Terry DeMari's Memories of Hello, Dolly!
Terry DeMari was in Hello, Dolly! from September 1965-1968.
He joined Carol Channing's first national company in 1965, as Dance
Captain. Her company eventually performed at Lyndon Johnson's
White House for his birthday celebration. Also worked as Dance
Captain for productions of Dolly starring, Eve Arden in Chicago, while Channing
took time off to film Thoroughly Modern Millie in Hollywood, and Ginger Rogers at the
Riviera Hotel in Las Vegas.
In 1967 the David Merrick office hired him at Gower Champion's request, to re-stage the original choreography for a new touring company featuring Hollywood film star, Dorothy Lamour. Lucia Victor directed Ms. Lamour's company. Terr's connection to the musical involved four stage and film stars.
In 1967 the David Merrick office hired him at Gower Champion's request, to re-stage the original choreography for a new touring company featuring Hollywood film star, Dorothy Lamour. Lucia Victor directed Ms. Lamour's company. Terr's connection to the musical involved four stage and film stars.
Terry was living in Hollywood when the audition call was listed
at the local Actor’s Equity Office. He
had been unemployed for some time and needed the job badly. The first call seemed easy, and he was asked to
come back for the final call.
I asked for his thoughts on the Dollys he appeared with.
Carol was friendly, very respectful , and never missed a
performance.
Her portrayal was sly, mischievous, and never ad-libbed or changed a single word, movement, or dance step. She was adamant about others doing the same. By the 2nd month of performing they had terminated contracts for four male dancers who had problems and did not work out.
Eve Arden was a down-to-earth kind, everybody’s friend. Her portrayal was humorously sarcastic, and very much like her famous TV character, “Our Miss Brooks” One evening after a performance in Chicago, Even and her husband Brook went to Terry's apartment for a chat and drinks. Brook and Eve loved their bourbon and Terry remembers that they both drank two large water glasses of bourbon…..straight….no ice. See the photo of Eve and other cast members outside the Shubert stage door in Chicago, with all their dogs. Often while traveling, people would ask if we were with a “dog show.
Her portrayal was sly, mischievous, and never ad-libbed or changed a single word, movement, or dance step. She was adamant about others doing the same. By the 2nd month of performing they had terminated contracts for four male dancers who had problems and did not work out.
Eve Arden was a down-to-earth kind, everybody’s friend. Her portrayal was humorously sarcastic, and very much like her famous TV character, “Our Miss Brooks” One evening after a performance in Chicago, Even and her husband Brook went to Terry's apartment for a chat and drinks. Brook and Eve loved their bourbon and Terry remembers that they both drank two large water glasses of bourbon…..straight….no ice. See the photo of Eve and other cast members outside the Shubert stage door in Chicago, with all their dogs. Often while traveling, people would ask if we were with a “dog show.
Eve
Arden and cast members outside Shubert Theater,Chicago with all their little
pets. Terry is 3rd from left holding GiGi, poodle he acquired while doing My
Fair Lady in 1957
|
Ginger Rogers and David Burns |
Ginger Rogers was someone Terry admired from her early thirties
films with Fred Astaire. She still
looked good physically when she was doing Dolly at the Riviera Hotel in
1967. Her portrayal of Dolly was similar to her
films……humorous, sincere, and a bit bawdy at times. She seemed to like the male dancers more than
the girls and often took the male dancers out to dinner after the show.
Dorothy Lamour was the nicest, friendliest of all the Dollies. She had a little difficult
learning the script and the dance numbers.
She would say that in films, an actress needed to memorize a few pages
of script…..shoot the scene, and go home till the next time. In learning Hello Dolly!, she had to memorize
the script for an hour and a half show
making it much more demanding.
Dorothy Lamour and company |
Terry rehearsed Dorothy in Hollywood for two weeks prior to her opening in Las Vegas to
share in the performances with Ginger Rogers.
She had a great deal of difficulty learning dance steps and by two2 days
before her opening Terry was worried and wasn’t sure she would make it. Seeing her frustration, he said to her, to
not worry about the steps but to think about her seductive movements which she
utilized often in her early films.
Saying that seemed to click something in her head. A light bulb lit up and she went into her
song and hula movement of “A Little Grass Shack” using her arms, hands, and hips. Then Terry told her to use that attitude in the
dance steps she was learning for Dolly.
It worked perfectly. The hat and
cane number “So Long Dearie” in Dolly
was done to perfection. She loved it,
looked great, and Terry directed her into
the Las Vegas Company where she would do the late show, and Ginger would do the
early show. he detected a bit of
professional jealousy between the two stars and never saw them speaking to each
other. After the Riviera engagement, Terry
was hired by the David Merrick office at Gower Champion’s request to audition
and hire singers and dancers for a new touring company featuring Dorothy
Lamour. Her company went on tour
receiving outstanding reviews. He stayed
with the Lamour company for approximately two months and gave his notice when they
arrived in San Diego.
Dorothy remained a good friend up to her death. She would telephone Terry in Hollywood to gossip
and chat several times a year.
Gower Champion is Terry's favorite person and choreographer of all time. Always professional, but calm and friendly. Gower conducted the final audition call in which he decided Terry was not someone he wanted in the show.
Terry was extremely upset at being turned down. Gower asked Terry to leave after the first waltz across the stage. Being elimionated was a shock to Terry after making the first audition and knowing Gower was taking two dancers who admitted they never had a dance lesson in their life.
Gower Champion is Terry's favorite person and choreographer of all time. Always professional, but calm and friendly. Gower conducted the final audition call in which he decided Terry was not someone he wanted in the show.
Terry was extremely upset at being turned down. Gower asked Terry to leave after the first waltz across the stage. Being elimionated was a shock to Terry after making the first audition and knowing Gower was taking two dancers who admitted they never had a dance lesson in their life.
Gower Champion |
Difficult to recall a
best moment for Terry. The leads were always
major film and stage legends making all the performances important, and fun to
do.
Rehearsals lasted either four or six weeks at an old theater in
downtown Los Angeles. The show was
scheduled for an indefinite run. In
1965, the Watts riots were in full
progress about ten blocks away from the theater. Frequently, they would see the military trucks
roar by with guards carrying guns, There was much noise and smoke coming from
the riots, but rehearsals always continued.
The first performance for Terry
was frightening. In spite of four weeks
rehearsal, and learning all the dances and musical numbers - getting on stage with a live orchestra, a
full house, is a surprise that could affect anyone.He had a very fast quick change in the wings where he had to get
out of one costume and into the athlete’s outfit for the "Parade" number. His exit was Stage Left, and the entrance was
Stage Right. There wasn’t a crossover
space behind the backdrop, but he made the crossover nevertheless, stumbling and
causing the backdrop to move.
His
personal dresser was also nervous, and the parade went on without him for the
opening. He prayed that Gower didn’t
notice, but if he did, he never mentioned it.Terry took great care to check future theaters
for crossovers, and made sure that
dressers were well rehearsed.
Opening nights for any show are scary. No amount of rehearsals will change the
opening night jitters that all performers experience. The first Carol Channing national company
opened the newly built Music Center Chandler Pavillion in Los Angeles in
1965. The Chandler theater was brand
new, elegant, and beautiful making their opening
night very special.
Terry's favorite memory
of each Dolly
The Channing company:
Audiences were always enthusiastic.
The public loved Carol and Carol never missed a perfomance. Her portrayal of Dolly was perfect every
night as she never ad-libbed, or changed a single gesture, eye or arm movement,
or word.
The Eve Arden company;
her unique rendition of the role and her friendliness
The Ginger Rogers company:
Knowing he was working with a famous film legend whom he admired greatly
from the early Fred Astaire musical shows.
Terry's worst experience
occurred in Dorothy Lamour’s company, when
the David Merrick office decided not to pay him his Dance Captain salary
increase.
Terry's thoughts on other Dollys he has seen...Terry never can
understand why Hollywood chose Streisand for the movie, instead of the original
Carol Channing. Thought the Pearl
Bailey production was unusually good.
Terry and Dorothy Lamour |
The Betty Grable production in New York had its ups and downs. While rehearsing the Lamour production there, Ms. Grable had a dispute with her hair dresser about his stealing something.
Terry says it was an honor to
work with Jerry Herman who always was respectful to everyone.
The first time Terry heard the score, he thought the score was
ok. The show stopper was the Hello, Dolly!
song and dance number.
What one major change has Terry seen in the industry since he first
started in this business?
To ALL the Dollys past, present, and future, thank you so much for the gifts you have given and continue to give to the world.
Your devoted fan,
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