Jerry Bell on productions of Hello, Dolly starring Dorothy Lamour and Yvonne DeCarlo
Hello, Dolly starring Dorothy Lamour was Jerry’s first big
job in his career. He had done some summer stock prior, but nothing on this
scale. This was 1967. He simply went to an open call in New York.
Jerry and Dorothy became good friends. He used to get a
Christmas card from her every year with the American flag on it. She was very
patriotic.
Dorothy was also very bright. No matter what happened, nothing
ever threw her on stage. She had worked with Hope and Crosby.
They improvised
everything.
As soon as they showed up on the set and started filming, they just
threw away the script. They purposely tried to break her up. That gave her
amazing training. When they opened, they opened in Bloomington, Indiana on
Jerry’s birthday, November 14th.
They never got through the final
dress rehearsal the night before. They ended at midnight. They had to by Equity
rule.
The next day, their first performance, after the Dolly number, they bring her table and
chair out in order to do the eating scene with Vandergelder. Jerry was supposed
to bring out her chair. He was so winded after the title number that he could
not think of anything else beyond getting to the water fountain.
The music for her chair was perfectly timed
for a “bump” as she sat.
As he was at the water fountain, he heard the music
and thought, “Oh? What’s that?” He suddenly realized that he had missed his
cue. He ran back on stage as they were playing it again. She turned to the conductor
and said, “Could you play that again, please?” A fast acting “Rudolph” brought
the chair as the orchestra repeated the musical accompaniment. This time it
worked as it was supposed to. She looked out at the audience and said, “Now,
that’s the way it is supposed to be.”
Dorothy Lamour Company |
Afterward, Jerry went to her dressing room to apologize. She
told him not to worry about it, those things happen. Jerry stayed with the show
the entire length of the tour, nine months.
A year later, Jerry appeared in Dolly with Yvonne De Carlo.
She, unlike Dorothy Lamour, was the very typical movie star. When De Carlo
decided that she was not going to do a number, it was out of the show that
night.
So Long, Dearie was cut half
the time. That is Dolly’s ONLY solo number. She would just tire out and decide
that she was not going to do it.
A year later, she was doing Follies on Broadway, playing Carlotta and singing I’m Still Here. Roy and Donna Barry were
a husband and wife team in that show.
Roy once said to Jerry, “Well, she’s at
it again.
Yvonne DeCarlo Company |
If she has a problem trying to find a place to park her car, she
would tell the stage manager, ‘I’m not doing the show tonight. I cannot find a
place to park.’” Dorothy Lamour would never stoop to those antics.
The Yvonne De Carlo had already been on the road for six
weeks when Jerry joined the company. With De Carlo’s Company, there were a lot
of one night stands. Dorothy Lamour’s Company had longer engagements in each
city.
Both were bus and trucks.
De Carlo’s was produced by Ken Gaston, not Merrick, and was
a very cheaply produced Company. He was not very professional. He was someone
with a lot of money having fun at everyone else’s expense.
The sets were based
on Oliver Smith's Broadway designs but scaled way down; the costumes were
impressive recreations of Freddy Wittop's originals.
Gower Champion's original
staging and choreography were recreated by Lucia Victor. De Carlo played the
part with an Irish brogue (Dolly GALLAGHER Levi). Don De Leo played Horace
Vandergelder.Once they were playing Springfield, Illinois, but their costumes and sets went to Springfield, Missouri! They did the entire show without costumes and sets!
Offstage, Yvonne was nice. She wasn’t as approachable as
Dorothy. It was a really hard time for Yvonne. She had married the stuntman
Robert Drew Morgan, whom she met on the set of Shotgun, on November 21, 1955. They had two sons, Bruce Ross (b.
1956) and Michael (1957-1997). Morgan also had a daughter, Bari Lee (b. 1947),
from a previous marriage. Morgan's left leg had to be amputated after he was
run over by a train while doing stunt work on How the West Was Won (1962). However, his contract with MGM assumed
no responsibility for the accident.
Yvonne De Carlo |
De Carlo and Morgan filed a $1.4 million
lawsuit against the studio, claiming her husband was permanently disabled. She
only did Hello, Dolly to pay the
medical bills. She wasn’t having a good time. Jerry doesn’t feel that she
enjoyed herself during this tour. De Carlo divorced Morgan in June 1974.
Audiences liked her, but in that role, audiences can’t help
but like Dolly.
Dorothy got better applause that Yvonne. She was more loved
because of the Road movies.
Dorothy Lamour desired to play Dolly on Broadway, but alas,
it didn’t happen.
Dorothy was a great singer.
Dolly’s determination to rejoin the human race and marry Horace
Vandergelder is a theme that audiences still gravitate to.
He thinks the show
should absolutely come back to Broadway. He says no one will ever be as great
as Channing. He thinks Bette Midler would make a great Dolly.
Yvonne DeCarlo (Courtesy: Bruce Morgan) |
The fact that there was so much dancing for the ensemble is
the aspect that Jerry loved most about being in Hello, Dolly!
Jerry saw almost every Dolly on Broadway.
Carol Channing: Spectacular
The main thing with Ginger Roger was that she looked so
pretty, so gorgeous. She was fun and charming.
Martha Raye was wonderful. She brought tears to your eyes.
She WAS vulgar at times. During the courtroom scene, she took a sip of water
and did a spit take and said, “It’s water!” That was NOT Gower’s staging. It
was tacky.
Betty Grable was a favorite star of Jerry’s. He had been a
fan since he was a young boy. Her movies were popular during his youth. She was
a dream come true to see on stage.
Pearl Bailey was a laugh riot.
After Channing, Merman was Jerry’s favorite Dolly. Merman
was another favorite of Jerry’s.
Ethel Merman (b. Queens, NY, January 16, 1908; d. New York City, February 15 ...
|
The very first show he ever saw in New York
was Merman in Gypsy.
She just blew
him away every time he ever saw her.
The most exciting night he ever spent in the theater was the
night that she and Mary Martin did their benefit for the Museum of the City of
New York, Together on Broadway, May
15th, 1977.
It was just unbelievable. They did a double Dolly
entrance at the top of Act Two that brought down the house. The only other
theatrical experience, for Jerry, that matched that was Judy Garland at
Carnegie Hall, April 23rd, 1961.
Jerry did not see Phyllis Diller.
He also saw Eve Arden do it in Chicago at The Shubert
Theater in the summer of 1966 as Miss Channing’s replacement. He liked her a
lot.
When a show like Hello,
Dolly closes, an entire company is then out of work. It is a low key
experience. Everyone feels like they will never work again.
Jerry had a fifteen year dance career and then
he started his own off-Broadway theater company called Bandwagon. They did
revivals of musicals. Jerry Herman once did a benefit for Bandwagon. Jerry Bell
loves Jerry Herman! “He is the sweetest man in the world. He is terrifically talented.”
Hello, Dolly is close to being Jerry’s favorite musical
because of the joy it exudes. His favorite musical, however, is Follies.
Dorothy Lamour |
Thank
you Jerry Bell for the gifts you have given to the world and continue
to give!
Check out my site celebrating my forthcoming book on Hello, Dolly!
This book will be a celebration of this great American classic.
If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!
Do you have any pics to share?
If you have anything to add or share, please contact me at Richard@RichardSkipper.com.
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!
Check out my site celebrating my forthcoming book on Hello, Dolly!
This book will be a celebration of this great American classic.
If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!
Do you have any pics to share?
If you have anything to add or share, please contact me at Richard@RichardSkipper.com.
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
My next blog will be...My Exclusive interview with Judy Knaiz, Gussie Grainger/Ernestina Simple in the film, Hello, Dolly!
Thank you, to all the mentioned in this blog!
Thank you, to all the mentioned in this blog!
Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
Richard Skipper
This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!
HELLO RICHARD
ReplyDeleteOnce again it all sounds pretty accurate and interesting .Moral can plunge Once the producer -leader of a show does not support the effort with proper funding and care and good executive effort .I am glad Bell mentions the shorter runs per town .Was the Dotti Lamour Tour Nov 1967 ?
Thanks for the interesting Blog Story
Regards
Bruce R Morgan producer of "PROJECT LODESTAR SAGAS"
Important interview with Jerry Bell as he saw so many Dolly's and had a lot to say about two who did rough tours, Dorothy Lamour and Yvonne De Carlo. Didn't know about her husband's leg. That is tragic. Dorothy Lamour is one who my mentor, Bennie Martini gave vocal coaching back in the 1930s!
ReplyDeleteGreat read to begin the first day of 2013. Good luck with the book. It deserves a publisher.
ReplyDeleteLetterman received a Kennedy Center honor, and not yet, Carol? Unbelievable. M.T.
ReplyDelete