Anne Russell's Memories of Hello, Dolly!
Anne Russell |
Anne Russell’s foray into the world of Hello, Dolly! began in 1965 when she was hired as the standby for
Mary Martin. Prior to that, Anne was in Flora,
The Red Menace. When they show closed, she auditioned for Gower Champion.
She joined the company that was already in Cleveland. Bob Avian taught her the
choreography. Jack Craig was also one of her dance captains. She then travelled
by train to Portland, Oregon. Being that it was a long trip, Anne utilized that
trip to study her script and rehearse with the stage manager.
After that, it was on to Tokyo. They were there for six
weeks before going to Vietnam. There,
she formed a little group called the “Rice Pattie Seven” with Marilynn Lovell
(Irene Molloy). She passed away recently.
A group of seven performers, they would entertain at the hospitals. They
did the same as the troupe traveled to Okinawa and Korea.
Anne says Mary Martin was wonderful but she NEVER got to go
on for her. Anne admired her greatly and learned a lot from her. When the principals
went on London, Anne came back to the states, Tennessee, and joined the Betty
Grable company, as Betty’s standby.
This
tour lasted several months and Anne also loved being with Betty. Anne tells me
that BOTH these women were just wonderful. They were very good to Anne. Anne
went on many times for Betty. When they were at the Riviera, doing a one
hundred minute version of the show, there were fourteen shows a week!
The first time at The Riviera, that Anne went on, Ed
Sullivan was in the audience. She had done his show doing excerpts from her
act, so they were not strangers. She ended up getting a nice write-up which was
very helpful.
After that run, Anne went on to standby for Ginger Rogers in
that road company and was lucky to go on for her at the Dorothy Chandler Pavilion
in Los Angeles.
Eventually, Anne played her own circuit playing Ogunquit and
the Cape and various summer stock companies. All in all, Anne did ten companies
of Hello, Dolly! Three she was standby for, the others she led. One of those companies was on the SS
Norway. This was in 1979 and Anne did it
for one year. She then took off six months and then went back and did six more
months. It traveled from Germany to Norway. There were many dignitaries always
on this ship. It would sail on to South Hampton, New York, and then on to
Miami, before traveling to Germany and Norway. A year and a half of Dolly on the high seas!
Anne had a lot of success with Dolly! that included wonderful reviews and companies. There is an
underlying theme that I hear over and over from those that I’ve interviewed and
that is that these companies become a family…with ALL that that entails. Anne
says she doesn’t feel that she ever had an unhappy experience playing Dolly…EVER!
I asked if Anne has ever seen anyone else do the role. She
saw Ethel Merman’s Dolly. She attended that performance with Bibi Osterwald. Bibi would nudge Anne during the show and say,
“This is the new song Jerry put in for Ethel!”. She said they had the best time
watching Ethel Merman. “Ethel’s take was interesting and I enjoyed it a lot.”
She also saw Pearl Bailey and enjoyed it immensely. “What’s not to like about Hello, Dolly!?” Anne was asked to coach
both Dorothy Lamour and Martha Raye in their portrayals of Dolly. Since she
wasn’t working at the time, she said, “Of course!” She had known Martha for
years and Dorothy was the greatest lady. She had trouble focusing during the
coaching sessions. In the middle of a scene she would say to Anne, “Have you
ever done the Merv Griffin show? Let me call him!” and she would stop the show
and call Merv on Anne’s behalf.
Mary Martin company: Photo credit Carleton Carpenter |
When Anne stoodby for Mary Martin, Loring Smith was her
Horace (although she never went on). She did play opposite Max Showalter as
Horace a few times. She adored him. She said he was the nicest, kindest, most
generous man ever. Just excellent to play opposite him. She was lucky enough to
play opposite David Burns at The Dorothy Chandler Pavilion. Being the original,
he was wonderful. Anne would arrive at the theater early. She remembers one
night passing his dressing room prior to the show. He was reading the script.
Something he did EVERY NIGHT prior to the show no matter how many times he had
done it.
Robert Preston |
One of Anne’s favorite moments, she still gets sentimental
talking about it, was after the first night she went on for Ginger in Los
Angeles. The cast gave her a long sustained ovation. Lucia Victor had given her
a note to think of Dolly as like Robert Preston in The Music Man for pacing. Anne had that in mind and their were no
lags that first time. Subsequent performances, she was able to find the
nuances. Anne loved Lucia a lot. Of course, she used Gower’s guidelines. Once
the show was up and running, it pretty much “froze”. Anne feels that when you
play the show as it was created to be performed, you cannot improve upon that too much. She adds that she
has seen several shows recently that have enjoyed long runs and she has seen
actors adding a bit here or there. She doesn’t feel that is helpful. She feels that Lucia’s greatest strength was
sticking to Gower’s intent. So did Bob Avian and Jack Craig.
Jerry Herman is a darling man. Anne did many productions of Dolly! and Mame throughout her career. She also did one production of La Cage. She says that most of her
career was Jerry Herman.
One of the most iconic scenes in Dolly is the eating scene. Anne
tells me that this was obtained by dying cotton candy with a brown sugar.
Double sugar! She actually liked it because she has a sweet tooth.
The one thing that Anne took away from Dolly that she has
taken through her entire career is discipline.
I asked Anne what she considers the greatest change in this
business since playing Dolly the first time. She mentions that she recently saw
The Tony award winning Nice Work If You
Can Get It recently. It reminded her of the older shows. Great dancing ,great
singing, great costumes, great scenery…just fun. She loves the collaborative efforts both on
and off stage to get to that point. Big shows with big scores are just what she
loves.
I asked Anne what she did during her downtime on a long run.
She tells me that she never has been an early riser. You get into a disciplined
routine. After some shows, Jack Craig, Lucia Victor, and Anne would play
Bridge.
I asked about her memories of the very last time she appeared
on stage. Her response is that you NEVER think it is your last time. So, here’s
hoping there is yet another performance for Anne Russell as Dolly Levi!
I would like to thank Jim Brochu for making this connection
and interview with Anne possible.
Thank you to Anne Russell and the gifts you have given to the world and continue to give!
Sometimes Broadway dreams do come true. Fresh from the obscurity of living in the small farming community of Grove, Oklahoma, Ronald Young, at 22, is catapulted onto New York City's "Great White Way"... BROADWAY. After arriving in Manhattan on a Friday, he auditions for his first Broadway show on Monday. Bingo! After three call back auditions he snags his first dancing role in the soon to be mega hit "HELLO, DOLLY!" directed and choreographed by Gower Champion and starring Carol Channing. Armed with three music degrees and lots of enthusiasm he embarks on his career on Broadway.
His resume includes working with some of the legends of the theater: Ethel Merman, Shirley Booth, Angela Lansbury, Tommy Tune, Bernadette Peters, Joel Gray, Chita Rivera, Sandy Duncan, Georgia Engel and many others. He appeared in a host of shows: "MAME," "GEORGE M!" "THE BOY FRIEND," "MY ONE AND ONLY," "A CHORUS LINE" and the films "HAIR" and "ANNIE."
"THE ONLY BOY WHO DANCED" is a series of compelling, riveting stories about Ronald Young's personal quest to make it on Broadway. If you or a friend have hidden aspirations to make it on the New York theatrical scene, you will enjoy his tips and suggestions on how to break through this tough barrier.
Richard Skipper and Ronald Young are sitting down for an exploration of Ronald's incredible career in show business. Email Richard at Richard@RichardSkipper.com for more info
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!
Thank you to Anne Russell and the gifts you have given to the world and continue to give!
With grateful XOXOXs ,
Check out my site celebrating my forthcoming book on Hello, Dolly!
I want this to be a definitive account of Hello, Dolly! If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!
Do you have any pics? If you have anything to add or share, please contact me at Richard@RichardSkipper.com.
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
I want this to be a definitive account of Hello, Dolly! If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!
Do you have any pics? If you have anything to add or share, please contact me at Richard@RichardSkipper.com.
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
June 29
7-9pm
7-9pm
BARNES AND NOBLE UPPER EAST SIDE, 150 East 86th Street
RICHARD SKIPPER CELEBRATES Ronald Young
In his new memoir, "The Only Boy Who Danced: A Journey
from Oklahoma to Broadway and Beyond", Ronald Young details an eventful
life in the theater. The Only Boy Who Danced: A Journey from Oklahoma to Broadway
and Beyond.
Sometimes Broadway dreams do come true. Fresh from the obscurity of living in the small farming community of Grove, Oklahoma, Ronald Young, at 22, is catapulted onto New York City's "Great White Way"... BROADWAY. After arriving in Manhattan on a Friday, he auditions for his first Broadway show on Monday. Bingo! After three call back auditions he snags his first dancing role in the soon to be mega hit "HELLO, DOLLY!" directed and choreographed by Gower Champion and starring Carol Channing. Armed with three music degrees and lots of enthusiasm he embarks on his career on Broadway.
His resume includes working with some of the legends of the theater: Ethel Merman, Shirley Booth, Angela Lansbury, Tommy Tune, Bernadette Peters, Joel Gray, Chita Rivera, Sandy Duncan, Georgia Engel and many others. He appeared in a host of shows: "MAME," "GEORGE M!" "THE BOY FRIEND," "MY ONE AND ONLY," "A CHORUS LINE" and the films "HAIR" and "ANNIE."
"THE ONLY BOY WHO DANCED" is a series of compelling, riveting stories about Ronald Young's personal quest to make it on Broadway. If you or a friend have hidden aspirations to make it on the New York theatrical scene, you will enjoy his tips and suggestions on how to break through this tough barrier.
Richard Skipper and Ronald Young are sitting down for an exploration of Ronald's incredible career in show business. Email Richard at Richard@RichardSkipper.com for more info
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
M blog tomorrow will be..Alan Palmer!
Thank you, to all the mentioned in this blog!
Thank you, to all the mentioned in this blog!
Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
Please contribute to the DR. CAROL CHANNING and HARRY KULLIJIAN FOUNDATION FOR THE ARTS
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
Richard Skipper, Richard@RichardSkipper.com
This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!
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