Christine Toy Johnson: Putting Her Hand In
Christine Toy Johnson, soon to be Dolly Levi (Bruce Alan Johnson) |
Don’t go where you’re tolerated. Go where you’re celebrated.
That is Christine Toy Johnson’s motto in life. What a great
quote to start this blog and a new week and a person that I am quickly becoming
a big fan of. Christine will be taking on the role of one of my all time
characters, Dolly Levi in a concert production of Hello, Dolly to be presented
for two nights only, April 29th and May 6th. This will be
presented by Baayork Lee as part of her National Asian Artists Project(NAAP)
and directed by Lee Roy Reams with musical staging by Randy Slovacek. Christine Toy Johnson is a three-time Broadway star, who wanted nothing else as a child but to be on the musical stage. Up to date, Johnson has produced and directed award winning film Transcending: The Wat Misaka Story, worked on television Ugly Betty, Law and Order, Crossing Jordan, and stage The Music Man. Most importantly, Johnson has maintained a high devotion to advocating inclusion in the arts (Alliance for Inclusion in the Arts and Actor's Equity), and has in fact made her way into the multicultural drama curriculum of the Wesleyan University.
To know Christine is to know a true whirling dervish.
I was able to slow her down for a small window of time last week to discuss all
things Christine. I hope you find her as fascinating as I do and I hope that
you will join me on April 29th, at the Signature Theater in New
York, as we celebrate the latest in a long line of great Dolly Levis!
Christine would like to see inclusion EVERYWHERE. People of
all colors, stripes, persuasions, included with boundaries disappearing in the
arts and theater.
What first draws Christine to a project is the story, the
heart of the story. When she cares about the characters, the message, and an
overall feeling she gets from it, she is drawn in. When it is a musical, the
music and lyrics also play into that.
As Lady Thiang in THE KING AND I at Harbor Lights Theater Company (Bruce Alan Johnson) |
Christine feels that one of the reasons she has been able to
stay in this business for so many years is that she is “pathologically optimistic.”
There is also a fluidity and being able to reinvent herself. She is open to all
kinds of opportunities and she keeps going with that. She has worked as a
professional actress her entire adult life. Being in this profession, they are
always working against the odds. That is even more so for an actress of color.
About eleven years ago, Christine started writing. At first,
she was writing plays for herself to create opportunities for herself. She
quickly went past that and fell in love with the idea of creating these
stories. It is now a very important part of her present and her future.
Baayork Lee has been a personal hero of Christine’s in the
arts. When Christine was growing up in Westchester County and coming to New
York City to see Broadway shows with her mom, all she ever desired to do was
become an actress. She had very few role models as far as Asian American
actresses were concerned. Baayork was someone that Christine saw and
immediately thought either consciously or subconsciously that this was someone
who inspired her.
This interview was conducted on March 2nd at 12
Noon. I asked Christine what she had done that day to become a fellow artist.
rom ONCE ON THIS ISLAND (Bruce Alan Johnson) |
It was one of those rare days when she didn’t have outside appointments, but
she still had a very full day PRIOR to our interview. Every morning starts with
writing. She is currently working on a new musical. She is working on new
songs. This is part of the BMI workshop. She is exploring how to make her story
deeper. In addition to this, she is learning three new shows right now. So, she
is learning what makes those characters tick and learning lines. She goes daily
to the gym to keep her body in shape. These are all the things she does on a
daily basis. She hopes that it all adds up to make her a better artist. She
reads, talks to people, and keeps her eyes open. That is something she tries to
do every day.
From The Music Man on Broadway |
Christine, luckily, has had the full support of her parents
from the very beginning. She is so tremendously blessed to have the kind of
family that have encouraged her. They have never discouraged her from going
into such a difficult profession. They have been there cheering her on in every
show or production that she has been involved in. Her feeling of “anything is
possible” comes from them. Having that support has really been key to having a
great outlook on this business. Christine’s husband has also been a major
support. Not only is he a personal cheerleader, but he also has a great eye on
her duel careers as both actress and writer. He is a fantastic sounding board. Christine
started working professionally as a kid. There were people along the way who
set the bar for how she looks at the business. One person in particular, a
wonderful actress named Jeanne Lehman, who has appeared with Carol Channing on the
road and worked a lot with Lee Roy Reams. She was in the show in which
Christine got her Equity card, South
Pacific.
She played Nellie Forbush. Christine remembers watching the way
she interacted with others both on and off stage. It was always done with
grace, integrity, and dignity. Those were attributes Christine desired to adopt
in her life as an artist. Christine always credits her with giving her such a
strong role model of what it is like to be a professional. They are still very
close friends.
As stated earlier, there are a few projects on various
burners right now. On the writing front, she is excited to now be a member of
the BMI Lehman Engel Musical Theatre Writing Workshop, writing lyrics with some
truly fantastic up and coming composers. Performance wise, EYE D, her documentary-style theatre piece, had its debut at
Symphony Space/Leonard Nimoy Thalia Theatre.
Combining dramatized interviews (done with over 50 Asian American, Latin
and African-American women), song, and spoken word, EYE D takes a look at real
stories about race, ethnicity and the beauty of Michelle Obama, musical
direction by Amanda Morton, with Sarita Covington, Maria-Jose Fajardo, Deidre
Goodwin, Jaygee Macapugay, Suni Reyes, and Dawn Saito.
She is working on someone else’s piece for a festival, and
the already mentioned Hello, Dolly! She
is very excited about playing Dolly.
Christine’s biggest vice is worrying too much. She finds
that she is worrying when she really doesn’t need to. That’s one thing she
doesn’t admire about herself. Her greatest virtue is that she is a really good
friend. She has the capacity to give of herself fully to a cause that she
really does believe in. When there is something that she really desires to see
mended, she jumps right in with both feet on the ground.
Perspective and gratitude are two key ingredients to a long sustained
career in this business. Often our dreams coming true do not look like what we
imagined them to be, we need to be grateful what comes our way. We need to
appreciate all the opportunities and possibilities for creative grace and joy.
That has been really key to Christine’s longevity. When the focus is on what
hasn’t been achieved or what should have been or what should have been gotten,
that can get you off track. Staying centered and keeping things in perspective
is very important.
I asked Christine if she could go back to any year in her
life, what year she would like to go back to and why. She says she is perfectly
happy where she is RIGHT NOW.
Christine does watch TV but not on a steady basis. Her
favorite show, for a long time, was a show that just stopped taping, 30 Rock. She was very lucky to do an
episode and do a scene with Tina Fey.
When Christine is working, she keeps with her photographs of
her husband and her newly adopted, CUTE, Westie in her dressing room. That
really makes her happy.
She also has these at her desk where she spends a lot
of time writing. She has a few chatskas that make her happy to look at them. On
her desk right now is a bobble-head doll of Obama from Hawaii. She got this
right after he was elected President the first time. It says Hawaii’s Number
One Son. She also has a small Buddha that she got in Cambodia that has the
symbol that means No Fear. She has a little Lilo and Stitch statue because she
is a fan. Now that she has a Westie, she has a little “Westie” on her desk. All
of this connects her to joy.
I asked Christine weigh in on the importance of Arts in
Education. She says it is absolutely vital to a person’s growth as a human
being. There are different arms of the arts.
Theater, for example, is an
amazing tool to not only put a mirror up to society, but to make us think about
our own place in society, how we interact with each other, how we perceive others,
how they perceive us, how all of those things add up to how we carry ourselves
in the world.
Christine has always thought that the power of theater is
terribly under estimated. In her own work, she does a lot of advocacy for
inclusion in the arts through three different areas. One area is through Actors Equity Association.
She is part of the elected leadership there. She is the co chair of Equal
Employment Opportunities Committee. They are fostering initiatives that foster
inclusion. In her writing, she has done a lot of projects that she has brought
to schools and colleges because she thinks that teaching through the arts is an
amazing gift to have and to continue to nurture. Growing up in a suburb of New
York, Christine was lucky enough to have the opportunity to travel into the
city and be surrounded by culture. She was always going to see shows, and going
to museums, and taking in all of the arts that were available to her in the
city. She was able to take advantage of what was standard back then, but no
longer, art classes and drama classes and being able to see the world through
the lens of art. It is an amazing thing.
Certainly, there have been various projects that Christine
has been involved in that might have not been turning out as he had hoped in. As
an actress, it is Christine’s job as one of the story tellers to make it work
somehow. Whenever something has gone south, Christine does tend to be the
company cheerleader. She has this philosophy that she signed up for it so it is
her job to make it work. She is not trying to be a Pollyanna about it but she
would rather find the good in the situation.
She tries to ride that wave
instead of going in the opposite direction. We do have opportunities where we
see a fork in the road. We can CHOOSE to go down the road of misery. There will
be a lot of company that way! Or go down
the road in which you say, “What am I going to do to make this work?” Or “How am I going to make this work? I’ve
never played a character like this before so I’m really going to concentrate on
that.” OR “It’s the paycheck. I’m happy that I’m paying a bill.”
There are
various things that we all can find for ourselves. At the risk of, once again,
sounding like a Pollyanna, it is important to figure it out.
From Michael Feinstein: Does Christine believe in
reincarnation? That is a very interesting question for her right now. She is
writing a play that deals with that theme. She is a very spiritual person. She’s
not very religious. She does believe that our souls and spirit does find a way
to live on.
Christine is most proud of still being here and having
forged a life that balances a lot of things that she loves to do with a lot of
people of people that she loves to do them with.
Christine would like to be remembered by someone who really
loves the theater and lived to make it more inclusive.
Thank you Christine Toy Johnson for the gifts you have given to the world and continue to give!
Check out my site celebrating my forthcoming book on Hello, Dolly!
I want this to be a definitive account of Hello, Dolly! If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!
If you have anything to add or share, please contact me at Richard@RichardSkipper.com.
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!
Thank you Christine Toy Johnson for the gifts you have given to the world and continue to give!
Check out my site celebrating my forthcoming book on Hello, Dolly!
I want this to be a definitive account of Hello, Dolly! If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!
If you have anything to add or share, please contact me at Richard@RichardSkipper.com.
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
My next blog will be...Celebrating Baayork Lee!
Thank you, to all the mentioned in this blog!
Thank you, to all the mentioned in this blog!
Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
Richard Skipper, Richard@RichardSkipper.com
This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!
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