Lorraine Ford DeMan: An actresses memories of Starring as Dolly Levi!
Artist: Jonathan Beck Reed |
Happy Saturday!
I hope this finds you well. Things are going well towards my book. Next month, I start seeking out an agent. If any agents or if you know an agent, call me!
Yesterday,
I interviewed Gary Beach, who has recently played Horace Vandergelder opposite
Sandi Patty last summer, just completed a run with Vicki Lewis, and will be
playing opposite Lorna Luft this summer) My interview with him will be posted in my blog on the 26th.
I met with Gordon Connell this afternoon!
Keep
checking www.CallonDolly.com (It is a work in progress. Updated daily.
What is not there that YOU would like to see there?)
We
Have a Fan Page On Facebook. Hit the LIKE button and get book updates: https://www.facebook.com/CallOnDollyACelebrationOfHelloDolly
The wonderful thing about Dolly is that any great actress can carry this show and make it her own. There are productions of Dolly opening daily at some high school, community theatre, or regional company. Daily, I receive google alerts about a production somewhere. Today, I decided to share with you the stories of an actress that most of you may not know. However, she DID play Dolly and I'm going to celebrate her for that achievement alone.
Lorraine Ford DeMan played "Dolly" in May of 1994. This was the last production of
the 93-94 season for the Park Players, who performed at that time in the
legendary Park Theatre in Union City, NJ. The Park Theatre, a 1400-seat
proscenium stage was originally a vaudeville house, and has also housed an
annual production of The Passion Play, billed as America's Oberammergau.
The
Park Players are a community theatre group, but the level of the productions
was very high, thereby attracting equally high level talent. Lorraine was frequently surrounded by top notch,
professional talent during the time she worked with the Park Players.
with friend Margie Samp |
She has not played "Dolly" since then, but would love to have another
crack at her. :)
Lorraine considers herself a true character
actress, with no fear of immersing herself into any crazy role. In her
theatrical career, she's played FEW (if ANY) leading ladies. Bitches,
battle axes and schlumps are her specialty.
Director Mark York saw in Lorainne the humor,
and the fearlessness, and the grace under pressure REQUIRED to take on Mrs.
Dolly Levi. If she had to pick ONE quality that sets her apart, she would say
that it was the bustier push.
with Paul Marte, who is now the Communications Director at the Bushnell Center for the Performing Arts in Hartford |
(The WHAT???) Oh, dear ... this is
SUCH a visual ... but, as almost a bit of punctuation in various moments
throughout the show, she would put her hands on her sides (in bustier position),
and push UP, usually with some sort of "Huh!" vocalization.
(For example: "Horace Vandergelder, I have no intention of marrying
ANYONE, least of all YOU!" ::push & "HUH!"::) Oh, a
visual, yes, but hysterical, in her humble opinion. AND, even more so when
Mark directed her to do so, and demonstrated exactly what he wanted her to do.
LOL
Horace was played by Joe Conklin.
The Park Players, as most
community theatres, has a hierarchy. Joe is still the Chairman of the
Board of directors, and Lorraine thinks he would freely admit, is very instrumental in
every selection made by the group.
Seasons were suggested and chosen
with Joe at the helm, and most shows were either directed by Joe, or
featuring/starring Joe. By the time 1994 rolled around, Lorraine had done several
shows with the group, and Joe and Lorraine had played Sextimus and Aggravain in
"Once Upon a Mattress", Daddy Warbucks and Hannigan in
"Annie", Uncle Jimmy and Pauline the Maid in "No, No
Nanette", among others.
What Lorraine remembers most about her
audition was (oddly enough) GETTING there. Typically Park Players
auditioned by show, and held a few days of auditions, followed by a series of
callbacks before casting. She almost DIDN'T audition; the stable of talent
had some fabulous Leading Lady types --- more beautiful and thinner than she (her words, not mine!),
vocal ability equal or surpassing hers --- but she knew the role to be one
requiring something beyond looks and a fabulous coloratura. So, on the
last night of auditions, she hopped in her car, and headed toward the Park Theatre
... about 5 miles / 15 minutes away from her home.
Who
knew that there'd be an oil spill on Route 3 East??? Oy. She was
stuck on that road for easily 90 minutes. This was long before cell
phones and finally she arrived just as the casting team was getting ready to leave.
She ran in, breathless, and sang (of all things!) "Shy".
She actually expected to be turned away, but Mark was very gracious,
heard her, and invited her to callbacks for the role of Dolly. Over the
years, she';s thought back on that endless traffic jam, and equated that
frustrating wait to her personal theatrical journey: That there are
frustrations and long waits and setbacks, but if you're patient, and keep your
eye on the prize, you'll get there eventually. :)
The
callback was interesting, and comes with a story. There were three up for Dolly ... the premiere Leading Lady of the group ("Mame",
Maria "Sound of Music", Babe "Pajama Game"), another
regular leading lady from the stable, quirky, pretty, songbird of a woman, and Lorraine. They read, they sang, they "moved", over and over. No other
characters were present ... she doesn't even remember reading with Joe (the
pre-determined Horace.) She seized the opportunity to prove that she
could play a leading lady, and put forth her ultimate "A" game. Lorraine left that
callback satisfied that she'd nailed it, but completely convinced that casting
would go the usual way, and that the "Mame" would also play
"Dolly." She was told later that it MIGHT HAVE gone that way ...
but someone from the casting group slipped Mark a copy of a videotape of a
production of "Jerry's Girls", in which all three of thems vying for
Dolly had performed. Mark has said many times that when he had the
opportunity to compare the three of them in performance mode, Lorraine was the one with
the spark that stood out.
Of course Lorraine had WANTED to be considered to play
Dolly, but the "realist" in her was thinking that she'd wind up playing Ernestina
Money or Mrs. Rose.
Lorraine tells me her first performance was amazing. It was wonderful. She
found secret joy in the fact that she KNOWS she "doesn't look the part of Dolly" ... and
the local audiences were so used to her playing the clown or the bitch or the
battle axe ... so you almost heard gasps when she made her first entrance in
"Call on Dolly". By the time she was doing her "Ephraim" monologue
and "Before the Parade Passes By", she had them in the palm of her hand,
and she was feeling that wonderful electric pulse when you KNOW the audience is
not only WITH YOU, but you are truly ENTERTAINING them.
Mark was very happy afterward, with one
exception: He SCREAMED at her for not enjoying her bow! It was the
first time she ever, ever, EVER got the last bow! She made it fast, and
scooted back. NOOOOOO! he screamed. Smile! Drink it in! She
assures me that she did just that at every subsequent performance.
Sadly, as happens with most community theatres, the show only ran 8 performances.
Despite that ridiculously short run, it was life
changing.
with husband Gerard and son, John |
Lorraine's closing performance was a matinee, and she had
no intention of letting Dolly go. No, they wouldn't continue performances,
but Dolly has lived in her since. It hit her that she wouldn't get to BE
Dolly on stage anymore during the last scene with Horace. Joe turned to Lorraine and looked into her eyes as he began to sing, "Hello, Dolly ...",
and saw that her eyes were filled with tears. Joe's voice cracked a bit
as he, too, got caught up in the emotion of ending this lovely production.
Joe and Lorraine were good friends, and that moment on stage remains one of the
most precious of her career.
Lorraine's favorite memory (and there are MANY Mark York moments) was when Mark called her
one evening to inform her that his roommate was wearing her red Dolly dress.
::pause for reaction::
What
had happened was their producer had every intention of renting the costumes from
a costumer. He went to Mark to inform him that the costumer had
the Vivian Blaine tour to rent, and that "Lorraine will not fit into any
of her costumes, so we're getting her a brown dress for Act One, and a red
gingham for Act Two." Mark was having NONE of this ... asked how
much the producer was going to pay to rent these dresses, and he and a friend MADE her set of dresses: A green for the opening, a purple suit for the second
half of Act One, an AMAZING red Dolly dress, a sailor dress and a wedding gown
for Act Two. Made to fit her to a "T". They built a dress form using her measurements, and named her Lorraine, and ... on this particular occasion,
Mark's roommate, who had her measurements (roughly), although he was a foot
taller than Lorraine, was trying on her dress. It was at this moment that she knew
Mark and she would be forever friends.
Lorraine told me that playing this role simply made her a better
performer. One CANNOT live as Dolly Levi for ANY amount of time, and
experience the richness of this role without being eternally changed for the
better.
Joe
... despite casting himself in every plum character role ever written ... is an
amazing, funny and very talented actor and singer. We were friends, which
made the experience all the more pleasant. His portrayal was
presentational and humorous.
Lorraine feels that Jerry Herman is a national treasure. She
loves the shows that he's written without exception. As much as she loved
doing Dolly, she had a BALL doing a production of "Jerry's Girls", and
got the opportunity to sing both "Time Heals Everything" and
"Have a Nice Day". Rich, glorious music.
Again via Mark York, Lorraine was very privileged to
perform in a tribute to Jerry, in a one-night-only star-studded "Mack and
Mabel in Concert", to which Jerry attended a rehearsal and the
performance. A gracious and wonderful man, she was honored to meet him, and
beyond honored to share the stage with him.
She feels that Gower Champion was an incredible director and
choreographer, whom she wishes she could have met before his untimely death.
The first time Lorraine heard the full score of the
Broadway version was at the first read-through of their production, and they
listened to the Pearl Bailey recording. She remembers feeling very
overwhelmed that she --- "little old me!" --- would get to sing these incredible
songs!
Aside from Barbra Streisand, Lorraine has only seen a couple of
community theatre productions. She is sorry that she does not remember their
names.
None of them were bad ... they were good with
timing and had musicality ... but Lorraine felt something was missing in each case.
Lorraine and Gerard |
Lorraine confesses that she didn't have much time to evolve once the show
opened before it closed 8 performances later, but she did find little nuances
each time she stepped into that first "Call on Dolly" costume. She
had all of the cards printed exactly as Dolly says her various talents, and
they tended to empower Lorraine to be DOLLY to the maximum.
Lorraine said she won't do it without Mark York ... and if she could have him musically
direct and/or direct, then, no,she would do NOTHING differently.
Here's hoping Lorraine descends those stairs again at the Harmonia Gardens very soon!
Thank you, to Lorraine, for the gifts you have given and continue to give to the world.
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
Tomorrow's blog will be..Randi Levine-Miller!
Thank you, to all the mentioned in this blog!
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
This Blog is dedicated to Al Koenig! THANK YOU! THANK YOU!! THANK YOU!!!
Thank you, to Lorraine, for the gifts you have given and continue to give to the world.
Your devoted fan,
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
Reserve today for Peggy Herman. Click on the above banner and be part of our star studded audience!
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
Tomorrow's blog will be..Randi Levine-Miller!
Thank you, to all the mentioned in this blog!
Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
Richard Skipper, Richard@RichardSkipper.com
This Blog is dedicated to Al Koenig! THANK YOU! THANK YOU!! THANK YOU!!!
Great blog entry, loved it! I saw Lorraine in that 1994 rendition of Dolly and she was great!
ReplyDeleteTry keeping a straight face on stage with Lorraine as Dolly...it wasn't easy...but WOW was it a lot of fun!!!
ReplyDelete