A Preview of my book on Hello, Dolly!
Happy Saturday!
I wanted to give you a spring gift. An update on my book progress.
Peter Filicia says in his great book on Broadway Musicals: The Biggest Hit and The Biggest Flop of The Season: 1959-2009, "It's a rare musical theatre theatre enthusiast who doesn't know David Merrick gave Jerry (Milk and Honey) Herman a mere weekend to write songs for his planned musical version of Thorton Wilder's The Matchmaker."
Peter Filicia says in his great book on Broadway Musicals: The Biggest Hit and The Biggest Flop of The Season: 1959-2009, "It's a rare musical theatre theatre enthusiast who doesn't know David Merrick gave Jerry (Milk and Honey) Herman a mere weekend to write songs for his planned musical version of Thorton Wilder's The Matchmaker."
He goes on to say that, "Herman went home and absorbed the story of Dolly Gallagher Levi, the Yonkers widow who entices the wealthy Horace Vandergelder to New York City, ostensibly so he can meet much younger widow Irene Molloy. (Of course, Dolly plans to get Vandergelder for herself.) "
One of the forgotten Dollys, Thelma Carpenter |
CALL ON DOLLY: A celebration of Broadway’s Greatest Musical since we last corresponded.
I hope this finds you well!
I just wanted to give you the latest updates on my book, I hope this finds you
well! I just wanted to give you the latest updates on my book, CALL ON DOLLY: A Celebration of Broadway’s Greatest Musical since we last corresponded.
Check
out my blog on Wayne Clark’s Memories of Hello, Dolly! (He was in the first
national tour with Carol Channing:
Keep
checking www.CallonDolly.com (It is a work in progress. Updated daily.
What is not there that YOU would like to see there?)
We
Have a Fan Page On Facebook. Hit the LIKE button and get book updates: https://www.facebook.com/CallOnDollyACelebrationOfHelloDolly
Also,
Check out my blog on Ron Young (Original company).
In
addition to and Wayne Clark and Ron Young, I have interviewed Mary Ellen
Ashley, Johnny Beecher (Barnaby Tucker in Mary Martin’s international tour), Carol Channing, Carole Cook, Stephan deGhelder, Marcia
Milgrom Dodge (current production of Dolly at Jupiter Dinner Theatre in
Florida), Jack Dyville (Yvonne deCarlo company), Charles Karel, Sue Ane Langdon, Sondra Lee (Broadway’s original Minnie Fay), Bruce Morgan (Yvonne
deCarlo’s son), Roberta Olden (she was Ginger Rogers’ personal
assistant).
I also have interviewed cast and crew of various
productions.
This book will be a celebration!
I am including some of these interviews as part of my
blog to build up the excitement in anticipation of this book.
Is there anyone YOU think I should talk to?
With a MAJOR thank you to Al Koenig Jr. whose help is immeasurable!
In 1963 it was decided that there was going to be a musical version of The Matchmaker
by Thorton Wilder.
What was not known was that the show would create
history. Jerry Herman said to THEATER WEEK in October 1989: "The
Detroit tryout wasn't a happy time. Merrick over-panicked. It was a
little lumpy--but it rang!"
In October 1995 Herman told the same
publication: "I was not really treated very well by Mr. Merrick." The
producer's thumbprint was ever-apparent. When Pearl Bailey gave the
show a new lease on life beginning November 12, 1967, Merrick took an ad
in the TIMES calling this "The Event of the Century." When Bailey got a
call to do an Ed Sullivan show, Merrick sent along the entire company.
Mary Martin was well represented
in the documentary "HELLO, DOLLY
'Round-the-World" on February 7, 1966 and Carol Channing and Pearl
Bailey toasted each other in the tv special, CAROL CHANNING and PEARL
BAILEY on BROADWAY, on March 16, 1969. After
his passing, Merrick's influence continued to be relived in a February
25, 2002 VARIETY feature: "Of course, the most popular model for
replacement casting is the way David Merrick put Ginger Rogers, Pearl
Bailey and Ethel Merman in HELLO, DOLLY! after Carol Channing went on
the road."
The original working title was Dolly, That Damned Exasperating Woman.
How's that for a title!? But after the successful Louis Armstrong
recording of the number one hit song Hello, Dolly!, which came out
before the show made it to Broadway, the name of the show was mercifully
changed to the title that we've all come to know and love.
Before
the show opened on January 16, 1964 at the St. James Theatre in New
York, it had already had quite an interesting journey. The Matchmaker was an updated treatment of The Merchant of Yonkers starring Jane Cowl which was based on a Viennese trifle called Einen Jux will er sich machen (1842), (He Will Go on a Spree or He'll Have Himself a Good Time), which came from in 1835 English comedy called A Day Well Spent.
So you have A DAY WELL SPENT.
A milestone in that journey was reached on September 9, 1970 after the
2718th show when Dolly Levi surpassed Eliza Doolittle as Broadway's
Fairest Lady: a cake was rolled out, the number of performances
outlined in candles. The icing read "HELLO, DOLLY! Longest Running
Musical in Broadway History." It was Merrick's day-- and had he had his
thumbprint on it-- by inviting the press.
Merman, still in her curtain
wedding dress, helped blow out the candles, but she did not forget the
show. Her last concert night on stage was in Daytona Beach, Florida in
1983. The eleven o'clock number was "Before the Parade Passes By," prefaced with her recalling that she had agreed to extend her three month contract as David Merrick wanted to break the MY FAIR LADY record: "What could I say? He's a nice man."
The comment solicited unintentional laughter.
My story is going to focus on those that were integral to the various productions of Hello, Dolly!
both on and off stage and especially the women who played Dolly on
Broadway, in film and in productions around the country and the world.
On
May 15, 1977 the "last" Broadway Dolly and the International Dolly
descended two staircases in full costume at the Broadway Theatre.
The
occasion was a fund raiser for the Museum of the City of New York-- it
became the roof raiser of our time when Merman said "Well, Hello, Mary--
still crowing?" And Mary Martin answered: "I'm still crowing strong.
"Er er erooo."
Ruth Gordon played the irrepressible Dolly Levi in The Matchmaker
on Broadway. Shirley Booth would do the film version. That was in 1958.
Six years later, thanks to the chemistry of Michael Stewart, Gower
Champion, Jerry Herman, a host of other talents, and especially Carol
Channing, there was a new life brought to Dolly Levi and she thrives to
this day. Miss Channing related a quotation by Sir John Gielgud to tv
host Charles Osgood: "You Americans forget your classic characters--I
do Hamlet every fifteen years or so.
You should continue to do HELLO, DOLLY!
Our contribution to American art form is the American musical comedy--
musical theatre." And Walter Kerr offered that Carol Channing is "the
only creature extant who can live up to a Hirschfeld."
I wonder if we
will ever see another star-driven vehicle on the level of this show.
Most people don’t know who is playing Mary Poppins on Broadway today.
It's a different Broadway from the Broadway in 1964 when Dolly! opened. Producers nowadays very rarely put a star's name above the title. They are hoping that the show is story-driven.
And
of course, there are no David Merricks around anymore. Mr. Merrick was
able to keep this musical alive on Broadway and in major tours and
productions around the country as the world was quickly changing all
around.
This show came to Broadway just as the country was still reeling
from the JFK assassination; people needed to be cheered up.
Two forms
of entertainment contributed to this: a musical called Hello, Dolly!
and an arrival or invasion: The Beatles landed in America. The show is
set as the 19th becomes the 20th century and with Vietnam, the
assassinations et al., it took people back to an easier and more
innocent time and place.
Both Martin Luther King and Robert Kennedy
would be assassinated during the run of the show on Broadway. The
Vietnam War was raging. And popular culture was changing especially in
the music industry and what people were seeking as far as entertainment.
Hello, Dolly! had one purpose and one purpose only… to
entertain. From 1964 until 1970, night after night on Broadway, a lady
with a feathered headdress and a red evening gown, the likes of which
had never been seen anywhere before, would descend the stairs at the
Harmonia Gardens and audiences would be on their feet cheering.
For
seven years, those women were Channing, Rogers, Raye, Grable, Bailey,
Diller, Merman, and from time to time Bibi Osterwald who stood by for
most of these women.(And Thema Carpenter that stood by for Parl Bailey and went on 110 times earning her name here).
Ruth Gordon in The Matchmaker |
While these women were appearing on Broadway,
around the country Dorothy Lamour, Eve Arden, Michele Lee, Alice Faye,
Edie Adams and Yvonne De Carlo were playing on tour.
Carole Cook was
leading the Australian company and Mary Martin performed in the
International company: she toured cross-country, ending in Portland;
went to Japan, closing on September 9, 1965 in Tokyo, asking "Louie,
would you please tell these dear people how welcome they have made us
feel in Tokyo." then went on to Vietnam for eleven shows - and then to
London. Hello, Dolly! was made into a major motion picture
starring Barbra Streisand, opening on Broadway and 49th St at the Rivoli
Theatre DURING THE PHYLLIS DILLER run of the show.
Over the next
three decades, from the time that she first descended the stairs of the
Harmonia Gardens, Carol Channing would go on to do over 5000
performances of this iconic role, closing on January 28th, 1996 at the
Lunt -Fontanne Theatre.
On March 5, 1978 the first Carol Channing
Broadway revival opened at the Lunt- Fontanne. A Reviewers' Reel
preserves the line "a name I know as well as my own." A World Tour
began on July 26, 1983: "Dear, Dear People of San Francisco and
Environs.... It's a tremendous honor that tonight on our Opening night
here that we have the great lady of the American theatre, Mary Martin."
The final return to Broadway, again at the Lunt, opened on October 19,
1995, closing on January 28, 1996 after a two week extension. Over the
stage door were these words: "Through This Door Walks a Broadway Legend
Eight Times a Week."
At her final New York curtain, Miss Channing
said "But you're just standing there. You're not going anywhere!" It is
hoped that these memories go everywhere-- and that future generations
can now learn of a classic American character.
This book is dedicated to
those who played Dolly on stage, those who knew her on stage-- and to
the audiences that cheered the show from the front rows to the
balconies. May Dolly never go away.
The craftsman behind HELLO,
DOLLY! was David Merrick.
His red office was upstairs and next-door-to
the St. James. He was "hands on," his thumbprint on every cast change.
VARIETY had cited his contribution in his obituary on May 1, 2000: "When
business lagged for his long-running hit HELLO, DOLLY!, he
returned it to sold-out status with an all African-American cast that
headlined Pearl Bailey and Cab Calloway."
Ginger Rogers |
Without the appearance of
Pearl Bailey the show would have closed after four years. But at the
Tony Awards on April 21, 1968 Jack Benny began to note a new era: "You
know, a replacement in a Broadway show is not eligible to be nominated
for a Tony Award, but if anyone ever deserved a special award, it's Miss
Pearl Bailey." The same evening Merrick was cited: "This year he
crowned his achievements with the concept and presentation of the all
new HELLO, DOLLY! 1968."
The show had first been offered
to Merman who had turned it down: "Maybe I was rude; I don't know." It
was ironically fitting that she would close the original Broadway run:
"I didn't open Dolly, but I closed her." Impresario David
Merrick had announced a Saturday night December 26 Closing in the
November 30, 1970 NEW YORK TIMES.
Martha Raye |
But ticket sales were strong and a
Sunday matinee was added. So Merman closed the original run with a
curtain speech on December 27: "Well, I don't know about you, but I'm
going out for some Neapolitan ice cream!" It was 5:21 p.m., so
documented by the DAILY NEWS. To paraphrase Dolly and Mrs. Rose: It had
been a long time, a long, long time since the original VARIETY ad on
January 8, 1964: "Season's Greetings-- Carol Channing Starring in David
Merrick's Production HELLO, DOLLY!"
Now, I need an agent! Any suggestions?
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
Reserve today for Peggy Herman. Click on the above banner and be part of our star studded audience!
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
Tomorrow's blog will be..Terry DeMari's Memories of Hello, Dolly!
Thank you, to all the mentioned in this blog!
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
This
Blog is dedicated to Al Koenig! THANK YOU! THANK YOU!! THANK YOU!!!
Now, I need an agent! Any suggestions?
To ALL the Dollys past, present, and future, thank you so much for the gifts you have given and continue to give to the world.
Your devoted fan,
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
Reserve today for Peggy Herman. Click on the above banner and be part of our star studded audience!
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
Tomorrow's blog will be..Terry DeMari's Memories of Hello, Dolly!
Thank you, to all the mentioned in this blog!
Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
Richard Skipper, Richard@RichardSkipper.com
Richard,
ReplyDeleteI am so excited for you and for the book. It will be a joyous celebration when it is published. Hey, maybe they'll make a musical out of it ;-)
Cheers,
Stephan