Mimi Hines’ Memories of Hello, Dolly!
Mimi Hines' enduring career as a singer and a comedienne started
on August 28, 1958 when she and her partner, Phil Ford, appeared on "THE
TONIGHT SHOW" for the first time. Mimi sang "Till There Was
You", Jack Paar cried and Ford and Hines were in instant demand,
frequently appearing on that show and many others. After headlining in all the
top nightclubs and showrooms in the country, Mimi parlayed her career by
replacing Barbra Streisand on Broadway in Funny Girl, running this
star vehicle for 18 months on her own star power. Following "FUNNY
GIRL", Mimi starred in national touring companies of "I DO! I
DO!" and "PRISONER OF SECOND AVENUE", as well as star packages
of "ANYTHING GOES", "NEVER TOO LATE", "PAJAMA
GAME", "THE UNSINKABLE MOLLY BROWN", "NO, NO,
NANETTE", "SUGAR" and many others. During this period, Mimi also
recorded several very successful albums (recently released on compact disc by
Harbinger Records) and appeared often on television.
Mimi with Phil Ford |
Hines appeared as Mrs. Latimer on the television program
Frasier and returned to Broadway in 1994 for the Tommy Tune production of Grease, in which she appeared as the
schoolteacher Miss Lynch.
She toured the world for a year in the title role of Hello, Dolly! directed and produced by
Jeffrey B. Moss. She doesn’t recall who did the choreography for the company but it emulated the
original Gower Champion choreography. They also had a great supporting cast. He
requested Mimi Hines and Phil Ford to star. They did 127 one nighters! She didn’t
know there were that many theaters in America prior to this tour!
(Courtesy: Mimi Hine: www.MimiHines.com) |
They traveled by a big “rock and roll” bus. There was one bus for the crew and one
bus for Phil and Mimi. There were two trucks for the sets and costumes. This
was 1988 and ’89. On August 2nd, 1990, they were in San Francisco’s
airport en route to take the show to Hong Kong, Singapore, and Taipei in
Taiwan. That was the night the Gulf War started. They were sitting in the
airport when they heard that news on the television. All in all, Mimi Hines
spent three years playing Dolly Levi. There was a huge press event in Hong Kong
as the rest of the crew traveled on to Singapore to prepare them for their next
city.
When Dolly was offered to her, she jumped at it. As she
says, “Who doesn’t love Hello, Dolly?”
The songs are great and the writing is beautiful. The lyrics are breath taking. When Phil and
Mimi found out they could do it together, that was an added bonus. He was the
perfect Vandergelder and was perfection. Out of David Burns, Mimi feels that Phil
was the best Vandergelder she has ever seen. Hello, Dolly is truly an American show with
American thoughts and values.
(Courtesy: Mimi Hine: www.MimiHines.com) |
Mimi especially remembers the name of the theater in
Singapore. It was the Culang. She used to go around singing, “Culang, Culang,
Culang went the Dolly!”
The Asian audiences laughed at things that didn’t get huge
laughs in America. They got humor out of it that American audiences laughed at differently.
When they got to Taipei, certain lines would have the audiences howling. Mimi
commented to Phil that she could not believe they were finding the real humor
in certain scenes. They understood and speak the English language very well.
There was a great poster design with Mimi and the Harmonia
Gardens waiters. When they got to Taipei, they saw a video screen larger than
any she had ever seen before with a video clip of them doing the title number.
She
and the cast stood in disbelief in front of this HUGE screen watching themselves.
It was an amazing moment. It brought her back to the first time she saw Dolly
on stage with Carol Channing, it was a thrilling moment.
(Courtesy: Mimi Hine: www.MimiHines.com) |
Opening night in Taipei, The Prime Minister and his wife
came. On closing night, the President of Taipei and his wife were in attendance.
Mimi went into the audience and she was presented with hundred of lilies. She brought a microphone out and got the
President to sing Hello, Dolly with
her. She, Phil, and the entire cast had a wonderful time. She just loved it.
Taipei would be the culmination of almost three years work.
She had a young dresser who told her on closing night, “I want to come to America
and be ‘Hello, Dolly’ like you!”
Another thing she shared with all the Dollys was the passarelle,
an integral part of Gower Champion’s Dolly.
Mimi doesn’t remember exactly where this tour commenced but
she seems to remember it was in New Jersey close to New York.
(Courtesy: Mimi Hine: www.MimiHines.com) |
Mimi believes that Jerry Herman’s legacy is that he has made
a huge contribution to American Musical Theater. Mimi feels that Hello, Dolly is THE Great American
Musical. It is about an America of a certain time in our history. It is
wonderfully depicted in the play.
To her credit, Mimi Hines was enormously successful in the
role of Fanny Brice when she took over for Barbra in "Funny Girl" and
managed to keep the show running with a very healthy box-office for eighteen
post-Streisand months. When the 33 year old Mimi made her Broadway debut in
"Funny Girl," the show had moved from the Winter Garden to the
Majestic Theatre, a few short blocks away, and then ultimately to the Broadway
Theatre where the show played out the duration of its run.
Hines played opposite Johnny Desmond (as Nick) and her real
life husband, Phil Ford (as Eddie Ryan). At the time, Phil and Mimi were well
known as the comedy team of Ford and Hines. When "Funny Girl" entered
their lives, Ford and Hines had already made a name for themselves on
television, in New York showrooms, and on the Las Vegas strip. They were
extremely popular, so casting them in "Funny Girl" insured full
houses well into 1967, when the show ultimately closed for good.
(Courtesy: Mimi Hine: www.MimiHines.com) |
When Mimi was appearing in Funny Girl across the street from the St. James Theater at The
Majestic Theater, she got to see all of the Dollys through her run. There were
Sunday matinees of Dolly for Equity
and the Funny Girl cast would go and
catch the show. She saw the Dollys from Ginger Rogers to Ethel Merman. The
later Dollys were after Funny Girl
had closed. The Funny Girl curtain came down earlier than the Dolly curtain and several cast members would run across the street
to see the end of the show to see Pearl Bailey and company. Miss Bailey was a
friend of Mimi’s and Phil’s and she would often bring them on stage for her “third
act.”
The rest of the cast would be glaring for them to stop so they could go
home.
Mimi also saw Carol Channing when she first did the show. Mimi
loves her dearly and feels that she IS Dolly, of course. She’s the one and only
original. Each lady brought something different to the part.
(Courtesy: Mimi Hine: www.MimiHines.com) |
Mimi says she was not influenced by any of the Dollys who preceded
her. She always brings her own personality to whatever role she is playing.
Mimi also had something that no other Dolly had, Phil Ford.
Mimi was already an established comedienne on television when she signed on to
play Dolly.
Audiences knew her and her work and flocked to see her. She had a “pixie”
quality to what she did.
Making Dolly real and not over the top came naturally for
Mimi. She says “it’s in the writing.” “Just say the words and sing the songs
and feel the emotions.” She was never over the top. She feels that her best
work was in the late ‘90s when Phil and she did it upstate New York and at The
Gateway Playhouse in Long Island.
Her director for those productions was David
Armstrong. David Armstrong is the Executive Producer and Artistic Director of
The 5th Avenue Theatre, as of this writing, in Seattle where he has directed
acclaimed productions of Candide, Sweeney Todd, HAIR,A Little Night Music, Company,
Hello, Dolly, Anything Goes, MAME, Pippin,, The Secret Garden, Vanities, White
Christmas, The Rocky Horror Show, Yankee
Doodle Dandy and Scandalous.
Under his leadership The 5th Avenue has emerged as one of
the nation’s leading musical theater companies especially in regards to the
development and production of new work.
Mimi loves David and thought he was a great director. David
came into Mimi’s life when he directed her in From Rodgers and Hart with Love. They would continue to perform it
in many venues up and down the East coast including the Kennedy Center with
great reception. Mimi says David is a great director and when Hello, Dolly came up again at The
Gateway Playhouse once again, this time at The Gateway Playhouse, she requested
him. They did two weeks there as well as another theater upstate.
(Courtesy: Mimi Hine: www.MimiHines.com) |
The book is very concise in its qualities. Everything is
spelled out beautifully. The original direction by Gower Champion created a
blueprint that most try to capture.
Being a “fantasy character” from the past, Dolly didn’t
speak to Mimi on a personal level beyond the fact of her love of Phil.
The speeches to Ephraim have stayed with Mimi. She feels the
same about her love for Phil. He passed away in June of 2005.
Mimi would play Dolly tomorrow if someone asked her. She has
never performed Dolly without Phil by her side.
Sadly enough, Mimi was very sick on her opening night at The
Gateway Playhouse. She had a temperature of 103 and could barely speak. She
went on anyway, which was the tradition she belongs to. She feels in hindsight
that it was a big mistake and she shouldn’t have gone on…but it WAS opening
night! A reviewer came in and said she was finished and couldn’t sing anymore.
The reviewer was unaware of the challenges she was battling that evening. The
producers invited him on another night for a second look but he refused. Other
than that, she received great reviews.
(Courtesy: Mimi Hine: www.MimiHines.com) |
Phil was magnificent in the show. It still
makes Mimi cry recalling the way he said “Wonderful woman” at the end of the
show each night.
Mimi didn’t want it to end, she loved it so much. Mimi
adores Jerry Herman. Dear World is on
Mimi’s bucket list. She performs And I
Was Beautiful in her act. She performed the song in her most recent
appearance in New York. That was Feinstein’s in March of 2005. Between Jerry
Herman and Jule Styne, they have musical theater wrapped up for Mimi. It was
also a total blow to musical theater the day Gower Champion died.
Hello, Dolly for Mimi is rich with great music. The music is
an added essence to an already wonderful book. The Matchmaker translated
beautifully for a musical. It is beautifully written. It is beautifully
designed. It is THE Great American musical. It will always live in Mimi’s heart
as the great American musical. “You cannot ask for anything more enriching than
anything written by Jerry Herman.”
Thank you Mimi Hines (AND Phil Ford!) for the gifts you have given to the world and continue to give!
Thank you, Mark Sendroff, for arranging this interview!
With grateful XOXOXs ,
Check out my site celebrating my forthcoming book on Hello, Dolly!
I want this to be a definitive account of Hello, Dolly! If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with YOU!
If you have anything to add or share, please contact me at Richard@RichardSkipper.com.
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!
Thank you Mimi Hines (AND Phil Ford!) for the gifts you have given to the world and continue to give!
Thank you, Mark Sendroff, for arranging this interview!
With grateful XOXOXs ,
Check out my site celebrating my forthcoming book on Hello, Dolly!
I want this to be a definitive account of Hello, Dolly! If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with YOU!
If you have anything to add or share, please contact me at Richard@RichardSkipper.com.
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
My next blog will be...My exclusive interview with Jack Ritschel on Hello, Dolly!
Thank you, to all the mentioned in this blog!
Thank you, to all the mentioned in this blog!
Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
Richard Skipper, Richard@RichardSkipper.com
This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!
I love the article. Mimi Hines played Sister Mary Amnesia in our 20th Anniversary All-Star production of "Nunsense." She still sings like she's 25 and she is the sweetest person in the world. Love her!!!! Danny Goggin
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