Carol Swarbrick: A Dolly that Prevails!
Vera (Carol Swarbrick), Mame (Dee Hoty) Mame at the 5th Avenue Theater (Photo by Chris Bennion) |
She did, however, love the show. She had seen Carol Channing
do it on Broadway seventeen years ago. “Wow, Channing is a Star!”
Now that THIS Carol has done Dolly, she just loves Dolly
Gallaher Levi! According to Swarbrick, Dolly is so brave, she is so smart, she
is so loving. Swarbrick says she was
embraced by Dolly Levi and she embraced her back.
Dolly has a great knowledge of how the world works at that time. Women definitely didn’t have the place in society they have now. She has a memory of life experiences which propels her. With Ephraim, she had a life that she no longer has. They had a lifestyle together that now, as a widow, she cannot replicate.
She hopes to have the opportunity to revisit Dolly. She would continue to explore her need to make a living. Swarbrick has played Dolly on three different occasions. The first time she did Dolly, she was living in Los Angeles. There was a theater company in La Mirada called Musical Theater West that was doing Dolly and she simply auditioned for it. Like Dolly Levi, she needed a job. She thought that this would be a fun role to approach. Because of a number of things, the “powers that be” at the theater knew Swarbrick. She was at the time the Western Regional Vice President of Actor’s Equity. It was an unpaid position but she was seated on a lot of contract negotiating committees so she knew most of the producers around. She had been living in Los Angeles for a long time.
She also knew many of the directors but did not know this director, Dennis Courtney. She got the part and on that first night, she was absolutely terrified. At the end of the show when she came downstage of the orchestra on the passerelle, it was a victory lap. She wanted to do Dolly justice, and the songs and the speeches.
She also wanted to do Ephraim justice. The first time Swarbrick heard Before The Parade Passes By, she knew it was a challenge but she was excited.
Dolly has a great knowledge of how the world works at that time. Women definitely didn’t have the place in society they have now. She has a memory of life experiences which propels her. With Ephraim, she had a life that she no longer has. They had a lifestyle together that now, as a widow, she cannot replicate.
She hopes to have the opportunity to revisit Dolly. She would continue to explore her need to make a living. Swarbrick has played Dolly on three different occasions. The first time she did Dolly, she was living in Los Angeles. There was a theater company in La Mirada called Musical Theater West that was doing Dolly and she simply auditioned for it. Like Dolly Levi, she needed a job. She thought that this would be a fun role to approach. Because of a number of things, the “powers that be” at the theater knew Swarbrick. She was at the time the Western Regional Vice President of Actor’s Equity. It was an unpaid position but she was seated on a lot of contract negotiating committees so she knew most of the producers around. She had been living in Los Angeles for a long time.
She also knew many of the directors but did not know this director, Dennis Courtney. She got the part and on that first night, she was absolutely terrified. At the end of the show when she came downstage of the orchestra on the passerelle, it was a victory lap. She wanted to do Dolly justice, and the songs and the speeches.
She also wanted to do Ephraim justice. The first time Swarbrick heard Before The Parade Passes By, she knew it was a challenge but she was excited.
She continues her soliloquy to Ephraim and goes into Parade.
The second time she
played the role, her director, James Brennan, gave her the advice just before
they opened that not only does Dolly love her work, but she HAS to do it. Every
night, she sits and creates these business cards of every possible task she
could be doing to make money.
She is ready! This is not something she would
pick up at an “Office Depot!”
"Hello, Dolly!" in performance. (Photo by Bob Morris) |
On a scale of comparison with other productions throughout
her career, Dolly comes up very favorably. “It’s just so much fun to get into
this character.” Dolly is so caring and
so compassionate and at the same time, she is so calculating and so
manipulative but it is always done with good humor. She is truly wishing the
best outcome for everybody.
When asked if she thinks Hello, Dolly! is one of the five best musicals ever written, she says she has to think about that in order to be fair.
For women, she says there is no question. Thinking in that vein, she says Dolly very possibly may be one of the top five best musicals ever written. She does think that Jerry Herman is a genius.
I asked Swarbrick how she approached the eating scene and immediately she is transported to her second production which was at the Sacramento Music Circus in the round.
When asked if she thinks Hello, Dolly! is one of the five best musicals ever written, she says she has to think about that in order to be fair.
For women, she says there is no question. Thinking in that vein, she says Dolly very possibly may be one of the top five best musicals ever written. She does think that Jerry Herman is a genius.
I asked Swarbrick how she approached the eating scene and immediately she is transported to her second production which was at the Sacramento Music Circus in the round.
Woodminster 2005 |
Swarbrick feels she brought a very real Ephraim to the production.
The first time she did it, her Horace was Jack Ritchell. He had played
Horace Vandergelder with Martha Raye, Karen Morrow, and a lot of ladies.
No
matter how many times she did the “Ephraim, let me go” speech, she choked up
everytime she said, “and I want you to give me away.”
The reason she brings up
Jack Ritchell’s name is that he commented on how real she made Ephraim. She had
a different approach to that speech.
Swarbrick says she DOES continue to tweak
a performance after it opens. She gets to know the character she is playing
better and better as the run continues.
The second production holds a special place for Swarbrick. Life
was imitating art. At that time, she was just starting to court her husband. This
production was at the Sacramento Music Circus. Outside in a tent in the round.
The one thing that Carol adopted from Dolly that she has carried forward throughout her career since then is the homework on a character.
"Hello, Dolly!" in performance. (Photo by David Kahn) |
The one thing that Carol adopted from Dolly that she has carried forward throughout her career since then is the homework on a character.
When her director suggested to her Dolly’s background about her
business cards, it was an epiphany.
That’s how far the director had gone into
the production for Swarbrick. Since Ephraim has died, Dolly has had to downsize
a lot.
Dancing...
David
Neufeld as Cornelius, *Carol Swarbrick as Dolly, Scott Woodard as Barnaby, Stacy Sanders as Minnie Faye (Photo by Alison Morris) |
Swarbrick says that when she saw Channing do it, there was
no question that she was Dolly Levi. Swarbrick admits that she did not
understand Channing’s stardom until she saw her on stage. Swarbrick also saw
Merman take on Dolly. She says that woman OWNED the stage, back stage, the
lobby, the orchestra, AND the balcony. “She was sooooo fabulous! You almost had
to squint because of the star power.”
The biggest change that Swarbrick has seen in this business since starting is corporations. There aren’t any David Merricks left…at least not on Broadway. It’s now Sony or Disney or Ford. This art form is not nourished by corporations and bean counters. And yet, around the country, there are some wonderful producers. There are compassionate and loving and artistic “Mr. Merricks.” It is sad to Swarbrick that one has to seek out the art now.
Carol Swarbrick as Dolly Levi, *Todd Schlader as Ambrose Kemper. (photo by Alison Morris) |
Other than just being nervous, she would go out each night
and just “show off”.
Carol’s closing night was met with hope because she never
felt it was her closing night. She is hopeful that there will at least be a
fourth production in her future and ours as well!
Thank you Carol Swarbrick for the gifts you have given to the world and will continue to give!
Check out my site celebrating my forthcoming book on Hello, Dolly!
I want this to be a definitive account of Hello, Dolly! If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!
Do you have any pics?
If you have anything to add or share, please contact me at Richard@RichardSkipper.com.
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Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
My next blog will be... John Beecher: Barnaby Tucker, Mary Martin's International Tour.
Thank you, to all the mentioned in this blog!
Thank you, to all the mentioned in this blog!
Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
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Richard Skipper, Richard@RichardSkipper.com
This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!
Enjoyed reading this! --Alan K. Choy (alankchoy@yahoo.com)
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