.
And from David Friedman, TWO LITTLE WORDS CAN MAKE ALL THE DIFFERENCE IN YOUR EXPERIENCE
When something is happening that is generating uncomfortable sensations, we must realize that we are not our thoughts and we are not our sensations. We are NOTICING them from a safe place that is unaffected by them.
When we can exchange the thought, “This is happening to me” for “I NOTICE that this is happening; I NOTICE that I’m experiencing this sensation: I NOTICE that I’m having this thought” everything changes.
Today, when something upsetting happens, you’re feeling an uncomfortable sensation or holding a limiting thought, try saying, “I NOTICE that this is happening; I NOTICE this sensation; I NOTICE that I’m holding this thought, and watch what happens.
And have a SENSATIONAL day!
It’s impossible not to.
David Friedman
TheThoughtExchange.com
THE NEW THOUGHT EXCHANGE AUDIOBOOK
The Thought Exchange is now available on audiobook format online. Click Here to order your copy today.
Did you get your copy of The Thought Exchange, by David Friedman?
In this groundbreaking book, The Thought Exchange, Overcoming Our Resistance to Living a Sensational Life, David Friedman takes us on a journey that begins where most of us started and perhaps still are; firmly entrenched in the ambitions, strivings and frustrations of the physical world; and leads us, step by step, discovery by discovery, to this new world, the REAL world, that has always been right here, inside us. In this world, we not only find that we have all that we’ve looking for, but we discover that the “outer” world has no choice but to reflect the contentment, success and peace that we already have, and have always had, inside of ourselves. By opening this book, you are taking a journey that perhaps you have begun many times, only to get lost, frustrated or sidetracked along the way. This book will lead you, in ways you’ve never been led before, to where you’ve always truly wanted to be.
Get your copy today -- click here!
For information about attending a Thought Exchange or Inner Voice Workshop click here Tell David I sent you!
To contact David or to comment, click here
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As usual, when I started this blog today, I had no idea where it would take me!
Thank you for joining me on these nostalgic journeys! I've added a new aspect to my blog.. Every five days, I answer a question on video that YOU send to me. You can ask me ANYTHING and I will answer your question on video within my blog. Send your questions to
Richard@RichardSkipper.com
Next question will be answered Thursday.
"Richard, for supporting the ARTS and calling attention to the STARS of yesterday. You are a STAR in your own right!! With admiration and friendship"
Arlene Dahl
Thank you to all who have encouraged me! Thanks to all who have tried to stifle my art. I have learned from ALL of you!
Here's to an INCREDIBLE day for ALL!
GO SEE A LIVE SHOW TONIGHT
Become A Facebook friend of mine!
Follow me on Twitter
If you've seen one of my appearances/shows, add your thoughts to my guestbook at www.RichardSkipper.com
Tomorrow's blog will be Jason Graae, Jerry Herman, Suzanne LaRusche, and Lucille Ball!
Please contribute to the DR. CAROL CHANNING & HARRY KULLIJIAN FOUNDATION FOR THE ARTS
TILL TOMORROW...HERE'S TO AN ARTS FILLED WEEK!
Richard Skipper, Richard@RichardSkipper.com
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