Welcome Back, Mark Cotter!
Just Do It!
The above is Mark Cotter’s mantra and as you will see from
this blog, he walks the talk and talks the talk. Mark is returning to New York
after an absence of seventeen years!
Mark was born and raised in Connecticut. He was very lucky
that he lived in such close proximity to New York that he could simply take the
train into Manhattan to see shows and study in New York.
He would come in for
auditions. He did that for many years and in 1990, made the move to New York
City. At that point, he had already decided to dive into the cabaret field. He
did a lot of cabaret work back then. Through his cabaret work, someone saw him
and recommended him for a job in New Orleans with the Delta Queen Steamboat
Company. He was performing as a cabaret artist on a river boat, the Mississippi
Queen. He did that for fourteen years. He traveled back and forth from New York
to New Orleans. That was a huge thing for him because he got to meet amazing
people, great artists. He met Margaret Whiting. She was a huge influence in
Mark’s life. She was a very special lady with a great love of life. She was
very supportive of other artists. She came on the boat to perform. She and Mark
hit it off immediately and she more or less took him under her wing back in New
York. She got him involved in the Cabaret Symposium at The Eugene O’Neill
Theater Center in Waterford, Connecticut. Mark did that and that was a life
changing experience more than anything else he had ever achieved on stage to
that point. It taught him so much about himself. The International Cabaret
Conference At Yale University is an intensive nine-day teaching program in the
art of cabaret performance and trains professionals for the live entertainment
industry. The Great American Songbook is addressed and promoted in its
entirety, from its origins in the late 19th century through the classic pop
standards of the 1930s and ‘40s to today’s contemporary cabaret, musical
theater, jazz and pop music. Participating students have come from the USA,
Australia, Canada, France, Germany, Greece, Japan, New Zealand, Russia, South
Africa and the United Kingdom.
All classes are conducted in English. There are
thirty students and thirty teachers. Everyone starts out in one large group and
then it breaks down to smaller groups and then it breaks down to one on one. It
is the crème of the crop of cabaret mentoring you.
Margaret Whiting |
It was phenomenal and was a
big step for Mark. From there, he was asked to do a couple of Cabaret
Conventions in the early nineties.
Margaret Whiting continued to be so
supportive, down to what he wore at his performances. She was that involved.
That, too, was a huge turning point in Mark’s cabaret career.
Entertaining audiences was in the cards and is something he
has been doing since he was a kid.
Right now, he is in the midst of writing a
book about that.
As with most entertainers, music was always being played in
Mark’s childhood home.
He considers himself lucky in that regard.
It was very
influential for him. Then he went the church route and sang in church as a kid.
He sang in chorus in high school and things like that. He began directing a
church choir.
That had all been around professionally. He went to school and
got a degree in Spanish and taught school for one year.
He realized that that
was not for him. Mark’s mom was also a teacher. He wanted to follow in her
footsteps, he thought. For one year after he graduated, he taught and then he
quit and decided that he was going to pursue his singing career full time.
He began the theater route, i.e., summer stock and things
like that mostly along the east coast. He was one of the lucky ones. He has
made a living at this.
Mark, John Travolta, Roger Welch |
There was a turning point as far as “cabaret” is concerned.
Mark was cast in a musical revue after doing book shows. This was in the late
eighties around ’87 or ’88. When he was cast in that show, he fell in love with
the genre of cabaret. It was in a very small supper club. That was a turning
point for him professionally.
He really started to pursue cabaret work with
more emphasis on cabaret than theater. That was in New Haven, Connecticut.
I asked Mark if he has a routine, a regular time when he
works on his craft. He says that it’s rare when he’s NOT working at it. He’s a
list maker. He’s always making notes or trying to listen to as much music as he
can. He’s very aware of music and thinking of how he would interpret it his own
way someday. He’s always working as far as a routine goes. When he’s working on
a project, he likes working on a schedule with a definite goal. He’s very anal
retentive that way.
When Mark and I spoke on Tuesday morning at nine AM, I asked
him what work he had done that morning on his craft and/or career. He said, “I’m
doing this interview with Richard Skipper.” To all artists reading this blog,
are you paying attention!?!?! It was
nine AM! Tuesday was not a rehearsal day for Mark. He would be on his own. He
would definitely work alone on everything especially his music. He will work on
lighting charts and patter.
Mark in Forever Plaid |
He is becoming familiar with his choices as far as
his songs and where they fit into the arc of his show and making sure that they
all make sense to him. He doesn’t script his cabaret shows. He has bullet
points of what he wants to say. He wants to make sure that all of his thoughts
are clear.
He tells me that he will sit for a long time. All of that was part
of his game plan on Tuesday.
The advice that he would give to others wanting to embark on
this career path takes us back to his mantra, Just Do It!
Jeff Blumenkrantz |
Do what you feel.
It was a huge realization for him when he came to realize he is enough. He is
different from other people. You wouldn’t compare two different types of
flowers and say that one is more beautiful than the other.
He realizes that he
is not lesser than the music he needs to serve him. The composers represented
in Welcome Back, Cotter covers a wide
range of styles from Stevie Wonder to Amanda McBroom to Peter Allen to Jeff
Blumenkrantz. Everything is so different and yet everything is so beautiful.
Let those songs and those composers serve you. They have done the work for you.
Put your interpretation on it and realize your interpretation is enough.
When I interviewed Robin Lamont, she gave me the next
question: What would the perfect day look
like for Mark Cotter?
Mark tells me he has been having a lot of them lately. The
perfect day is when he has something to rehearse.
We conducted this interview
over the phone on Tuesday morning at nine AM. He told me the day before had
been a perfect day. It was a gorgeous day here in New York. It was a perfect
Autumn New York sweater day. He was able to go to a rehearsal studio and spend
hours with his musical director for his upcoming show, Christian Duhamel, and
that night we had a wonderful time at Jim Brochu’s show.
Why this new show, Welcome
Back, Cotter, and why at this time? Mark has been away from New York. He
has been working a lot but not in New York. He hasn’t done anything in New York
for a long time and he has desired to do so. Living up to his mantra Just Do It!, here we are!! He took a chunk
out of his schedule to make this happen. The show title is, obviously, a play
on the sitcom, Welcome Back, Kotter,
which was one of my guilty pleasures in the ‘70s.That is Kotter with a “K”, He
is Kotter with a “C”…Cue song!
Even though Mark has been doing his cabaret show
all over the country and abroad, there is something about being able to try
many different things in New York. Everything doesn’t have to be a “standard”. One
of the challenges for Mark outside of New York is sneaking in more obscure
material. He is very good at that and he does that well. It’s nice to do, this
time around, songs that Mark loves and relates to on so many levels.
It’s going
to be a very interesting night. It is a show where we get a chance to
experience Mark and hopefully new friends are being made all around.
This next question is from Linda Purl: Who does Mark pray to when he’s in trouble?
Mark prays to the universe. He’s a great believer that what
you put out, you get back. He tries to center himself with spirituality. Both
of Mark’s parents are deceased. He prays to them. He knows they are still
parenting him.
In general, Mark is most proud of the cabaret work he has
done. He is very proud of the career in New Orleans. That was, as he said
before, a life changing experience on so many levels. He is most proud of
cabaret shows he has done.
There is nothing more exciting to him than taking
material and structuring it so that it is about him and making sure the
audience gets a sense of who he is without saying, “I was born in Connecticut
in December of 1963…” He desires to say the same thing through song and his
choices. Mark is also proud of having appeared at Town Hall and Lincoln Center.
A lot has changed in this business since
Mark appeared at Lincoln Center.
One change he would like to see in this “business” is for it
to be more accessible.
Margaret Whiting and Mark |
He would love to see a way for more artists to be able
to do what they were put here to do. It has also gotten more difficult to get
an audience. He would like to see a change where people are more enticed to go
out and see something new.
Mark doesn’t know if that lies with the club owners or
the audiences.
That brings me to my next question: How is Mark reaching out
to the audience that he wants to join him on October 17th and 25th,
He tells me that he has met this guy, Richard Skipper! He is finding social
media to be very powerful. The last time around he didn’t rely, of course, on
social media. He did well, nonetheless. Last time, he also had a larger network
because he wasn’t going away. He wasn’t dividing his time between Coeur
d'Alene, Idaho where he now resides with his husband, Roger Welch, and New
York. He did two shows that were scheduled. Those quickly sold out and he added
two more which did as equally well. At that time, it was the very “old school”
way of doing things. He mailed out fliers and postcards. He went to every show
he could get to to network and to meet as many people as possible. It was a
much different community then. Club owners made it easy. We both remember that
when you were doing a show, you could go to any other show for free.
It was a great opportunity to see other singers in the
cabaret world. That doesn’t exist anymore. So right now, Mark is really relying
on friends and family and the on line media, which is turning out to be pretty
powerful for him.
When Mark is working on a show, he goes to EVERYTHING for
inspiration, from reading books to going to museums to everything in between.
Mark figures out what touches him. If he can’t get it out of
his head, he knows it’s going into a show. It structures all of his
inspiration. He knows songs that he has desired to do. There are songs from the
past fifteen years or so that he has not done for one reason or another. He
reaches a point where he says, “OK, I need to do this.” He may not necessarily
know where it is going, but it WILL end up in the show. Then he gets a list of
songs and starts whittling them down. For his upcoming show, he started out
with nineteen songs.
with Brian Jose, husband Roger Welch, and Krystle Armstrong. |
It has been reduced to fourteen.
He knows what he is opening with. Usually what happens, and this is where he
knows he’s right, he starts putting songs next to each other and they start
making more and more sense next to each other. He is very open to rearranging
things. The day before this interview, he looked at the song list and saw
different possibilities.
He sometimes sees a new twist on things. He has a
blast when he settles on the final result.
To prepare for a show, Mark tells me he starts with a
healthy dose of nerves. He likes to be quiet. That day, he doesn’t necessarily
like to rehearse. He just ruminates all day long. He gets to the point where he
can’t wait to get there and get it out of his system. On the day of, he doesn’t
do much.
Right now, Mark is going through a sinus situation because
of the change in seasons and environment. He considers himself lucky that he
very rarely gets sick, knock wood. He does find that when he does get sick, gargling
with apple cider vinegar is the way to go. It is his secret weapon.
Julie Wilson |
I asked Mark if there is a show or a production that he
WISHES he had seen. He tells me there are many. He would have loved to have
been around during the heyday of New York nightlife. He would have loved to
have seen Julie Wilson at the height of her popularity. Being away from New
York, there are many shows he misses. He reads reviews and wishes he was in New
York to see them.
Looking back over his career so far, his fondest memory,
among many, was the opportunity to work with and learn from Margaret Whiting.
Doing his first cabaret show in New York is also a very fond memory. Everything
was so new and as far as his profession was concerned, that was a new journey.
Why does Mark do this? It is something he has to do. It is
not about money, obviously. It is HIS expression. It is his version of a
beautiful painting. It is his version of writing a novel. It is the way he
expresses his creativity. He has to get it out and DO IT!
Welcome Back, Cotter
will be presented at The Metropolitan Room in New York City on October 17th
and 25th.
I hope that ALL of my readers within the tri-state area
will help me celebrate this great artist. I will be there on the 25th
and I would love YOU to join me! Mark has structured the show in a way to have something
for everyone. Mark tells me that he is revisiting “old school cabaret” with
this show. Each song will be a three act play in this show.
It is very
personal. There are fun moments and funny moments. If you come to the show and
question one song choice, sit tight! You don’t know what’s next! It changes
that quickly in the show. There is a lot going on!
During his last New York engagement,
Dramalogue proclaimed Mark "among the very best" of Cabaret performers.
Backstage said that, "Mark is a real charmer with a fine set of pipes!"
Cabaret legend Julie Wilson says, "I love his voice. He is a great
interpreter of lyrics."
TV and film actress Ellen Travolta proclaims, "Mark is the best of the best! He really touches you when he sings!"
The Metropolitan Room is located at 34 West 22nd Street, New York, NY 10010. For more information or to purchase tickets to this exciting event visit www.MetropolitanRoom.com or www.MarkCotter.net
Thank you Mark Cotter for the gifts you have given to the world and continue to give!
Check out my site celebrating my forthcoming book on Hello, Dolly!
I want this to be a definitive account of Hello, Dolly! If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!
Do you have any pics?
If you have anything to add or share, please contact me at Richard@RichardSkipper.com.
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
My next blog will be...my exclusive interview with John Beasle (Horace Vandergelder: opposite E. Faye Butler, Drury Lane Dinner Theater, Chicago, 1992)
Thank you, to all the mentioned in this blog!
Thank you, to all the mentioned in this blog!
Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
Please contribute to the DR. CAROL CHANNING and HARRY KULLIJIAN FOUNDATION FOR THE ARTS
Sign The Petition!
The Autumn Season is Upon Us! THIS is the show to Catch!
I'm celebrating Pamela Luss on Saturday, October 20th, 2012 at 7:00 pm
The Autumn Season is Upon Us! THIS is the show to Catch!
I'm celebrating Pamela Luss on Saturday, October 20th, 2012 at 7:00 pm
Pamela with Houston Person at The
Metropolitan Room in NYC
Just The Two Of Us and Friends
Hope you can make
it. It’s going to be a party!
Reserve today if
that date is available! Call me if any questions!
Richard Skipper
845-365-0720
Check out the clip below of Pamela performing on The Jerry Lewis
Telethon:
And a review from her last time
around: http://nitelifeexchange.com/review/cabaret-reviews-mainmenu-27/2007-luss-is-luscious-at-metropolitan-room.html
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
Richard Skipper, Richard@RichardSkipper.com
This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!
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