We're In This Together: Part Two In A New Series...Today, Let's Celebrate Warren Schein!

Lucius Annaeus Seneca
Life's like a play: it's not the length, but the excellence of the acting that matters.
Lucius Annaeus Seneca

Happy Wednesday, March 26th, 2020!
Today is Legal Assistants Day. It recognizes the many contributions made to the legal profession by legal assistants. Legal assistants do work to support lawyers in areas such as
Happy 80th Birthdayto Nancy Pelosi today
corporate law, criminal law, immigration, and litigation. Their duties may vary depending on the type and size of the law firm they work at, but their contributions are vast. 


March 26 is the 84th day of the year . 282 days remain until the end
of the year.

• 222 Days till Election Day! November 3rd! VOTE!!!!!!! (God willing)
• 16th of #SelfIsolation!
• Singer/actor Al Jolson born (1886?)
• Actor/singer Martin Short born (1950)
Funny Girl starring Barbra Streisand opened on Broadway (1964)
Minnie's Boys opened on Broadway (1970)
Annie revived (1st time) on Broadway (1997)
A 20th anniversary Broadway revival, which played at the Martin Beck Theatre (now called the Al Hirschfeld
Theatre) in 1997, entitled Annie, the 20th Anniversary, starred Nell Carter as Miss Hannigan, but controversy surrounded the casting of the titular character. The original actress cast in the role, Joanna Pacitti, was fired and replaced by her fellow orphan, Brittny Kissinger (who usually played orphan July) just two weeks before her Broadway debut, while battling bronchitis in Boston. 
The Pre-Broadway Tour was playing the Colonial Theatre. 'Annie' Understudy and Swing Orphan Alexandra Keisman performed the role the first
Alexandra Keisman
night Pacitti was absent. The producers then gave Kissinger the next performance. The show then moved on to the Oakdale in Connecticut where an insert was placed in the Playbill claiming "The Role of Annie is now being played by Brittny Kissinger". 

Public sentiment seemed to side with Pacitti as she was the winner of a highly publicized contest to find a new Annie sponsored by the department store Macy's. 
Joanna Pacitti as a young woman
This incident, coupled with the mixed reviews the new staging garnered, doomed it to a short run, although it was followed by a successful national tour. Kissinger, then 8, became the youngest actress to ever play Annie on Broadway. 
More controversy surrounding the show involved Nell Carter. Carter reportedly was very upset when commercials promoting the show used a different actress, Marcia Lewis, a white actress, as Miss Hannigan. The producers claimed that the commercials, which were made during an earlier production, were too costly to reshoot. 
Marcia Lewis


Carter felt that racism played a part in the decision. "Maybe they do not want audiences to know Nell Carter is black", she told the New York Post. However, the ads did mention that Carter was in the show. "It hurts a lot", Carter told the Post, "I've asked them nicely to stop it — it's insulting to me as a black woman." 
Her statement, released by the Associated Press, read: " 'Yes, it is true that I and my
representatives have gone to management on more than one occasion about the commercial and were told that there was nothing they could do about it,' Carter said in a statement Thursday. 
'Therefore, I have resigned myself to the fact that this is the way it
Miss Hannigan-Annie Dorothy Loudon, Nell Carter, Katie Finneran
is.' 

The statement also addressed the alleged charges of racism, first published in the New York Post. Carter is black. 'I, Nell Carter, never, ever, ever accused my producers or anyone in the show of racism,' she said. Producers have said it is too expensive to film a new commercial."
Carter was later replaced by another white actress, Sally Struthers. The revival closed on October 19, 1997 after 14 previews and 239 performances.
Joanna Pacitti has become more famous for not playing Annie
than for playing her. 
Although pint-sized Kissinger went on to open the show on Broadway, America rallied around Pacitti, whose family sued the show's producers and settled out of court. Barbara Walters did a special about the scandal, and Pacitti made
Joanna Pacitti
appearances on "Good Morning America," "The Rosie O'Donnell Show" and "Sally Jessy Raphael." (Sources: Playbill.com and Wikipedia)


I celebrate everyone's art. Today's social media engagement: Comment on something mentioned in this

blog and let's keep the next 24 hours upbeat! Have something to promote? Email me at Richard@RichardSkipper.com! Now, go out and so something nice for someone without expecting anything in return! Celebrate the gifts you have to offer the world! Did you do your Morning Pages


Have no clue what I am referring to? Today, celebrate your crazy ideas and surround yourself with those who will support those ideas! Make it a great week! Recommended Reading
Hello, Gorgeous: Becoming Barbra Streisand
By William J. Mann

Now, Go to the 8th person in your friend’s list and do something for them without expecting anything in return and let me know what happens! 
Warren Schein, Today I celebrate YOU! 
The world has changed. I find myself reminding people that we’re
experiencing a once-in-a-century pandemic event. Right now, a little kindness and a little humanity, goes a long way. That’s why I’m writing you an email, personally.


Richard Skipper Celebrates Warren Schein! 
“the voice is true and beautiful, the phrasing elegant and he never crosses that fine line between emulation and imitation.”


WARREN SCHEIN, has been entertaining audiences on stages throughout the US and Europe. He has played leading roles Off-Bdwy, Regional Theater and in Summer stock productions which include Mickey in Sugar Babies, Max Bialystock in The Producers and Nathan Detroit in Guys and Dolls, just to mention a few. He has been performing his one-man shows, Remembering Mel: A Musical Tribute To Mel Torme and Spend An Evening With Mr. Saturday Night, a medley of timeless music and comedy to sold out audiences throughout the country. 
with Marty Allen
Warren also garnered glowing reviews from his show “From the Borscht Belt to Broadway which included a tribute to the entertainer extraordinaire, Al Jolson (whose birthday we celebrate today). 

For many years Mr. Schein has been participating as one of the major headliners performing in the famous Provincetown Cabaret Fest in Massachusetts. 
Warren has been the voice of the Pillsbury Doughboy, the Rice Krispy MandMs, and the leprechaun for Lucky Charms. TV appearances include ads for The History Channel, A and E and Nick at Night . He appeared on Saturday Night Live, Boardwalk Empire, Law and Order and in the films, The Stepford Wives, Dark Room and Spector. 
as part of Richard Skipper Celebrates
Warren and his musicians enjoyed a jazzy evening, Rhythm, Reeds and Brass, a nineteen-piece big band that offered selections from the Great American Songbook. The impressive list of performers he has opened for and performed with includes: Marty Allen and Steve Rossi, Jerry Stiller and Anne Meara,  Milton Berle, Red Buttons, Totie Fields, Buddy Hackett, Steve Lawrence and Eydie Gorme, Danny Kaye, and Tony Martin.
Steve and Eydie
 

Warren is especially known for his classic jokes from the Golden Era of Comedy and of today’s lifestyles. Warrens interaction with his audience makes him one of the foremost improvisational comedic performers in the business. Mr. Schein has played in every NY City premiere night club such as the Metropolitan Room, and The Copa. 
Warren is currently in rehearsals with his Music Director, Tom LaMark, for his up-coming debut performance of “Dream Along
Perry Como
With Me”: A Tribute To Perry Como
.


Do you recall your first stage appearance? What did you do?
I was in the sixth grade at P.S.18. They had a talent show and I got up and sang a song from "Guys And Dolls".
I wasn't even nervous, I just got up on stage and wowed them.
The principal came over to me after the show and asked why I picked such a song. 
with Jeff Harnar and Patricia Fitzpatrick
I told him all I've ever wanted to do is to perform on stage so I thought a Broadway tune would be the thing to do. (By the way, I won the contest.)

Do you have a structured routine during this time (of the Coronavirus Pandemic)?
I'm not good at having too much time on my hands. I like to keep busy. I'm up early, have my coffee, read the paper and usually look at what needs to be done for the day.
with Dana Lorge

How do you prepare for a performance?
Over the years I've learned that I need to prepare each performance differently. And, of course this depends what venue I'm playing at. If I'm booked to perform my Mel Torme` Show and it's all music, I ease up on the comedy and keep it very structured. I keep to the script of the show almost line by line, word for word, song by song.
If I'm doing "standup and music" now that's a different story. I improvise and "work" the audience throughout the show. Obviously, my band members are aware of this and they know I'm going to go off "script" and I'm going to ad-lib. However, I still keep to my structured show for that performance but, stay in tune so to speak
so as to keep focused.
When I'm only booked for comedy, I keep it very structured except when I'm working an audience member.
I perform at many condo's, assisted living facilities, libraries, civic centers etc, it's important to bring the audience into your show. 
They need to like you, love you. And that's true of any performance. Dana Lorge taught me that you've only got the first ten minutes of your show to get into the hearts of your audience. If you can do that, you"ll kill. She was right, and I think of her as I walk on stage to this day. Whatever little bit of success I've had is because what Dana taught me. She was a "present" that was given to me and will always remain in my heart. Both Richard and I had a real privilege to share her friendship and love. And performing on stage with her, was a dream come true.

Name one thing you’ve learned about yourself during this
pandemic?
This is a tough question. I'm a free spirit. I spend many hours working and rehearsing all the time. But I always didn't think that way. I need to be rehearsed, especially musically. I've learned that you can't feel comfortable on stage in front of an audience it you're not prepared. 
I've found very honestly, that as you get older it takes a little more time to prepare. 
So, I've learned that now I need to start rehearsing and planning well in advance of all of my material so that I'm ready to give every audience all that I've got. It's on thing to "wing" it when you have to but remember, you need the "chutzpah" to make it work. (I learned that from both Marty Allen and Totie Fields).


What song(s) are you currently listening to during this time?
I'm always in tune with Broadway melodies and looking for songs I've never sung that will now fit my voice and age. My favorite songs now of course are those sung by Sinatra, Dean Martin, Sammy Davis Jr., Matt Monro, Steve Lawrence, Perry Como to name a few. Especially the "Vegas Sound".
They make me feel good and when I perform them, I get this wonderful feeling throughout my body and I realize how happy I am on stage.

Do you believe our spirit lives on after we pass on?

Absolutely. I only hope that when my time comes to leave this precious world, (and I hope it doesn't happen for a very long time) that I come back somehow and be able to watch whomever is lucky to have a little of me in them so I watch them perform. 
Dana and I used to talk about that happening together. We would come back and take over their show and do them and they'd never even know. But no question that I do believe that our spirits live on, or at least I hope so.

What do you wish to be remembered for?

That I made people happy. Not only my audiences, but my friends and family. For example, whenever I've had the good fortune of be in some of your  shows. I'd always give it all that I've I got. And why not, when you produce such terrific shows along with Russ Woolley, you and your audience deserve that. 
And of course all of the many other Variety Shows that I've been in, I want them to know how much I've appreciated my stage time. Working with Patricia Fitzpatrick is a pleasure. Especially writing material for her shows. And of course after a show, especially in Florida, when it's over you've got to do the "meet and greet". Some performers complain about it, I love it. Thanking your audience is so important. I want them to know how much I appreciate them. I truly do. 
Without them, what would we do? To this day, and I've been performing for over four decades, whenever I'm in the audience I always say to myself "I wish I was up stage". I guess it all comes down to this. I try to be humble and when I perform, I hope the audience says, "he really made me forget all the problems of the world, my aches and pains and I'd just love him". I have a huge ego, but I'm really very nice and humble...


Lighting round! Describe each of the following in one word: Who you are, what you value the most, and what you’d be if you were a food item.
Who are you-Friend
What I value the most- Family
Food item-Jelly Donut, alright it's two words

What do you like least? Leg of lamb. Hate the taste and the aroma destroys me. Besides, how
could eat "Bambi".

What do you wish to be remembered for? A loyal friend and someone you can depend on. Always willing to do something nice for someone else!

How do you create a strategy to continue the drive and ambition
to continue to perform?
Because it's what we are made of.
Some people are meant to be doctors, teachers, train engineers and some are born to entertain. It's in our DNA.
Some people can try to be funny but, no matter how hard they try they can't because they just don't have it in them. That goes for singing as well.
My strategy is my inner drive that keeps me going to want more. It's this constant feeling that I have deep in my soul that powers my ambition to keep on working at what I love to
do the most, perform. It doesn't stop and never goes away.
What would happen today if all the scientists who are trying to come up with a medication to stop this virus stopped working because they didn't have the drive and ambition to continue to do what they've been trained to do all their life?
So, as long as I have a breath in my soul, my strategy is to always keep my motor running and put it into drive, which will allow me the privilege to continue to perform.


Thank you, Warren Schein!, for the gifts you have given to the world and will continue to give.

Now, everyone, please go and and do something nice for someone without expecting anything in return! Go to the 8th friend in your friend's list and call them! We're ALL in this together! Till tomorrow...


Comments

  1. My dear Richard,
    Thank you form the bottom of my heart for adding me to your blog.
    Your articles and writing take us all away on magical journey to a better place even if for only a few moments.
    And, isn't that what our industry is really all about, entertainment.
    Taking our audience on a very special journey to a happier place and they can forget all of the problems of the day, any aches and pains disappear and we put beautiful smiles on everyone's face.
    It is a lovely gift.
    So, as Richard says, lets do something nice for a friend and not expect any thing in return. It'll feel just like Christmas all year and I promise you that your heart will be filled with joy.

    Richard please keep your blog running because so many readers are waiting for tomorrow's edition and then some...

    Lol,

    Shecky Schein

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  10. This article is a heartfelt tribute to Warren Schein, celebrating his incredible career and the impact he's made on the entertainment world. From his Broadway roles to his improvisational comedy and unforgettable performances, Warren’s dedication to bringing joy to audiences is truly inspiring. His reflections on his career, the pandemic, and the importance of kindness remind us of the power of perseverance and compassion. It's a beautiful reminder that, even in tough times, art and generosity can uplift and connect us all. Thank you, Warren, for the joy you've given to so many!
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